78 rpm Magazine

Dinosaur Discs Collectors Magazine
Issue 55 : Summer 2010

CONTENTS
~~ June 2010 - record fair
~~ Jan Rudenyi - violinist
~~ Kalliope Company - matrix listing
~~ Talking Machine Societies - Liverpool
~~ Billy Williams - Where Does Daddy Go?
~~ From the Shows - On With The Show (1927)
~~ Leonard Henry (1890-1973)
~~ The New Records - April 1955
~~ Where Were They Then? - from The Stage 1958
~~ Quiz - more tangled 78's to unravel
~~ Prices of Old 78's - recent auction prices

To discover the identity of the artist on the Ariel record seen here, you'll have to scour through the articles in this magazine!

On the left is a picture from the recent Birmingham International Record Fair- my report, click on the heading above

Next issue is mid September
and includes a bit on Scala records, among other articles.

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From a The New Records catalogue supplement
for April 1955

For 6d (about 3 new pence) Gramophone Record Review issued a monthly supplement to the record catalogues in a rather uninspiring yellow cover. But each issue does provide a most helpful insight into the era, even though by this date a lot of the material was on LP and 45. Here are the individual record details:

Brunswick 05390, 05398-05412, 05418-05420 with of course Bill Haley, and no less than three Bing Crosby discs.
Capitol CL14234, CL14255, CL14257-60, CL14262-6, CL14270-1, CL14275-8. The pick was The Duke on CL14260.
Columbia DB3592-3602 and LB149 and 150, DX1927, FB3736-8 and FB3740. It seems there's not much better fare than Victor Silvester.
Decca F10483, and F10486-94, 96-99, 10502, 10505-6, 10510. This last was a hit for Lorrae Desmond.
Esquire 10-436 to 10-440.
HMV DA2076 and 7, B10848-60, BD6194, BD1337 by Ken Mackintosh.
London only three records- HL8128-30. The last was Oscar McLollie Honeyjumpers: Take Your Shoes Off Pop.
Mercury MB3208-16 including Sarah Vaughan (MB3210) and Georgia Gibbs (MB3209).
MGM 812-821. A set of four from Deep in My Heart.
Parlophone R4000-011, F2550, F3499, F3500. Pick might be Boyd Bennett Everlovin' (R4002).
Philips PB318, PB380 (a rare Errol Flynn 78), PB388, PB407-8, PB412-7, PB419-29, PB431-436, PB441, BB2004 (Joyce Grenfell), BB2005 (Mahalia Jackson).
Polygon P1158-9, P1161-2. Kenny Baker, Dinning Sisters, Dorothy Squires.
Vogue V2298, 2304, 2307-13, 2315-8. Artists such as Josh White.
Vogue-Coral Q72066-73, including three by Don Cornell after his runaway I'm Blessed.
In the International section, you could purchase such improbable fare as Peter Dawson on HMV JO388 singing Boots/ On the Road to Mandalay, surely a reissue of an old B series disc.

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From the Shows
During the latter part of the 1920's, each summer Regal issued recordings of a Blackpool show.

In 1927 the records were from On With The Show with the stars appearing on four discs:
Regal G8874 Walter Williams singing Tinker, Tailor, Soldier, Sailor/ I don't mind being all alone.
Regal G8875 Fred Walmsley: Mulligatawny/ We're the Sunday Drivers.
Regal G8876 Walter Williams and Winnie Collins: I can't believe that you're in love with me.
Reverse side: Stanley Vivan: My tumbledown cottage of dreams.
Regal G8877 Stanley Vivian and Stella Browne: Indian Butterfly.
Reverse: Stella Browne: Never too late for love.

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AUCTION PRICES - 2010
Selected prices on eBay auctions from European sellers January to March 2010.
Of course, probably for every record sold on eBay, possibly at least five, putting it generously, receive no bid at all.

Carl Perkins... Gone Gone Gone: Sun 224= Ł250.00
Jerry Lee Lewis... Breathless: London HLS8592= Ł16.00
Duane Eddy... promo from 1962 RCA Victor SD-30 didn't sell (asking price Ł250)
Elvis... Surrender/ Lonely Man RCA 71.400 (1961)= Ł101.19
Elvis... Mystery train/ I Forgot: Sun= Ł400.00
Elvis... Milkcow blues boogie / You're a heartbreaker: Sun 215= Ł820.00
Billy Fury... Maybe Tomorrow= Ł51.00
Pete Seeger... Talking Union Blues: Topic= Ł13.00 (seems a good buy to me)
Carter Family... The Last Move For Me: Montgomery Ward label 8002= Ł4.99
Savoy Orpheans... Dominion B28 (blue label) only= Ł3.00 for some reason much less than
Savoy Orpheans... Dominion A244= Ł16.00
Jack Jackson with Alberta Hunter... HMV B6525 =Ł3.00
Billy Mayerl... set of piano instruction 78's in album= Ł29.99. These are quite common, though the album is rare.
Gertie Gitana... Silver Bell: Jumbo Ł5.19 (originally failed to sell at Ł4.99)
Record Talking Book in the shape of a kilted Scotsman= Ł129.00
John West... Durium Advertising record= Ł13.50
The ubiquitous Ludwig Koch... Hunting by Ear (record and book)= Ł43.45
Muffin The Mule... Wash Day= Ł36.35
Andy Pandy record books (two)... Golden Voice= Ł10.50
Comedian Harmonists... The Way With Every Sailor/ Over the Blue: HMV B3972= Ł63.77
Ida Haendel... Dvorak Violin Concertio Decca AK1744-7= Ł39.00
Christian Ferras...Elizalde Concerto for Violin and Orchestra Decca AK1777-9= rather a snip at Ł17.90

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The SONGS of BILLY WILLIAMS (1878-1915)
This magazine: Where Does Daddy Go When He Goes Out?
This is one of the best and sauciest of his later songs.
There were versions all recorded late 1912:
Columbia 1978, Zonophone 911, Homophone 1131, Jumbo 898
Recorded early in 1913 were:
Pathe 79973 and Favorite 565,
On the Columbia version Billy announces the title, adding his terse comment: "you may as well ask where the fire goes when it goes out!(laugh) Oh dear oh dear (laugh)." To conclude he sings unaccompanied ending on a monotone thus: "I'm going downstairs so... oh goodness me, what a voice! (laugh)"
The Zonophone version starts almost identically with the title, and: "well you may as well ask where the fire goes when it goes out!(laugh). At the end he sings in a deliberately deep voice and remarks: "I've got a bit of a scab voice tonight, never mind about a base voice or a bass voice or... (laugh). I'm awfully sorry for singing these songs you know. Of course we have to do something for a living haven't we? Oh yes, it's awfully jolly... goodnight old sport hahahah." A typical chatty piece!
The Homphone version starts exactly as the Columbia one though the end is a mixture of both previous efforts: "What a funny voice I've got tonight," as he sings on a monotone. "Father, you'll pop out when you go out tonight. I'll bet you that(laugh)." Whatever he meant by that.
The Jumbo starts with a slight variation "I say mother...." followed by the title and then the familiar: "well you may as well ask where the fire goes when it goes out (Laugh)... come on me lads." The ending is more abrupt with only some unaccompanied singing and: "there's a funny note(laugh)."
The Favorite version starts the same as the Columbia even down to the oh dear:"you may as well ask where the fire goes when it goes out!(laugh) Oh dear oh dear (laugh)." In the second chorus he sings Three Blind Mice and the customary unaccompanied singing at the finale yields: "that's a funny voice isn't it?" plus some incoherent further remarks.
On Pathe, not for the first time, he slightly muffs his announcement after the title: "well you as well ask me where the fire goes when it goes out." The final singing solo brings forth the observation: "that's a bass voice I've got tonight, or a scout voice, or something like that (laugh)."
Unlike his earlier songs, there's not nearly so much variation in the recorded versions. Despite this, we should let that detract from the general brilliance of the lyrics.
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Talking Machine Societies
were the forerunner of the Gramophone Societies in the era before the first war. Accounts of their activities make fascinating reading today.
3- Liverpool. This group was inaugurated on January 27th 1913. The second meeting on March 12th that year was held at St George's Restaurant in Redcross Street. 29 members listened to band records. In the phonograph section, five cylinders were played, the winner being the Cavalry Charge by the Edison Military Band. The winner in the gramophone record section was the 12 inch Columbia of Semiramide. The two members who had brought the winners won tokens worth five shillings to be expended at any local dealer. Then a vocal record was played by a Mr Garnett, and it was much admired, Nellie Melba singing the Mad Scene from Hamlet.
The next meeting on March 26th saw a Mr Newby record members' voices on his phonograph, and when this was played back "was productive of much merriment." Newby also recorded a piano, always a difficult instrument for an acoustic machine, but "the whole piece was most satisfactorily rendered," presumably by the standards of the day. A Mr Keizer then lectured on gramophone needles, and of those demonstrated, members liked best the Odeon needle.
The April meeting on the 23rd included a competition for humorous recordings. Finigan's Jamboree was the Edison cylinder winner, while the gramophone winner was declared to be Tom Clare's version of the Telephone, which indeed was a best seller (HMV 01047). The record, or its electrical rerecording, turns up even today in many collections of 78's.
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Leonard Henry

Born in 1890, Leonard Henry primarily made his name on the radio as an eccentric comedian. He also appeared in a few films in the 1930s and recorded fairly extensively between the wars.
If I said that he appeared on the London stage in The Cocoanuts in the role originally played by Groucho Marx, that will give you an idea of his style. John Watt described his art thus, "Leonard Henry invariably picks upon some ordinary everyday incident and exaggerates it to the point of fantasy."
The lyrics of one of his songs will give you a better idea:
"I am Skin-and-Grief, son of Run-like-the-Devil, wow!
My heart is full but my tummy is empty.
Curse these Hay-Hay diets, wow!
The mother of my wife approaches, she must join the club, bam!
How the old face has changed, ai,ai!
The old fossil's as tough as a stockbroker's heart, wow!
Why does my wife inkipinki parlevoo so much, wow!
I must introduce her to a sabre toother tiger,
Or place a flying scorpion in her bath water, wow!"

The first records I have traced by Henry date from 1928 on the HMV label. In 1931 he appeared on Broadcast, then made a string of discs for Sterno most of which are quite rare today. One however sold well, deservedly so, and is easily found. It is the archetypal I Can't Wed a Woman Like That on Sterno 682, coupled with Oh Alice Where Art Thou? The following year he switched to the dying Zonophone label and later in the 1930's appears on a number of advertising discs for companies like Durium.
Leonard Henry died in 1973.
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Variety Acts Who Made 78's Still Going -
(From the trade paper The Stage January 1958 )
On the front page, news of a midnight matinee to come shortly with Norman Wisdom, Where's Charley, at the Palace Theatre in memory of Jack Buchanan, in aid of a cancer laboratory. Diana Decker also makes the front page (albeit with her name spelled 'Dekker'), as it was announced she was doing four weeks in cabaret starting January 27th at The Society.
Another Brit invasion of America was announced. This one by Frankie Vaughan who claimed he was "the spearhead of a British attack." He told a reporter of the opportunities, "they have colour tv, night clubs, show places. I want to work and sing as much as I can while I can." He was making a five month tour, after a four week spell at The Palace starting January 20th.
There's a photo of Billie Anthony who recorded for Columbia. She is showing off her Oscar for Variety Artist of the Year, just before leaving for a tour entertaining our troops in the Middle East.
Famous Zena Dare is also pictured, about to appear as Mrs Higgins in My Fair Lady at Drury Lane. A brief biography of her wonderful career is given, commencing with her debut at The Coronet at Christmas 1899 in The Babes in the Wood.
A lesser known old star, Roy Barbour who recorded on Rex Records, was presenting his show High Lights of 1958 at the Norwich Hippodrome. Roy owned The Arcadia in Lowestoft.
Bandleader Eric Winstone was claiming that melody was "paying off," he meant in contrast to skiffle and rock. He said, "we have found it to be true of our Monday evening Light programme radio show." He had added a string section to his normal band, and the show which had started in September 1956 was scheduled "to go on and on." He was also playing for two nights at the Savoy Ballroom Southsea.
Other bookings included Chas McDevitt at the Bournemouth Royal Ballroom on January 17th, and Betty Smith and her Quintet at the Winchester Lido ballroom on January 23rd. To mark the 21st year of the Southampton Guildhall, Joe Loss was booked for several dates in February, along with Harry Davidson taking the Old Time festivities, and Cyril Stapleton making their first dance date there.
Eugene Pini was booked at the Scarborough Spa for the next two seasons. He had a band of 17.
The Six-Five Special on tour was at the Salisbury Gaumont on January 19th, and was also booked at the Southampton Gaumont on February 9th. On the bill were Kenny Baker, Don Lang and His Frantic Five, plus Rosemary Squires, Joe Mr Piano Henderson and Carl Barriteau.
Ken Colyer and His Jazzmen had a large audience for an appearance at Croydon's Civic Hall. "Their unity was well displayed."
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Jan Rudenyi
Raimund A Pechotsch was born in Vienna, a child violin prodigy who started playing at the age of only three. At the age of eight he was touring in Australia. He first performed in Britain under Dan Godfrey, playing at the Bournemouth Winter Gardens, at the age of only ten! At 12, he was touring in South Africa with Madame Belle Cole when war was declared. He was involved with the siege of Kimberley and became an early example of an entertainer of the troops, when once he played at De Aar Junction to over 1,000 soldiers. It is said he had been chased by Boers to Harrismith. No wonder he left, with Madame Belle Cole, to Australia, New Zealand, Honolulu, and on to San Francisco. The Key of the West Company then moved through the States to New York in 1903 where he "lost his savings." However a concert paid his passage to London where he worked at the London Pavilion with a sketch The Power of Music. It was so popular he was retained for six months. He recorded under the pseudonymn Jan Rudenyi both on Zonophone and Pathe, for whom he eventually became an exclusive artist.
Sadly, he died aged only about 27 during the first war.

Recordings by Jan Rudenyi:
Zonophone 640- Mazurka de Concert/ Serenade d'Amour (also on Ariel 9607)
Zonophone 731- Carnival de Venice/ Romance in A (Rudyeni)
Zonophone 768- Austrian National Anthem and variations/ Reverie (Rudenyi)
(Note this was issued on Ariel 1048 by Harold Morgan)
Zonophone 871- St Patrick's Day/ Cradle Song
Zonophone 968- Traumerei.
Pathe 202- St Patrick's Day/ Cradle Song
Pathe 319- Humoreske/ Yankee Doodle
Pathe 626- Hungarian Fantaisie (Rudenyi)/ Idyll
Pathe 2062- Mendelssohn Andante and Finale Violin Concerto
Pathe 2063- Vieuxtemps Adagio and Finale Fourth Concerto
Pathe 2100- Bruch Adagio and Finale Violin Concerto
Pathe 2101- Beethoven Larghetto and Rondo Violin Concerto
Pathe 2102- Goldmark Air Concerto in A Minor/ Paganini Concerto in D.
Pathe 2123- Grieg C Minor Sonata 1st and 2nd Movements
Pathe 2131- Bruch Swedish Dances Nos 1-3, 5-7
Pathe 5161- Hungarian Rhapsody / Legende
Pathe 5256- Zigeunerweisen/ Romance
Pathe 5339 Chanson de Venise (Rudenyi)/ Melodie
Pathe- Angel's Serende/ Cavatina (also issued on Actuelle 10352).
Beka 41268- Annie Laurie (also issued on Silvertone)
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Birmingham Record
Fair 2010
Right are scattered a few photos from the fair held at the Motor Cycle Museum on June 6th last.
Familiar faces vie for the treasures, including yours truly, top right.
However I think a general impression you can glean from these pictures is that the event was poorly attended, whether through lack of publicity or a continuing downward trend in interest in old records. Indeed you may spot some pictures show those ghastly artefacts called LPs which proliferate at such events these days.
Compared with the old days (yes, good old days) here there were no really great treasures for sale, albeit plenty of good American jazz, for those who like such greats. However the rarest records were inevitably not the cheapest (gone are the days when you could snap up a bargain from an unsuspecting stallholder!), and I noted the Berliner Puzzle Plate at Ł50- not a bad price since one went on ebay for almost twice that, and a rare Eddie Cochran, marked up at Ł180.
The only improvement from the early days of 1970's Record Fairs was that the venue was extraordinarily plush, with toilets that actually flushed and a floor that didn't creak and shudder when you carried over it your valued box of 78's.
I also visited the well advertised National Vintage Communications Fair in May, and this was heaving with a starting queue of a quarter of a mile long, though admittedly not everyone there was out to purchase records!
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Tangled Records Quiz

Here are some artists, some tunes and some record catalogue numbers, but the list has got muddled up, resulting in some very rare records.... if they ever existed!
What you have to do is match the right artist, title and record number!

Red Nichols ... I got an orse ~~~ Columbia DB164
Ben Davies ... The twenty third ~~~ Philips PB216
Anna Neagle ... Pretty Jane ~~~ HMV NE596
Tau Moe's Tropical Stars ... She was poor but she was honest ~~~ Regal MR812
Tony Bennett ... Rags to riches ~~~ Beka461
Billy Bennett ... Boneyard shuffle ~~~ DeccaF5649
Ras Prince Monolulu ... Kiss me goodnight ~~~ Brunswick01802
Little Tich ... Weekend in Havana ~~~ G&T2-2502

Finished? Well click here for QUIZ ANSWERS

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QUIZ ANSWERS
They're printed rather faint, as we suspect you might have cheated!!
Red Nichols ... Boneyard shuffle ~~~ Brunswick01802
Ben Davies ... Pretty Jane ~~~ G&T2-2502
Anna Neagle ... Kiss me goodnight ~~~ DeccaF5649
Tau Moe's Tropical Stars ... Weekend in Havana ~~~ HMV NE596
Tony Bennett ... Rags to riches ~~~ Philips PB216
Billy Bennett ... She was poor but she was honest ~~~ Columbia DB164
Ras Prince Monolulu ... I got an orse ~~~ Regal MR812
Little Tich ... The twenty third ~~~ Beka461

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K A L L I O P E C O M P A N Y
1 0 0 0 M A T R I X S E R I E S
by David Moore
L a b e l a b b r e v i a t i o n s : K a l = K a l l i o p e, D i p = D i p l o m a, F a m = F a m o u s, B a r = B a r b e r p h o n e , S t e l = S t e l l a , V i c = V i c t o r y, ( f o r m e r l y S t e l l a R e c o r d s ), R a c h = R a c h o p h o n e, L y r = L y r i c, P i o = P i o n e e r, P e l = P e l i c a n, B e s t = B e s t t o n e, B e s t A o r B e s t B = B e s t t o n e ( p a p e r l a b e l o v e r P i o n e e r ), B e s t P = B e s t t o n e ( p a p e r l a b e l o v e r P e l i c a n, S o u = S o u n d w a v e, H e = H e a r t, D i a = D i a m o n d.
Band Names are not normally given as they appear to be fictitious. These codes are for these alleged bands:
* H M I r i s h G u a r d s
+ R o y a l M i l i t a r y B a n d
# B a n d o f H M 1 2 t h H u s s a r s
< B r i t i s h I m p e r i a l G u a r d s
> I m p e r i a l C o n c e r t B a n d
~ R o y a l S y m p h o n y O r c h e s t r a
^ R o y a l G u a r d s B a n d
! R o y a l H o r s e G u a r d s B a n d
\ B a n d o f R o y a l B l u e s
= D u k e o f W e l l i n g t o n ' s O w n

1 0 0 1 J a c k C h a r m a n H u s h h e r e c o m e s t h e D r e a m M a n K a l 6 1 4 9 V i c C 1 1 ( a s C l a u d e G r a h a m )

1 0 0 2 W e a l l g o t h e s a m e W a y H o m e K a l 6 1 4 7 V i c C 1 1

1 0 1 0 B a n d O l d C o m r a d e s S t e l A 1 * F a m 2 7

1 0 1 1 L i g h t C a v a l r y O v e r t u r e S t e l A 1 * F a m 2 8

1 0 1 3 P o e t & P e a s a n t O v e r t u r e p a r t 2 S t e l A 4 * F a m 2 0 3

1 0 1 5 W e a r i n g o f t h e G r e e n V i c A 7 * F a m 3 5

1 0 1 6 P o p p i e s V i c A 1 0 L y r A 1 0 + F a m 3 4

1 0 1 7 M o o r e ' s I r i s h M e l o d i e s V i c A 7 * L y r A 1 0 +

1 0 1 9 V i s c o u n t N e l s o n V i c A 8 * F a m 2 7

1 0 2 1 W V i r g o / J B r o u g h t o n A n E v e n i n g S o n g F a m 5 4

1 0 2 3 W V i r g o / T K i n n i b u r g h M y Q u e e n - - -

1 0 2 4 B a n d M a r s i n a i h F a m 3 5

1 0 2 5 A r m y & M a r i n e V i c A 8 # F a m 3 4

1 0 2 6 W i l l i a m T e l l s e l e c t i o n p a r t 1 F a m 2 9

1 0 2 8 F a u s t s e l e c t i o n p a r t 1 F a m 2 9 , 2 0 5

1 0 2 9 F a u s t s e l e c t i o n p a r t 2 F a m 2 0 5

1 0 3 0 M o r n i n g N o o n & N i g h t O v e r t u r e p t 1 S t e l A 5 # O u r F l a g A 5 F a m 1 8

1 0 3 1 M o r n i n g N o o n & N i g h t O v e r t u r e p t 2 S t e l A 5 # O u r F l a g A 5 F a m 1 9

1 0 3 2 C o r o n a t i o n B e l l s D i p A 1 <

1 0 3 3 J e s s i e B r o u g h t o n T h e S w e e t e s t F l o w e r t h a t m 8 7 "

1 0 3 4 M y T r e a s u r e F a m 4 8 ( a s H e l e n R o b i n s )

1 0 3 5 G e n e v i e v e F a m 5 4 "

1 0 3 7 D e a r l i t t l e S h a m r o c k V i c B 9 F a m 4 8 "

1 0 3 8 T o m K i n n i b u r g h O u t o f t h e D e e p D i p B 6 0 O u r F l a g B 2

1 0 4 0 R o c k e d i n t h e C r a d l e o f t h e D e e p D i p B 5 1

1 0 4 1 T h e D i v e r L y r i c B 7 P i o 1 2 1 ( a s T o m W a t t s )

( P i o 1 2 1 a l s o T W : " D r i n k i n g " )

1 0 4 2 B a n d L o v e i n I d l e n e s s D i p A 1 + F a m 2 2

1 0 4 3 T a l e s o f H o f f m a n V i c A 1 1 +

1 0 4 5 Z a m p a O v e r t u r e p a r t 1 K a l 6 0 4 3 > F a m 1 8

1 0 4 6 Z a m p a O v e r t u r e p a r t 2 K a l 6 0 4 3 >

1 0 4 8 D e p a r t u r e o f t h e T r o o p s h i p O u r F l a g A 5 # F a m 2 4 F a m 2 0 0

1 0 5 1 W r e c k o f t h e t r o o p s h i p O u r F l a g A 1 5 # F a m 2 0 0

1 0 5 5 R i e n z i V i c A 1 8 +

1 0 5 6 I l T r o v a t o r e V i c A 1 8 +

1 0 5 7 1 8 1 2 O v e r t u r e F a m 1 9

1 0 6 2 C h r i s t c h u r c h C a l l s V i c A 1 0 #

1 0 6 3 J a c k C h a r m a n S a v e a l i t t l e o n e f o r m e F a m 5 6 ( a s B i l l y W i l s o n )

1 0 6 5 D o n ' t g o o u t w i t h h i m t o n i g h t F a m 5 6 ( a s L e s l i e M a y n e )

1 0 6 6 I n e v e r h e a r d F a t h e r l a u g h s o m u c h b e f o r e F a m 7 1 ( a s B i l l y W i l s o n )

1 0 7 3 B a n d R e d P e p p e r M a r c h V i c A 1 6 F a m 2 4

1 0 7 5 A m o r e t t e n w a l t z K a l 6 0 1 8 + V i c A 2 0

1 0 7 6 P a s s i n g o f S a l o m e V i c A 1 0 F a m 2 2

1 0 8 1 I n t h e S h a d o w s V i c A 2 0 #

1 0 8 2 C h r i s t c h u r c h C a l l ( d e s c r i p t i v e ) F a m 2 8

1 0 8 3 J a c k C h a r m a n I u s e d t o s i g h f o r t h e s i l v e r y M o o n D i p C 1 O u r F l a g C 1

1 0 8 4 B y t h e L i g h t o f t h e S i l v e r y M o o n D i p C 1

1 0 8 6 R o b e r t C a r r I w o n d e r i f y o u m i s s m e s o m e t i m e s D i p B 1 0

1 0 8 7 L i t t l e S h e p h e r d e s s o f D e v o n F a m 4 1 ( a s H a r r y T r e v o r )

1 0 8 9 S o m e w h e r e a V o i c e i s c a l l i n g D i p B 1 0

1 0 9 0 J a c k & N a n c y C h a r m a n A l l a l o n e S t e l D 2

1 0 9 1 W i l l y o u l o v e m e j u s t t h e s a m e S t e l D 2 F a m 8 6

1 0 9 3 R o b e r t C a r r T h e R o s a r y F a m 4 1 ( a s H a r r y T r e v o r )

1 0 9 4 B e c a u s e K a l 6 0 9 9

1 0 9 5 B e a u t i f u l G a r d e n o f R o s e s V i c B 5 F a m 4 3 ( a s F r e d A n d r e w s )

. . I w a n t t o l i v e i n B r i t t a n y V i c B 5

1 1 0 0 J a c k & N a n c y C h a r m a n A l e x a n d e r s R a g t i m e B a n d D i p D 1 F a m 8 7 ( a s L e s l i e & E t h e l M a y n e )

1 1 0 1 T h e M y s t e r i o u s R a g D i p D 1 F a m 8 8 "

1 1 0 2 E v e r y b o d y ' s d o i n g i t D i p D 3

1 1 0 4 T h e G r i z z l y B e a r D i p D 3 F a m 8 8 "

1 1 0 6 H a r r y B l u f f H o o r a h f o r E n g l a n d F a m 7 1 ( a s W i l l T h o m a s )

1 1 0 7 C a r r o t y S t e l C 8 ( a s F r e d C l a r e m o n t ) F a m 6 9 ( a s A l f W i l l i a m s )

1 1 1 0 O n t h e o l d G a r d e n W a l l K a l 6 1 6 2 ( a s W i l l T h o m a s )

1 1 1 1 M y N i n e p e n c e K a l 6 1 6 2 " F a m 6 8 "

1 1 1 2 A n y o l d I r o n S t e l C 8 ( a s F r e d C l a r e m o n t )

1 1 1 3 C h a r l e s P e n r o s e I t r i e d t o k e e p f r o m l a u g h i n g D i p C 1 7

1 1 1 4 H o w w e l a u g h K a l 6 1 7 3

1 1 1 5 B a n d L a M a t t c h i c h e V i c A 2 2 +

1 1 1 6 A l e x a n d e r s R a g t i m e B a n d D i p A 3 6 + V i c A 2 4

1 1 2 0 L a D a n s e d e s A p a c h e s V i c A 2 2 +

1 1 2 1 P o s t H o r n G a l o p D i p A 3 6 <

1 1 2 2 H e n r y T u r n p e n n y D o w n t h e V a l e F a m 4 3

1 1 2 9 T F K i n n i b u r g h B e y o n d t h e D a w n D i p B 1 4 F a m 4 5

1 1 3 0 S o n o f M i n e D i p B 1 4

1 1 3 1 A l f W i l l i s I ' m p r o u d o f m y o l d b a l d H e a d V i c C 1 0

1 1 3 4 I ' v e o n l y b e e n m a r r i e d a W e e k V i c C 1 0 F a m 6 9 ( a s A l f W i l l i a m s )

1 1 3 6 C h a r l e s P e n r o s e A w a y w i t h M e l a n c h o l y F a m 7 8 ( a s M r P e n - C a w s )

1 1 3 7 J a c k C h a r m a n W h a t b e c a m e o f t h e G i r l s I u s e d t o k n o w K a l 6 1 4 7 D i p C 1 5 V i c C 1 5

1 1 3 8 H e l l o S u s i e G r e e n F a m 5 8 ( a s F r e d W h i t e )

1 1 3 9 I ' v e h a d m y F o r t u n e t o l d D i p C 1 5 V i c C 1 5

1 1 4 0 P i p e M a j o r F o r s y t h ( B a g p i p e s ) S c o t t i s h A i r s p t 1 S t e l A 2 5

1 1 4 1 S c o t t i s h A i r s p t 1 S t e l A 2 5

1 1 4 2 L o c h K a t r i n e e t c V i c A 2 6 L y r i c A 1 7

1 1 4 3 B o n n i e R e c h s a y e t c V i c A 2 6

1 1 4 4 C h a r l e s P e n r o s e H o w w e l a u g h F a m 7 5 ( a s M r P e n - C a w s )

1 1 4 6 S e e i n g e a c h o t h e r H o m e K a l 6 1 7 3 F a m 8 5 "

1 1 4 7 L i f e i n t h e E a s t o f L o n d o n S t e l C 2 0

1 1 4 8 O h w h o s a i d s o S t e l C 2 0 F a m 7 5 "

1 1 5 1 B a n d M a n h a t t a n B e a c h M a r c h F a m 4

1 1 5 5 W a s h i n g t o n P o s t D i p A 7 3 F a m 2 3 2

1 1 5 6 T h e G l a d i a t o r s F a m 8 #

1 1 5 7 L o y a l L e g i o n F a m 8 " , 2 2 6

1 1 5 9 J a c k C h a r m a n C o m e r o u n d & h e a r t h e G r a m o p h o n e V i c C 1 6 F a m 8 3 ( a s L e s l i e M a y n e )

1 1 6 0 E b e n e z e r D i p C 1 9 ( a s C l a u d e G r a h a m ) F a m 8 0 ( a s T o m C a m p b e l l )

1 1 6 2 N o m o r e s t o p p i n g o u t l a t e V i c C 1 6

1 1 6 3 U n d e r t h e Y u m Y u m T r e e D i p C 1 9 ( a s C l a u d e G r a h a m )

1 1 6 4 W e m u s t h a v e a S o n g a b o u t t h e I s l e o f M a n D i p C 1 7

1 1 6 5 I w i s h s h e ' d g i v e m e t h e g l a d g l a d E y e F a m 8 3 ( a s L e s l i e M a y n e )

1 1 6 7 B a n d S t a r s & S t r i p e s f o r e v e r D i p A 6 5 F a m 4 , 2 2 4

1 1 6 8 R o a m i n g i n t h e G l o a m i n g R a c h R 5 1 +

1 1 6 9 E n t r y o f t h e G l a d i a t o r s R a c h R 5 1 +

1 1 7 8 C h a r l e s P e n r o s e W h a t d o w e p a y t h e R a t e s f o r D i p C 1 8

1 1 7 9 I ' v e s o m e t h i n g t o t e l l y o u D i p C 1 8

1 1 8 1 T h e j o l l y M a n F a m 7 8 ( a s M r P e n - C a w s )

1 1 8 2 J a c k C h a r m a n H e r e w e a r e a g a i n K a l 6 1 5 9 ( a s B i l l y M e l v i l l e ) F a m 8 0 ( a s B i l l y W i l s o n )

1 1 8 3 W h y c a n ' t w e h a v e t o S e a i n L o n d o n "

1 1 8 5 W e ' l l h a v e a N i g h t o u t t o g e t h e r t o n i g h t S t e l C 3 0 ( a s C l a u d e G r a h a m )

1 1 8 6 W h e n M o t h e r d r o p p e d a H a l f p e n n y o n t h e B u s S t e l C 3 0 "

1 1 8 7 M a l o n e y F a m 7 7 ( a s T o m C a m p b e l l )

1 1 8 8 D o n ' t k e e p g r u m b l i n g a b o u t t h e W e a t h e r D i p C 2 9 ( a s C l a u d e G r a h a m )

1 1 9 3 J o c k M a c i n d e r R o a m i n g i n t h e G l o a m i n g F a m 6 4

1 1 9 4 J u s t a w e e d e o c h a n d o r i s F a m 6 4

1 1 9 7 J o c k M a c p h e r s o n I w a s s t a n d i n g a t t h e C o r n e r o f t h e S t r e e t D i p C 2 6

1 1 9 9 J a c k C h a r m a n H e p l a y e d o n h i s f i d d l e d e e d e e V i c C 2 2 ( a s C l a u d e G r a h a m ) F a m 5 8 ( a s F r e d W h i t e )

1 2 0 0 T h e S p a n i a r d w h o b l i g h t e d m y L i f e S t e l C 2 4 D i p C 2 6 ( a s J a c k G i l b e y )

1 2 0 1 I ' m s e t t i n g t h e V i l l a g e o n F i r e S t e l C 2 4 F a m 7 7 ( a s A l f W i l l i a m s )

1 2 0 2 J e a n f r o m A b e r d e e n V i c C 2 2 ( a s B i l l y M e l v i l l e )

1 2 0 3 R o b e r t C a r r U n t i l K a l 6 0 9 4

1 2 0 4 C o m e s i n g t o m e F a m 3 9 , 2 0 6 ( a s F r e d A n d r e w s )

1 2 0 5 M e e t m e t o n i g h t i n D r e a m l a n d K a l 6 0 9 8 D i p B 2 4 L y r B 7

1 2 0 6 T h e R o s a r y K a l 6 0 9 9

1 2 0 7 Y o u r E y e s h a v e t o l d m e s o K a l 6 0 9 8 D i p B 5 2 ( a s A l a n T u r n e r ) F a m 4 5 , 2 0 6 ( a s B o b H i g g i n s )

1 2 0 8 T h e S h i p t h a t w i l l n e v e r r e t u r n F a m 3 9 ( a s F r e d A n d r e w s )

1 2 0 9 R o s e T h o r n t o n A n n i e L a u r i e F a m 3 8

1 2 1 1 L a P h y l l i s F a m 3 8

1 2 1 6 B a n d B a l l e t R u s s e , C a z a r d a s V i c A 3 3 +

1 2 1 8 P e e r G y n t S u i t e N o 2 V i c A 3 3 +

1 2 1 9 A M o t o r R i d e ( D e s c r i p t i v e ) F a m 6 2

1 2 2 2 J a c k C h a r m a n R o u n d t h e W o r l d i n a n A e r o p l a n e F a m 8 6 ( a s J B l a c k )

1 2 2 4 U p f r o m t h e C o u n t r y F a m 8 5 ( a s J o h n n i e B l a c k & C o )

1 2 3 0 W h o w e r e y o u o u t w i t h l a s t N i g h t V i c C 3 2 F a m 1 9 6

1 2 3 1 W e a l l s a n g t o o r a l o o r a l a d d i e V i c C 3 3 a n d K a l 6 1 6 0 ( B i l l y M e l v i l l e ) F a m 1 8 2 , 1 9 6 ( a s B i l l y M e r s o n )

1 2 3 2 C o m e o n J o s e p h i n e F a m 1 7 7

1 2 3 5 S c e n e i n t h e G a l l e r y V i c D 5 F a m 1 8 0

1 2 3 7 A D a y ' s F i s h i n g V i c D 5 F a m 1 8 0

1 2 3 8 M a r c h t o M a r b l e A r c h D i p C 3 7 ( a s J a c k G i l b e y ) S t e l C 3 6

1 2 3 9 S t o p s t o p s t o p S t e l C 3 6 F a m 1 7 7

1 2 4 1 A l e x a n d e r ' s B a g p i p e b a n d D i p C 3 7

1 2 4 2 J e s s i e B r o u g h t o n W h e n a l l w a s y o u n g S t e l B 2 5

1 2 4 3 T h e M a g i c o f y o u r V o i c e S t e l B 2 5 F a m 1 6 9

1 2 4 4 S y m p a t h y F a m 1 6 9

1 2 5 0 B a n d D a n c e o f I m p s ( i n t h e H a l l o f t h e M o u n t a i n K i n g ) S t e l A 4 2 # F a m 1 6 2

1 2 5 3 G o l d & S i l v e r S t e l A 4 2 #

1 2 5 4 S k a t e r s w a l t z K a l 6 0 1 8 +

1 2 5 5 C a r m e n (s e l e c t i o n ) p a r t 1 V i c A 3 8

1 2 5 6 C a r m e n (s e l e c t i o n ) p a r t 2 V i c A 3 8

1 2 6 3 T h e P i n k L a d y s e l e c t i o n p a r t 1 V i c A 5 0 +

1 2 6 4 T h e P i n k L a d y s e l e c t i o n p a r t 2 V i c A 5 0 +

1 2 6 5 C a v a l l e r i a R u s t i c a n a s e l e c t i o n D i p A 6 4 F a m 2 2 9

1 2 6 6 R h a p s o d y N o 2 L i s z t S t e l A 5 1 #

1 2 6 7 R i d e o f t h e V a l k y r i e s S t e l A 5 1 # F a m 2 7 0

1 2 6 8 V e r n o n W a t s o n T h e s a m e a s h i s F a t h e r d i d b e f o r e h i m D i p C 3 7

1 2 7 0 S t o p y e r t i c k l i n g J o c k D i p C 3 7

1 2 7 3 I m p e r s o n a t i o n o f H a r r y L a u d e r : T h e M e s s a g e B o y V i c C 3 9 F a m 1 7 5

1 2 7 4 W e a l l w e n t t o L e i c e s t e r S q u a r e D i p C 4 3 F a m 1 7 5

1 2 7 7 I m p e r s o n a t i o n o f G e o r g e R o b e y : T e m p t m e n o t V i c C 3 9

1 2 9 3 R o b e r t C a r r O r a r p o n o b i s F a m 1 8 7

1 2 9 6 N e a r e r m y G o d t o T h e e D i p E 9 L y r E 7 F a m 1 8 8

1 2 9 8 T h e r e i s a g r e e n h i l l V i c E 3

1 2 9 9 T w o E y e s o f G r e y K a l 6 0 9 4

1 3 0 2 V e r n o n W a t s o n J o h n W i l l i e c o m e o n D i p C 4 3

1 3 0 6 R o b e r t C a r r T h e o l d H u n d r e d t h V i c E 1

1 3 0 9 T F K i n n i b u r g h A b i d e w i t h m e V i c E 1

1 3 1 4 V e r n o n W a t s o n I m p e r s o n a t i o n o f W h i t C u n l i f f e : P a r e e V i c C 3 4 F a m 1 8 2

1 3 1 5 I ' d l i k e t o g o o n a H o n e y m o o n V i c C 3 4

1 3 1 7 B a n d C a v a l l e r i a R u s t i c a n a I n t e r m e z z o F a m 2 2 9

1 3 2 0 C o s s a c k s M a r c h D i p A 4 7 , A 6 3 F a m 2 2 5

1 3 2 1 J o l l y C o p p e r s m i t h V i c A 3 7 D i p A 3 7 F a m 2 7 0

1 3 2 2 W e e M a c g r e g o r V i c A 4 8 F a m 2 2 6

1 3 2 3 G i p s y L o v e D i p A 4 5 L y r A 4 8 F a m 2 2 3

1 3 2 5 N e l l G w y n D a n c e s L y r A 4 8

1 3 2 7 A i d a T r i u m p h a l M a r c h V i c A 4 7

1 3 2 9 W h i s p e r i n g o f t h e F l o w e r s D i p A 4 5

1 3 3 5 J a c k C h a r m a n S a t u r d a y A f t e r n o o n t i l l M o n d a y M o r n i n g F a m 1 7 8 ( a s H a r r y F r a y )

1 3 3 7 L e t s g o w h e r e a l l t h e c r o w d g o e s K a l 6 1 6 0 ( a s B i l l y M e l v i l l e )

1 3 4 7 V e r n o n W a t s o n N o b o d y l o v e s m e V i c C 4 2 F a m 1 7 8 "

1 3 4 8 I w o n d e r w h o ' s k i s s i n g h e r n o w V i c C 4 2

1 3 5 0 ? Y o u c a n w i s h w h e n L i f e w a s S u n s h i n e V i c B 3 3

1 3 5 7 R o b e r t C a r r T h e H o l y C i t y F a m 1 8 8

1 3 5 9 A f e w m o r e Y e a r s s h a l l r o l l V i c E 5 D i p E 6

1 3 6 0 T F K i n n i b u r g h A r t t h o u w e a r y a r t t h o u l a n g u i d V i c E 5 L y r E 7

1 3 6 1 R o b e r t C a r r L e a d k i n d l y L i g h t D i p E 6 F a m 1 8 7

1 3 6 6 J a c k C h a r m a n R a g t i m e V i o l i n V i c C 4 6 F a m 9 0

1 3 6 7 O h y o u b e a u t i f u l D o l l V i c C 4 6 F a m 9 2 , 9 3

1 3 7 3 R o s e H a y e s W h e n M o t h e r w a s 2 1 F a m 9 9 ( a s A l i c e H i l l )

1 3 7 4 G e o r g i e t o o k m e w a l k i n g i n t h e P a r k K a l 6 1 3 4 V i c C 5 6 F a m 9 9 "

1 3 7 5 I w a n t t o s t o p a l o n g w i t h N u r s i e F a m 1 0 0 "

1 3 7 6 I w a n t a G i r l w i t h t h e g l a d E y e K a l 6 1 3 4 V i c C 5 6 F a m 1 0 0 "

1 3 7 7 B i l l y M e r s o n T h e B a n d i t s V i c C 5 4 F a m 9 7 ( a s M r A M a s h a m )

1 3 7 8 T h e S p a n i a r d w h o b l i g h t e d m y L i f e K a l 6 1 3 0 V i c C 5 4 F a m 9 2 "

1 3 7 9 T h e G a y C a v a l i e r K a l 6 1 3 0 D i p C 5 5 F a m 9 7 "

1 3 8 0 W a l l a P a z i n k D i p C 5 5

1 3 8 7 W T h o m p s o n / H C o v e C a s e y J o n e s D i p C 4 7 ( a s T w o Q u i d s ) F a m 9 0 ( a s L M a y n e & C o v e )

1 3 8 8 G a b y G l i d e D i p C 4 7 " F a m 1 0 1 " F a m 1 0 2 "

1 3 9 7 G E m b e r s o n I n t e r m e z z o f o r b e l l s F a m 1 0 9 ( a s H S i m p s o n )

1 3 9 8 J o y f u l B e l l s D i p F 7

1 4 0 0 B a n d M a r r i e t t e V i c A 5 9 #

1 4 0 1 J a c k C h a r m a n / H a r r y C o v e T h a t h y p n o t i z i n g M a n F a m 1 0 1 ( a s L M a y n e & C o v e )

1 4 0 3 J a c k C h a r m a n I ' m g o i n g b a c k t o D i x i e F a m 2 0 9

1 4 1 1 R o b e r t C a r r W h e r e t h e S w a l l o w s b u i l d t h e i r N e s t F a m 1 1 4

1 4 1 2 T h e V o l u n t e e r O r g a n i s t F a m 1 1 5

1 4 1 6 T a k e m e b a c k t o t h e G a r d e n o f L o v e F a m 9 3

1 4 2 7 S e l b y B r o s b a n j o s W h i s t l i n g R u f u s F a m 1 2 1

1 4 2 8 A R a g t i m e E p i s o d e F a m 1 2 1

1 4 2 9 A G e o r g i a n B r e e z e F a m 1 2 2

1 4 3 0 T h e M o u n t a i n e e r s F a m 1 2 2

1 4 3 1 F u n i n D a h o m e y F a m 1 2 3

1 4 3 2 D a r k t o w n D a n d i e s F a m 1 2 3

1 4 3 3 C h r i s t c h u r c h C h o i r o f 5 0 V o i c e s G l o r y b e t o G o d F a m 1 2 4

1 4 4 0 F o r u n t o u s a C h i l d i s b o r n K a l 6 1 2 1 V i c E 1 2

1 4 4 2 W o r t h y i s t h e L a m b K a l 6 1 2 1 V i c E 1 2 F a m 1 2 4

1 4 4 3 B a n d G a b y G l i d e V i c A 5 2 , A 5 3 F a m 1 2 9 , 2 3 0

1 4 4 5 G r i z z l y B e a r V i c A 5 3 F a m 1 2 9 , 1 3 1 , 2 3 0

1 4 5 2 A c t i o n F r o n t V i c A 5 9 #

1 4 5 5 W T h o m p s o n / H C o v e G r i z z l y B e a r D i p C 4 9 ( a s T w o Q u i d s ) F a m 1 0 2 , 1 3 5 ( a s L M a y n e & C o v e )

1 4 5 9 R o b e r t C a r r S t a r o f B e t h l e h e m F a m 1 1 5

1 4 6 9 J a c k C h a r m a n B y t h e W a t e r m e l o n V i n e D i p C 5 7 ( a s C l a u d e G r a h a m ) F a m 1 1 4

1 4 7 2 B a n d T e m p t a t i o n R a g F a m 1 3 1 , 1 3 7

1 4 7 3 J a c k G l o v e r c o r n e t T h e L o s t C h o r d F a m 1 3 8 ( a s J a c k W o o d r o w L a s t C h o r d ( s i c ! ! ) )

1 4 7 4 T h e B e t t e r L a n d D i p F 3 F a m 1 3 8 " B a r 4 0 ( a s S g t B l u n d e l )

1 4 7 9 B a n d V e n u s o n E a r t h F a m 2 2 1

1 4 8 0 J a c k G l o v e r B e c a u s e D i p F 2 B a r 4 0 ( a s S g t B l u n d e l )

1 4 8 5 R C a r r / T K i n n i b u r g h / R J a c k s o n / A W a t s o n O n t h e B a n k s o f A l l a n W a t e r K a l 6 2 1 7

1 4 8 6 I n A b s e n c e K a l 6 2 1 7

1 4 8 7 R o s e H a y e s M o t h e r h a d a R o w w i t h F a t h e r K a l 6 2 2 5 F a m 1 4 4 ( a s A l i c e H i l l )

1 4 8 8 K e e p o n s w i n g i n g m e C h a r l i e V i c C 5 2 F a m 1 4 4 "

1 4 8 9 J a c k C h a r m a n T h e r e ' s a G i r l i n H a v a n a K a l 6 1 4 9 F a m 2 0 9 ( a s L e s l i e M a y n e & C o v e )

1 4 9 0 R o s e H a y e s M o t h e r ' s p u t a c a r d i n t h e W i n d o w K a l 6 2 2 5

1 4 9 2 T h e r e y o u a r e a g a i n M i s t e r R a i n b o w V i c C 5 2

1 4 9 8 M i n n i e P a g e t c o n c e r t i n a A l e x a n d e r ' s R a g t i m e B a n d F a m 1 4 8

1 4 9 9 C a v a l l e r i a R u s t i c a n a F a m 1 4 8

1 5 0 0 C h a r l e s D a w s o n S e r g e a n t o f t h e L i n e F a m 2 1 1

1 5 0 1 L i g h t e r m a n T o m F a m 2 1 5

1 5 0 2 A C h i p o f t h e o l d B l o c k F a m 2 1 6

1 5 0 4 H a r r y C o v e A n n a b a n g t h a t P i a n n e r V i c C 5 9

1 5 0 5 R a g t i m e w h a t a L u l l a b y V i c C 5 9

1 5 0 8 C h a r l e s D a w s o n G l o r i o u s D e v o n F a m 2 1 5

1 5 1 6 O l l y O a k l e y S w e e t J a s m i n e V i c F 6 F a m 2 1 2

1 5 1 7 T o r o n t o J i g V i c F 5 F a m 2 1 2

1 5 1 8 Q u e e n o f B u r l e s q u e V i c F 5 F a m 2 1 7

1 5 1 9 D a r k i e s A w a k e n i n g F a m 2 1 3

1 5 2 0 D a r k i e s P a t r o l F a m 2 1 3

1 5 2 1 I n t h e C a m p V i c F 6 F a m 2 1 7

1 5 3 3 B a n d O y e G o d s & L i t t l e F i s h e s F a m 2 2 2

_ _ _ _ _ _ _ _ _ _ _ _ _ _ ( e n d o f B l u m C o m p a n y M a t r i c e s ) _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

1 5 4 5 R o b e r t C a r r M y H e a r t i s w i t h y o u t o n i g h t D i p B 4 6 , B 4 8 F a m 2 6 5

1 5 9 2 J a c k C h a r m a n D o n ' t g o o u t w i t h h i m t o n i g h t D i p C 6 3 F a m 2 6 0 ( a s B i l l y M e l v i l l e )

1 5 9 3 I n e v e r h e a r d F a t h e r l a u g h s o m u c h b e f o r e D i p C 6 3 F a m 2 6 1 "

1 5 9 4 R o b e r t C a r r T a k e m e b a c k t o t h e G a r d e n o f L o v e F a m 2 3 5

1 5 9 5 M y H e a r t i s w i t h y o u t o n i g h t D i p B 4 6 , B 4 8 F a m 2 3 4

1 5 9 6 T h e R o s a r y D i p B 4 7 , B 5 0 F a m 2 3 6 , 2 6 5 ( a s H a r r y T r e v o r ) P i o B 1 P i o 1 1 8

1 6 0 1 Y e s t e r d a y y o u c a l l e d m e S w e e t h e a r t P i o B 2 3

1 6 0 2 S o m e w h e r e a V o i c e i s c a l l i n g P e l P 4 5

1 6 0 3 I s h a l l n e v e r c e a s e t o l o v e y o u P e l P 4 5

1 6 0 5 L i t t l e S h e p h e r d e s s o f D e v o n D i p B 5 0 F a m 2 4 1 ( a s H a r r y T r e v o r )

1 6 0 6 W h e n t h e C o n v e n t B e l l i s r i n g i n g D i p B 5 0 F a m 2 4 1 " P i o B 2 3

1 6 0 8 J a c k C h a r m a n T h e R a g t i m e J o c k e y M a n F a m 2 5 3

1 6 0 9 T h e K a n g a r o o H o p F a m 2 6 1 ( a s B i l l y M e l v i l l e )

1 6 1 4 B a n d T h e T h u n d e r e r F a m 2 3 1 +

1 6 1 6 I m p e r i a l E d w a r d M a r c h B e s t A 1 5

1 6 1 7 M a n h a t t a n B e a c h F a m 2 3 1 +

1 6 2 0 C r u s a d e r M a r c h B e s t A 1 5

1 6 2 2 W T h o m p s o n / H C o v e T h e r e ' s a G i r l i n H a v a n a P e l P 6 9 ( a s R a g t i m e K n u t s )

1 6 2 3 H i t c h y K o o P i o C 9 ( a s T w o Q u i d s ) P e l P 6 6 ( a s R a g t i m e K n u t s )

1 6 2 4 T h e R a g t i m e G o b l i n M a n P i o C 9 P e l P 6 6

1 6 2 5 R a g g i n g t h e B a b y t o s l e e p P e l P 6 9 ( a s R a g t i m e K n u t s )

1 6 2 8 R o s e H a y e s M a r y t o l d t h e S t o r y t o t h e S o l d i e r V i c C 7 2 P e l P 7 9 F a m 2 6 2

1 6 2 9 K e e p o n s w i n g i n g m e C h a r l i e P i o C 1 6

1 6 3 0 T h e r e y o u a r e a g a i n M r R a i n b o w P i o C 1 6

1 6 3 1 M a r y u s e d t o l o v e a S a i l o r V i c C 7 2 P e l P 7 9 F a m 2 6 2

1 6 3 6 W T h o m p s o n / H C o v e R a g t i m e C o w b o y J o e D i p C 6 8 P i o C 1 2 ( a s T w o Q u i d s ) F a m 2 4 3 ( a s T w o B r a g s )

1 6 3 7 W a i t i n g f o r t h e R o b e r t E L e e D i p C 6 8 P i o C 1 2 " F a m 2 4 3

1 6 3 9 R o b e r t C a r r A l l a b o a r d f o r B y e B y e L a n d F a m 2 3 4

1 6 4 3 W T h o m p s o n / H C o v e T a k e m a F i n g e r T i p s M e l i n d a D i p C 6 9 ( a s T w o Q u i d s ) F a m 2 4 4 ( a s T w o B r a g s )

1 6 4 4 W a y d o w n S o u t h D i p C 7 5 P e l P 7 0 ( a s R a g t i m e K n u t s ) F a m 2 5 4

1 6 4 5 I f y o u w a n t t o p l e a s e S u s a n n a h D i p C 6 9 ( a s T w o Q u i d s ) F a m 2 4 6 ( a s T w o B r a g s )

1 6 4 6 G r i z z l y B e a r D i p A 6 1

1 6 4 9 B a n d G i p s y L o v e D i p A 7 0 P i o A 2 4 T r i 3 7 9

1 6 5 1 B a n d B l u e D a n u b e W a l t z P i o A 2 2

1 6 5 2 G o l d & S i l v e r P i o A 2 4

1 6 5 9 W T h o m p s o n / H C o v e D o w n i n d e a r o l d N e w O r l e a n s P e l P 7 0 ( a s R a g t i m e K n u t s )

1 6 6 1 H e a r t h a t O r c h e s t r a R a g F a m 2 5 3 ( a s T w o B r a g s )

1 6 6 2 S i l v e r B e l l P i o B 2 3 ( a s T w o Q u i d s )

1 6 6 4 B a n d Q u a n d l ' A m o u r m e u r t D i p A 7 0 ~

1 6 6 5 B i l l y W i l l i a m s T h e o l d G r e y C o a t P e l P 5 6 P i o C 7

1 6 6 6 T i c k l e m e T i m o t h y P e l P 5 4 P i o C 2

1 6 6 7 P u t a b i t o f P o w d e r o n i t F a t h e r ( 2 2 1 4 ) P e l P 5 4 P i o C 2

1 6 6 8 M y G i r l f r o m L o n d o n T o w n D i p C 6 2

1 6 6 9 J e a n f r o m A b e r d e e n D i p C 6 2

1 6 7 0 I m u s t g o H o m e t o n i g h t ( B 7 A ) P e l P 5 6 P i o C 7

1 6 8 3 R o b e r t C a r r T i s a s t o r y t h a t s h a l l l i v e f o r e v e r P i o B 1

1 7 3 0 B a n d T a n n h a u s e r O v e r t u r e B u r 1 0 5 +

1 7 7 5 J a c k C h a r m a n T h e r e ' s a g e n t l e m a n h e r e t o n i g h t D i p C 8 3

1 7 7 6 E v e r y b o d y ' s d o i n g i t a t t h e S e a s i d e P i o C 2 2

1 7 7 7 D i x i e D a n D i p C 8 2

1 7 7 8 I d o l i k e y o u S u s i e i n y o u r S u n d a y C l o t h e s P i o C 2 2

1 7 7 9 H a r r y C o v e R a g t i m e L i z z i e D i p C 8 0 F a m 2 8 1

1 7 8 4 O l l y O a k l e y B a n j o O d d i t y D i p F 1 2 F a m 2 9 4 S o u 1 3 8

1 7 8 6 Q u e e n o f t h e B u r l e s q u e D i p F 1 1 F a m 2 9 4

1 7 8 7 C a m p t o w n C a r n i v a l D i p F 1 1 F a m 2 9 5

1 7 8 8 L a n c a s h i r e C l o g s D i p F 1 3 F a m 2 9 5 S o u 1 3 8

1 7 8 9 T o r o n t o J i g D i p F 1 3

1 7 9 1 J a c k C h a r m a n T o d d l i n g h o m e D i p C 8 3

1 7 9 2 W h e r e s h a l l w e g o t o n i g h t P i o C 2 6 ( a s B i l l y M e l v i l l e ) F a m 2 8 3

1 7 9 4 W h e r e d o e s D a d d y g o w h e n h e g o e s o u t P i o C 2 6 " F a m 2 8 3

1 7 9 5 W h e n I g e t y o u a l o n e t o n i g h t P e l P 7 3

1 7 9 6 H a r r y C o v e I d o n ' t w a n t a R a g t i m e C o o n D i p C 8 0 F a m 2 7 7

1 7 9 7 Y o u ' r e a g r e a t b i g B l u e E y e d B a b y D i p C 8 1 , C 8 2 F a m 2 8 2 P e l P 7 2

1 7 9 8 H e l l o h e l l o L o n d o n T o w n D i p C 8 1 P e l P 7 2 F a m 2 8 2

1 8 0 0 B a n d C o r o n a t i o n B e l l s P e l P 1 2 ^

1 8 0 1 C a r m e n s e l e c t i o n p a r t 1 P e l P 9 ^

1 8 0 2 C a r m e n s e l e c t i o n p a r t 2 P e l P 9 ^

1 8 0 3 Z a m p a O v e r t u r e p a r t 1 P e l P 3 ^ P i o A 9 ^

1 8 0 4 Z a m p a O v e r t u r e p a r t 2 P e l P 3 ^ P i o A 9 ^

1 8 0 7 B a n d U n f i n i s h e d S y m p h o n y B u r 1 0 5 +

1 8 1 0 I l T r o v a t o r e P i o A 1 1 !

1 8 1 4 C a v a l l e r i a R u s t i c a n a P i o A 1 1 !

1 8 1 6 O l d C o m r a d e s P e l P 1 1 ^

1 8 1 9 G a l l i t o S p a n i s h M a r c h D i p A 8 5 \

1 8 2 3 V i v a l a J o t a M a r c h D i p A 7 2 \ F a m 2 7 1

1 8 2 6 F a u s t s e l e c t i o n P i o A 7 1 0 9

1 8 2 7 F a u s t s e l e c t i o n P i o A 7 1 0 9

1 8 3 3 E l A b a n i c a D i p A 8 5 \

1 8 3 4 B e l l s o f S t M a l o P e l P 1 2 ^

1 8 3 5 L i g h t C a v a l r y O v e r t u r e P e l P 1 1 ^

1 8 4 3 B a n d B a l l e t R u s s e P i o A 2 2

1 8 4 6 H a r r y C o v e O h t h o s e e v e r l o v i n g w o n d e r f u l b e a u t i f u l E y e s D i p C 9 3 F a m 2 8 5 P e l P 7 3

1 8 4 7 H a v e y o u s e e n o u r J o h n P e l P 8 2

1 8 5 0 M y B o y D i p C 5 1 , C 9 3 P e l P 8 2 F a m 2 8 7

1 8 5 1 W T h o m p s o n / H C o v e R i n g o u t t h o s e B e l l s D i p C 9 0 ( a s T w o Q u i d s ) P e l P 7 4 ( a s R a g t i m e K n u t s ) F a m 2 9 1

1 8 5 4 T h a t m e e l o w M e l o d y D i p C 9 0 " P e l P 7 4 "

1 8 5 7 J e s s i e B r o u g h t o n T h e M a g i c o f y o u r V o i c e H e 1 4 7

1 8 6 0 I n s w e e t S e p t e m b e r P e l P 4 2 H e 1 4 7

1 8 6 5 H a r r y C o v e W h e n I l o s t y o u D i p B 8 2

1 8 6 7 A l b e r t W a t s o n T a k e a P a i r o f S p a r k l i n g E y e s P i o B 1 0

1 8 6 9 J e s s i e B r o u g h t o n S y m p a t h y P e l P 4 2

1 8 7 1 A l a n T u r n e r Y o u r E y e s h a v e t o l d m e s o P e l P 4 3

1 8 7 2 T h e Y e o m a n ' s W e d d i n g T r i 4 1 0

1 8 7 3 O S t a r o f E v e P i o 1 1 8

1 8 7 4 U n t i l P e l P 4 3

1 8 8 1 B a n d 1 8 1 2 O v e r t u r e D i p A 6 9 # S o u 1 2 2

1 8 8 5 V e n u s o n E a r t h P i o A 2 9

1 8 8 7 T h e J o l l y C o p p e r s m i t h P i o A 2 9

1 8 9 4 A l a n T u r n e r T o r e a d o r S o n g T r i 4 1 0

1 9 0 0 V e r n o n W a t s o n R o a m i n g i n t h e G l o a m i n g D i p C 8 5 P e l P 7 7 ( a s S a n d y M c D o u g a l )

1 9 0 1 T h e M e s s a g e B o y D i p C 8 5 P e l P 7 7 "

1 9 0 4 H a r r y C o v e H a i l C a l e d o n i a D i p B 8 2

1 9 0 5 T o m W a t t s T h e D i v e r D i p B 6 2

1 9 0 6 T o m W a t t s D r i n k i n g D i p B 6 2

1 9 0 7 S c h u m a n n Q u a r t e t t e L o h e r e t h e g e n t l e L a r k D i p F 1 0

1 9 0 9 L o v e ' s D r e a m a f t e r t h e B a l l P i o F 4

1 9 1 0 S y m p h o n y T r i o W i l l i a m T e l l T r i 3 9 3

1 9 1 2 S c h u m a n n Q u a r t e t t e I h e a r y o u c a l l i n g m e D i p F 1 0 P i o F 4 T r i 3 9 3 ( a s T r i o ! )

2 0 0 0 B a n d G o t t e r f i n k e n D i p A 9 8 F a m 2 9 8

2 0 0 1 L a N o z z i d i F i g a r o B e s t A 4 5 = D i p A 1 0 7 F a m 2 9 8

2 0 0 2 L o v e i n A r c a d y T r i 3 7 9 ( a s I r i s h B a n d )

2 0 0 4 B e e t h o v e n ' s F i r s t S y m p h o n y p a r t 1 P i o 1 1 4 +

2 0 0 5 B e e t h o v e n ' s F i r s t S y m p h o n y p a r t 2 P i o 1 1 4 +

2 0 0 8 O h o h D e l p h i n e p a r t 1 D i p A 1 0 1 ! P i o A 4 6 =

2 0 0 9 O h o h D e l p h i n e p a r t 2 D i p A 1 0 1 ! P i o A 4 6 =

2 0 1 7 T a l e s o f H o f f m a n B a r c a r o l l e B e s t A 4 5 =

2 0 3 5 S c h u m a n n Q u a r t e t t e S c h u b e r t ' s S e r e n a d e D i p F 1 6

2 0 3 7 G o u n o d ' s S e r e n a d e D i p F 1 6

2 0 4 1 J a c k C h a r m a n A r e y o u h e r e M a g g i e M o o n e y P i o C 4 7

2 0 4 2 D a n c e t h i s w i t h m e M a r y M c G e e P i o C 4 7

2 0 4 6 d u e t O n t h e M i s s i s s i p p i P e l P 8 6 ( a s R a g t i m e K n u t s ) F a m 3 1 7 ( a s T w o B r a g s )

2 0 4 7 K i l l t h e B e a r F a m 3 1 7 ( a s T w o B r a g s )

2 0 4 8 J a c k C h a r m a n I t ' s a l o n g W a y t o T i p p e r a r y P e l P 9 5 T r i 4 6 0 S o u 1 0 8

2 0 5 8 J o c k M a c i n d o r I t ' s j u s t l i k e b e i n g a t H a m e F a m 3 2 1

2 0 6 1 T h e N i g h t W a t c h m a n F a m 3 2 1

2 0 6 6 J e s s i e B r o u g h t o n I k n o w a l o v e l y G a r d e n D i a 1 8 8

2 0 6 7 A S o n g o f S l e e p D i a 1 8 8

2 0 6 8 B a n d L o v e ' s D r e a m a f t e r t h e B a l l D i p A 1 1 2 F a m 3 0 9

2 0 6 9 D a n c e o f t h e F l o w e r s D i p A 1 1 2 F a m 3 0 9

2 0 7 1 R o b e r t C a r r / G w i l y m R i c h a r d s E x c e l s i o r p a r t 1 P i o 1 2 4

2 0 7 2 E x c e l s i o r p a r t 2 P i o 1 2 4

2 1 0 1 W T h o m p s o n S y l v e s t e r D i p C 1 0 9

2 1 0 3 I ' m a M i d d y i n t h e K i n g ' s N a v e e D i p C 1 0 9

2 1 0 5 O x f o r d M i n s t r e l s W h e n e v e r y T w i l i g h t D i p G 1 T r i 4 3 2

2 1 0 6 K e n t u c k y M i n s t r e l s D i p G 1 F a m 3 3 6

2 1 0 7 P i c c a n i n n i L u l l a b y D i p G 2

2 1 0 8 C o m r a d e s i n A r m s F a m 3 3 6

2 1 0 9 M y o l d K e n t u c k y H o m e D i p G 2 T r i 4 3 2

2 4 4 6 B e n A l b e r t T h e R a g t i m e H u n t s m a n p a r t 1 P e l P 8 7

2 4 4 7 B e n A l b e r t T h e R a g t i m e H u n t s m a n p a r t 2 P e l P 8 7

2 4 4 8 A f a t l o t t o c r o w a b o u t D i p C 1 3 1

2 4 4 9 T F K i n n i b u r g h N e a r e r m y G o d t o T h e e D i p E 1 6

2 4 5 0 d u e t M y G i r l f r o m B o s t o n T o w n P i o C 5 6 ( a s T w o Q u i d s 0

2 4 5 4 E W R u s h f o r t h b e l l s F a i r y l a n d P i o F 9

2 4 5 5 S e c r e t s P i o F 9

2 4 5 9 J a c k G l o v e r c o r n e t S o f t l y a w a k e s m y H e a r t P i o 1 3 4

2 4 6 0 T h e R o s a r y P i o 1 3 4

2 4 6 3 d u e t T h e r e ' s n o P l a c e l i k e L o n d o n P i o C 5 6 ( a s T w o Q u i d s )

2 4 6 5 H a r r y C o v e T h a t n a u g h t y M e l o d y F a m 3 9 1

2 4 6 6 T h a t w h i s t l i n g B a n d F a m 3 9 1

2 4 6 7 J a c k C h a r m a n S n o o k y O o k u m s P e l P 8 6

2 4 7 2 Y o u m a d e m e l o v e y o u D i p C 1 2 0 P e l P 9 5 F a m 3 6 4

2 4 7 4 W i l l T h o m p s o n T h a t ' s h o w I n e e d y o u P i o C 5 9 F a m 3 6 4 ( a s J a m e s W a l l a c e )

2 4 7 5 Y o u ' r e m y B a b y P i o C 5 9 D i a 2 5 7

2 4 7 6 H a r r y C o v e R a g t i m e E y e s D i p C 1 2 0

2 4 8 4 G w i l y m R i c h a r d s C o m e i n t o t h e G a r d e n M a u d P i o 1 3 6

2 4 8 5 B e c a u s e D i p B 8 4

2 4 8 6 T h o r a D i p B 8 4

2 4 8 7 M y D r e a m s T r i 4 0 4 ( a s R i c h a r d W i l l i a m s )

2 4 9 0 V e r n o n W a t s o n I m p e r s o n a t i o n o f F r a n k T i n n e y & G P H u n t l e y D i p C 1 2 9

2 4 9 1 V e r n o n W a t s o n I m p e r s o n a t i o n o f F r a n k T i n n e y & G P H u n t l e y D i p C 1 2 9

2 4 9 2 D i p C 1 3 0

2 4 9 3 D i p C 1 3 0

2 4 9 9 T F K i n n i b u r g h N e a r e r m y G o d t o T h e e P e l / B e s t P 9 9

2 5 2 1 G w i l y m R i c h a r d s K i l l a r n e y ( 2 4 2 1 i n w a x ? ) P i o 1 3 6

2 5 2 4 R o b e r t C a r r W h e n t h e C h r i s t m a s B e l l s a r e r i n g i n g D i p B 9 3 F a m 3 6 3

2 5 2 6 T h e r e ' s o n e i n a M i l l i o n l i k e y o u D i a 2 2 1

2 5 2 7 H o l y h o l y h o l y D i p E 1 6 P i o 1 3 9 P e l / B e s t P 9 9

2 5 3 2 V e r n o n W a t s o n S h e ' s t h e L a s s i e D i p C 1 3 1

2 5 3 5 R o b e r t C a r r M y H e a r t h a s l e a r n e d t o l o v e y o u D i a 2 2 1

2 5 4 4 J a c k C h a r m a n & C o C h r i s t m a s B e l l s o f M e m o r y F a m 3 6 3

2 5 4 7 A C h r i s t m a s P a r t y p a r t 1 S o u 1 3 3 B e s t P 1 0 8

2 5 4 8 A C h r i s t m a s P a r t y p a r t 2 S o u 1 3 3 B e s t P 1 0 8

2 5 5 2 J a c k C h a r m a n S o m e B o y P i o C 6 6

2 5 5 4 W e a l l m a r c h t o T r a f a l g a r S q u a r e P i o C 6 6

2 5 6 0 R o b e r t C a r r I t i s w e l l P i o 1 3 9

2 5 6 4 J a c k C h a r m a n B e c a u s e I l o v e d y o u s o P e l P 1 1 1

2 5 6 5 H a r r y C o v e T h e T a l e o f t h e H o t C r o s s B u n D i p C 1 3 8

2 5 6 7 J a c k C h a r m a n G o o d b y e S u m m e r s o l o n g F a l l H e l l o W i n t e r t i m e D i p C 1 3 8 P e l P 1 1 1

2 5 6 8 H a r r y C o v e Y o u d i d n ' t w a n t t o d o i t b u t y o u d i d P i o C 7 0

2 5 7 4 J a c k C h a r m a n & C o X m a s S h a r e O u t P i o 1 3 8

2 5 7 5 X m a s R e u n i o n P i o 1 3 8

2 5 8 8 S t e p h e n s & M i t c h e l l a c c o r d e o n s B e l p h e g o r M a r c h D i p F 2 0

2 5 8 9 U n d e r t h e D o u b l e E a g l e M a r c h D i p F 2 0

2 6 1 4 J a c k C h a r m a n S i t d o w n y o u ' r e r o c k i n g t h e B o a t P i o C 8 4

2 6 1 7 H a r r y C o v e H e ' d h a v e t o g e t o u t & g e t u n d e r P i o C 8 4 S o u 1 0 7

2 6 1 9 H C o v e / J C h a r m a n W h e r e d i d y o u g e t t h a t G i r l S o u 1 0 7

2 6 3 1 B a n d M o o n M a d r i g a l T r i 4 4 3 +

2 6 3 3 I n t h e N i g h t T r i 4 4 3 +

2 6 4 3 J W G a l l a g h e r T h u m b s u p D i p C 1 4 9

2 6 4 6 G w i l y m R i c h a r d s Y o u ' r e t h e m o s t w o n d e r f u l g i r l D i p / B e s t t o n e B 9 9

2 6 4 7 Y o u k n o w t h e w a y t o m a k e m e h a p p y D i p / B e s t t o n e B 9 9

2 6 4 9 J W G a l l a g h e r S i l l y D i c k D i p C 1 4 9

2 6 7 0 H a r r y S t e w a r t S o n s o f t h e S e a T r i 4 6 0 B e s t t o n e 3 8 0 (a s A r t h u r L o n s d a l e)

2 6 7 2 T o m S h i e l d s Y o u r K i n g & C o u n t r y n e e d y o u B e s t 3 8 1

2 6 7 3 A r t h u r L o n s d a l e B o y s i n K h a k i B o y s i n B l u e B e s t 3 8 0

2 6 7 8 D e s c r i p t i v e D e p a r t u r e o f t h e T r o o p s f o r F r a n c e P i o D 7

2 6 8 5 B a n d M a r s e i l l a i s e P i o 1 5 4 +

2 6 8 8 B e l g i u m N a t i o n a l A n t h e m T r i 4 5 6

2 6 8 9 R o b e r t C a r r T h e L a d s i n N a v y B l u e B e s t B 6 3 ( a s T h o m a s H a y w a r d )

2 6 9 0 C a l l u s & w e ' l l s o o n b e t h e r e B e s t B 6 3 " T r i 4 7 2 ( a s G o d f r e y B a r r i n g t o n )

2 6 9 1 F a l l i n D i p B 1 0 5 F a m 4 4 2 T r i 4 7 2 "

2 6 9 2 Y o u r K i n g & C o u n t r y w a n t y o u B e s t 3 8 1 ( a s G o d f r e y B a r r i n g t o n )

2 6 9 3 D e s c r i p t i v e A r r i v a l o f t h e T r o o p s i n F r a n c e P i o D 7

2 6 9 4 B a n d B r i t a n n i a P r i d e o f t h e O c e a n D i p A 1 3 0 ( H o r s e G u a r d B l u e s ) S o u 1 2 2 #

2 6 9 5 I t ' s a l o n g W a y t o T i p p e r a r y T r i 4 5 6

2 6 9 7 ? O n w a r d C h r i s t i a n S o l d i e r s D i p A 1 3 4 !

2 6 9 8 ? E t e r n a l F a t h e r s t r o n g t o s a v e D i p A 1 3 4 !

2 6 9 9 G o d s a v e t h e K i n g P i o 1 5 4 +

2 7 0 1 B e l g i u m N a t i o n a l A n t h e m B u r 1 5 7 +

2 7 0 2 S e r v i a n N a t i o n a l A n t h e m B u r 1 5 7 +

2 7 0 3 R o b e r t C a r r O u r K i n g & C o u n t r y w a n t y o u F a m 4 4 2