Note- still missing
is Scotland Yard #15 Wall of Death with Cyril Chamberlain. It must be somewhere! Who's hiding it? Everyone wants to see it
To other - Merton Park Films . .
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THE DRAYTON CASE (1953- release date March 23rd.)
Written and directed by Ken Hughes.
Starring John Le Mesurier as Supt Henley, with an assistant played by Vincent Ball.
"Have you ever murdered anyone?" asks a playful Edgar as he highlights that age-old problem, what do you do with the
body? Christmas Eve 1941, during the blitz was a pretty useful time to dispose of a corpse.
In the cellar of a bombed schoolhouse in 1944, a skeleton is uncovered. "The murderer always overlooks something,"
declares Edgar, stating the obvious. A pathologist spots that this corpse has a fractured larynx, so can't have been a
victim of Hitler's bombers. Supt Henley is given more details on this 40 to 45 year old woman,
height about 5 feet, hair colour brown going gray. Her dental records show that she wore a plate with some seven false teeth. "Is that all?" Henley asks hopefully.
The first task is to identify the woman. At the Missing Persons Registry one candidate matches the description-
Elizabeth Drayton of Islington, missing for two and a half years. Her surly husband Charles (Victor Platt) is eventually
traced, but he "don't care" about his wife no more. But it's surely not a coincidence he stopped paying her maintenance
around the time of her likely death. He does look guilty, though Henley throws a note of caution- "my wife's always
nagging me about money, but I haven't murdered her!"
The caretaker of the old school remembers a fire in the cellar caused by arsonists on Christmas Eve 1941.
Charlie Drayton was the firewatcher who tried to put it out before finally calling the fire brigade.
Henley speculates on the probable scenario in a flashback. She had begged him for maintenance money, but her nagging had been the death of her.
But facing arrest, Drayton flees. He's spotted at Charing Cross
underground. With the platform crammed with refugees from the bombs, he's chased up an emergency exit and into the arms of
Supt Henley.... no- he turns and tumbles down the steps. "better get an ambulance."
Edgar concludes with speculation on why Drayton killed his wife- "not a very intelligent man," he decides.
This is a very basic story but some clever camera shots help turn this into a quite classy little film.
Scotland Yard Menu
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THE MISSING MAN
(1953 - released July 20th)
The Neil Case written and directed by Ken Hughes.
Rather unusual episode, with Edgar dabbling in the paranormal, and a vicar doing the sleuthing!
The Yard is represented by Inspector Johnson, though it's Supt Wainwright and Sgt Rogers who wrap the case up.
Spring 1938 - Gerald Neil's parents come to visit their engineer son in London. He's not at his digs.
His landlady says he was called away to Paris "on urgent business." A "dark friend" had called later to collect his belongings.
With £3,000 transferred from his English bank to his French account, he's probably enjoying himself! The Surete are contacted by the Yard and friendly relations are established-
"Bonjour," commences the English policeman. The Frenchman of course speak viz ze French English - " 'E vizdraws all 'is monnay.... oui... Monsieur Neil." Case seems closed.
"I can't help feeling he's in some sort of trouble," declares his father, Rev John Neil (Tristan Rawson) . Then Neil's mother has a dream - she sees a gnarled tree at a farm, destroyed by fire. And her son being thrown down the well.
John follows the vision up.
He meets a friend of his son, Peter Willis, who had been due to "pop across" to Paris with Gerald that fateful day. Neil never turned up.
Conclusion - someone took his place. The vicar learns of Neil's business friend, a James Wilson who lived at Oak Tree Farm Oldbury Kent.
He visits the rubble of this now deserted farm,
uncannily like his wife's dream, and then summons the Yard.
The well is excavated and the inevitable follows. The vicar sadly identifies his son.
Even Uncle Edgar says he can't explain this true story. "Whether Wilson murdered Neil or not, nobody was ever able to prove it."
(Note- Katharine Page as the landlady is billed here as Kathleen Paige.)
Scotland Yard Menu
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THE CANDLELIGHT MURDER (1953)
(The Bramlington Murder)
featuring Gerald Case as Chief Supt Carron, with a little assistance from Sgt John Baker. Also with Supt Rawson of the Sussex police (Jack Lambert).
Script and direction by Ken Hughes.
Edgar describes a notorious 1937 case and threatens a surprise "in a nice quiet little spot in Sussex."
The village of Bramlington has 2,000 inhabitants, a pub "and of course a police station."
No "of course" about it these days!
In a culvert is found a corpse, battered about the head by "the proverbial blunt instrument."
Dead for at least a week. So who was he? "Not a very salubrious sort of chap," but identification is problematic.
The local detective thinks he must be single as his clothes are poorly darned!
Forensic evidence suggests he had been dragged downstream. On his clothes are traces of a fine metal powder, which was
supplied to James Parrish, the local blacksmith.
Possibly the dead man is old Sam Thomas, "he's a bit peculiar altogether," though he's only been missing a couple of days. The local bobby knows Tom was alive
until recently as on his rounds he heard him playing the organ. The vicar confirms he'd spoken to him recently too.
But further upstream are found deep footprints- by the bottom of Tom's garden! The prints are those of Joe Hawkins
(Denis Shaw) who admits fishing in the vicinity.
The police explore Tom's isolated home- the floor's been "scrubbed!" There's also a box of candles, only one left.
Inspector Carron reconstructs a possible scenario. Rawson asks:" why should anyone want to bump off a harmless old man?"
The answer must be- "he was looking for something?"
The rumour of old Tom's fortune is an attractive theory. The used candles support the idea that the murderer has been
looking for the treasure each night. The police await his Final Visit. He's promptly arrested.
Later the 'treasure' is found, sovereigns worth a mere £6, hidden in the very candlestick that knocked out the old man
Scotland Yard Menu
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THE BLAZING CARAVAN (1953 - cinema release date Feb. 15th 1954)
The CASE AGAINST GEORGE BUXTON
briefly featuring Alan Robinson as Supt Ellis.
A stylish thriller with a novel approach written and directed by Ken Hughes. The very talkative Edgar is on top form.
"The Almost Perfect Murder" states the announcer, it would have been the Perfect One, Edgar continues, except for "a trifling oversight."
This 1938 case began at 3am on a lonely road near Edgware- a blazing caravan. In the ashes is later found a briefcase with the label George Buxton 69 Prescott Road Clapham. A motor cyclist had talked to a man running away from the conflagration, a "big fat chap." A charred appointment book is also discovered, not quite destroyed by the blaze, which includes one name Arthur Cox of "24 Monnery Road Tufnell Park, N19".
Arthur Cox (Alexander Gauge- the description does seem to fit) is now staying at the Royal Court Hotel by the sea at Shingleton. He's just won the pools and takes his £30,000 cheque to the local bank (in reality a bank near to Merton Park Studios, as we see a shot of Rothesay Avenue SW20).
So when the police call at Arthur's lodgings he's not there. In a flashback, narrated by Edgar as though talking to the killer, we learn how Arthur Cox was cleverly murdered by travelling rep Buxton. After celebrating his pools win at Ye Olde Leather Bottel, the inebriated Cox had been escorted home by Buxton to be murdered to the accompaniment of Edgar's dry commentary. Cox was then placed in the caravan and George Buxton had taken on Cox's persona, plus of course his cheque.
Edgar now reaches his juicy moment- the one thing Buxton has overlooked! It's an inadvertant slip in fact. A Ted Holloway had a signed agreement stating he and Cox were to go 50-50 on any winnings. Holloway complains to the police and when Buxton alias Cox calls at the bank to collect his money he's arrested.
Note - uncredited is Howard Lang as a publican
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THE DARK STAIRWAY
(1953 - release date April 12th 1954)
The Greek Street Murder
Story and direction by Ken Hughes
Inspector Jack Harmer (Russell Napier), assisted by Sgt Gifford (Vincent Ball).
(Harmer has a jolly but patronising attitude to his "junior" calling him also "my lad,"sonny" etc).
The date is Friday 4th January 1952 - the murder of Harry Carpenter, "small time criminal and petty gangster."
We hear him address his killer as Joe. An old lady hears an argument and finds a blind man on the stairs crouching
over a dead man. He'd been stabbed.
In Harry's flat police discover the picture of Molly Stephens (Gene Anderson). Edgar tells us that Carpenter had been a "Squeaker,"
testifying against Joseph Lloyd (Edwin Richfield), his partner in
a mail bag robbery. Lloyd had just been released from jail.
Clever Inspector Harmer finds the murder weapon hidden in a toilet cistern in Nic's Club, and he can prove Lloyd had been to the loo there on the night of the murder! But there are no fingerprints on the knife,
so he needs more proof. And he still has to trace Lloyd. One of those hunches leads him to Brixton and a fellow lag of Lloyd's, who puts him in the direction of Molly, a singer. Harmer searches for her in Charlie's Club
and numerous other low spots until, he declares "my feet are killing me!" At last she's found, and skulking with her is Lloyd.
Blind man George Benson who was at the killing can't be much use as an eyewitness.
There follows "one of the strangest identity parades ever enacted within the walls of any British police station." Benson manages to identify Lloyd, but it's not done visually of course.
The "sweet smell like scent" that Lloyd uses and his voice lead to "Lloyd's blurted confession."
Note - the use of negative pictures to show a blind man's perception of murder isn't new, but it's nicely done by director Ken Hughes.
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LATE NIGHT FINAL (1953 - cinema
release date- Sept 13th 1954)
The Burrage Case
featuring Colin
Tapley as Det Insp Turner, assisted by Detective Conway.
The story of "The
Man Who Died Twice." Edgar points out some unusual facets of the case - 1 that
police were looking for the dead man before he was murdered and 2 more than one
person was brought to justice for more than one crime.
Joe, an old newspaper
vendor witnesses the theft of £3,000 worth of goods stolen from warehouse. At an
11am police identity parade he fails to identify the criminals, and by 2pm he
has disappeared from his pitch. Says a police sergeant, whose face we don't
quite see, but whose voice sounds like Russell Napier's, "he's probably gone on
the booze." Police call at his digs and find a suitcase of clothing, but it's
not Joe's. Who does it belong to?
When a body is found on Hackney Marshes,
Insp Turner plays a hunch. There seems to be no connection with his case as the
corpse is aged about 36, whilst Joe must have been nearly 60. But Mrs Brown's
Hand Laundry van is found with bloodstains of the same group as that of the dead
man. A search is made for the van driver, Richard Arthur Woolland (Richard
Shaw). At his home, under floorboards, is discovered more clothing, This time it
is Joe's. In his pockets - cocaine. More investigation, and the leader of these
drug dealers, who's also the corpse on the marshes, is a Richard Crawford. It
was the old story of baddies falling out amongst themselves. So how does this
tie in with the disappearance of Joe Burrage? Edgar explains all.
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FATAL JOURNEY (1954)
The Case of Norma Preston
Script: James Eastwood. Director: Paul Gherzo.
Featuring Gordon Bell as Chief Inspector Durrant, with local police (Lloyd Lamble).
A well constructed story commences one dull autumn evening in an isolated house in Tembridge as Mr Preston returns home, "a terrible homecoming." His wife, her skull fractured, lies dying on the floor.
Edgar recounts two other seemingly unrelated incidents on that day.... The 2.31 suburban steam train ends its journey at London Bridge. One passenger doesn't alight- but he's not dead, he just stares, "like a dummy 'e is." A policeman takes him away to the police station where he's diagnosed as having amnesia. The other event is at Mr Potter's shop- Steve, a gipsy, steals some of his merchandise. Police find the stolen goods in his caravan. Steve admits he had been selling beads door to door, and evidence proves he had called at the Preston home.
It appears Mrs Preston had been attacked for a mere £1 note so, Edgar rather dramatically declares- "a human beast was abroad, but had gone unrecognised." Mrs Preston finally dies in hospital uttering the enigmatic words "I'm sorry...."
The pound note is found on the gipsy's person. He claims Mr Preston was at home. In a flashback we see him enter the house via the back door and find the £1 in the kitchen. He's interrupted by "an oldish man, about 50." It could even be Preston.
Trawling through the Yard records, it emerges Mrs Preston had featured as Mrs X, the anonymous victim in a blackmail case. Gough had been found guilty and sentenced to four years and he'd just been released. That's who our amnesia victim is, and Inspector Durrant carts him off to the Yard. An identity parade that includes Gough and Preston awaits the gipsy. He walks along the line.... and picks out..... an innocent bystander! So Gough has to be released and it becomes a waiting game for Inspector Durrant as he tails the ex-prisoner hoping he will give himself away. He's watched for some while as he walks to a Salvation Army hostel, to a bench by the river, "he's waiting for something," declares one observer. Finally Gough makes his move. At the Lost Property Office, 7 Belgrave Road, he collects his suitcase. In it is a blunt instrument, the murder weapon. A wig explains why Steve failed to identify him.
For his coda, Edgar gives us his explanation as to why Goff adopted this charade in his vain attempt to elude the law. He speculates also on Mr Preston's "enigmatic" role.
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THE STRANGE CASE OF BLONDIE (1954)
(although not stated, this would have been called The Curtis Case.)
featuring Russell Napier as Dt Inspector Harmer, Derek Aylward as Sgt Langham.
Script: Basil Francis and Ken Hughes. Director: Ken Hughes.
"It's hard for an old lag to learn new tricks of the trade," explains Edgar. To illustrate his point,
he describes the notorious career from 1926-1938 of Flannelfoot.
And so we come to Blondie (Lee Sinclaire) who conducted similar robberies "without changing her routine one iota."
This was:
1. Select a quiet house
2. In the afternoon, call to conduct a survey
3. Having "cased the joint," return "at a more convenient hour."
Over ten months she is suspected of 40 such thefts.
However for once a robbery goes wrong when Gerald Curtis, a retired antique dealer is brutally attacked.
A taxi driver happens to have spotted a woman leaving in a hurry- she was about 25, blonde, wearing a black coat and beret.
It's obviously Blondie again. But just who is she?
Inspector Harmer's first lead occurs when some of Curtis' jewellery is pawned- by a man! He spots a pattern in Blondie's
robberies across the country, "a sort of Crook's Tour!" Meticulous scanning of local newspapers suggests the link is a
touring show The Hollywood Way, which has travelled this week to... you've guessed it.... Wimbledon! Off to the Comedy Theatre, cue an exotic dancer on stage:
"nothing objectionable in this show." Star is Eddie Leroy, but the taxi driver and pawnbroker are unable to identify any
sign of Blondie in the cast. But maybe Eddie is the man who had pawned the jewels.
By now you've probably put two and two together though Inspector Harmer isn't quite on the ball as yet.
Some more jewellery is pawned, this time in the Strand. It's Blondie! Quick thinking enables the police to tail her as
she boards a 77A bus south along Whitehall, "that goes to Wimbledon, doesn't it?" Blondie returns to the theatre.
"Once they're inside that theatre we'll have the pair of them, her and Leroy." Harmer swoops but no sign of Blondie,
of course. Finally the penny drops. On stage, Eddie spots the police waiting in both wings and makes a leap for it into the gods.
Instead he falls into the pit.
Edgar concludes with the rather
predictable "Eddie Leroy had given his last performance."
Despite a rather obvious solution, there's plenty of showbiz fun in this case, Sgt Langham having a few choice lines.
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THE SILENT WITNESS (1953)
The Stafford Case with Kenneth Henry as Supt Daker assisted by Frank Forsyth as Det Charlie Forbes.
Priscilla Driscoll as Sgt Blake also works undercover on the case.
Looking rather sombre, Edgar informs us of the 999 service, and in particular one 999 call back in the spring of 1938 which contained the startling confession "I've killed someone. I've killed my wife."
Notes Edgar drily, "seldom indeed does a criminal report his own crime."
In that familiar film car UML 557 (which surely would not have been around in 1938!), the police zoom off to the house of Frederick Stafford (Ivan Craig) in order to cart him off to the station. Edgar explains that Stafford's wife had been an invalid with a bad heart. After an argument about money Stafford had lost his temper and had accidentally caused her to fall.
"Instinctively" the super feels he hasn't had the whole truth. The dead woman's sister in Balham says Fred "couldn't bear anyone about the place" preferring to take care of his wife himself. Local shopkeepers state he wasn't a big spender, buying only the necessities, not luxuries, but then why did he regularly withdraw £40 a week (a lot in those days!) out of the income of his small bookshop? Apparently he had "no vices, a model citizen", yet did his wife die in an accident, as he claims?
All rather mundane thus far, until we meet young Miss Price, his assistant at his shop. Could she be 'the other woman'? Another oddity also perks up our interest: in prison awaiting trial, Stafford is very insistent his house isn't sold. Time for Supt Daker to play a hunch and order Sgt Blake to check up on Miss Price. Her lifestyle certainly seems on the expensive side. Blake overhears her talking about her future marriage to a Mr Roberts. Roberts is none other than Stafford!
Now Daker conducts a search of Stafford's home, surely rather late in the day! There's a corpse in the attic tank. It transpires it is that of a window cleaner, who had accidentally witnessed Stafford killing his wife. In a flashback all is revealed. "I had to do it," confesses Stafford.
Edgar's postscript solemnly tells us that Stafford never did return to that home.
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PASSENGER TO TOKYO (1954)
The Forbes Murder, in August 1953.
With Kenneth Henry playing Superintendent Ross, Ken Marshall as his assistant.
Script: James Eastwood. Director: Ken Hughes.
The Case known as the Tokyo Trunk Murder began in Yokohama Harbour, when the 20,000 ton liner Monarch of the Orient arrived in port. Disembarking was Edward Phillips (Peter Bathurst), and one of his trunks is opened by customs. In it is a mutilated corpse. It's not his trunk, he claims.
"Admirable police force" in Britain is contacted in the shape of Supt. Ross who flies the 3,500 miles to Japan.
Tests show the corpse is a 40 year old European woman who had been strangled about 10 weeks ago, about the time the ship left Britain. Edgar sums up for latecomers:
"Identity of the victim? - Unknown.
Motive for murder? - Unknown.
Scene of the crime? - Unknown."
The trunk is returned to England where an examination reveals the initials GHW hidden away under a paper label.
Says Ross pessimistically: "there can't be more than
a million people with the initials GHW."
At last, a secondhand shop in Paddington gives a lead. Mrs Pearson describes the 35 year old man who purchased this trunk for £10.
He wore yellow gloves - the same as a man posing as Phillips' manservant who had brought the trunk to the ship.
Examination of the corpse shows it had undergone a cardiac operation a few years ago. This leads the police to Miss Elsie Forbes a teacher living at 64 Pelham Crescent Belsize Park.
According to the headmistress at the school where she worked as
a geography teacher, she has moved on, as she had inherited "enough for her to retire on."
£20,000 had been deposited in her South African bank account and she had sailed in August on the Urania, with a Miss Summers sharing her cabin.
Now Ross flies to Cape Town, or as Edgar puts it, "the long arm of the law was stretching out." Miss Summers tells of the voyage on which she'd fallen for a Geoffrey Craig, who had, oddly, turned out to be married to Miss Forbes. "It just didn't seem to make sense," she concludes.
Edgar poetically describes Ross' thoughts as he travels to confront Craig and his wife.
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NIGHT PLANE TO AMSTERDAM (1954)
The Bosker Case
featuring Gerald Case playing Inspector John Carron, assisted by his detective sergeant (Shay Gorman). Also involved is Cpt Haas (Guy Deghy) of the Dutch police.
Script: James Eastwood. Director: Ken Hughes.
During a party, Elsie, wife of a wealthy stockbroker, interrupts a safecracker and is strangled. Her husband catches only a glimpse of the murderer, but helpfully notices he has a scar on his face. A button has also been pulled off in the struggle. Albert Bosker, aged 30, is identified as the villain with a scar. Undercover police lead the Yard to Gower Street, the Hotel Flanders,
but Bosker left last evening. There's a smashed mirror in his room.
However the trail now goes cold.
Then after three weeks, a thief is caught with a jacket in his possession that has the fatal missing button. Sparks the thief stole it from a market stall. And from where had this jacket come?
Mme Langer, owner of the Hotel Flanders! Back to there goes Inspector Carron, but Mme Langer (Selma Vaz Dias) is not there. But Bosker's girlfriend, Monique Duval, is staying in Room 7, and she's worried because her Albert has disappeared.
Another lead - a necklace stolen from the safe surfaces in Holland. Sold to a dealer by a man with a scar, answering, as they say, Bosker's description. Carron flies overnight to Amsterdam. He says he slept "most of the way over" as though he'd had his eight hours!
The dealer's wife looks suspiciously like Mme Langer, but she doesn't speak any English. After questioning, she of course is soon out of sight- apparently she's left on a London flight.
All roads lead to Hotel Flanders. Back there the latest disappearance is Monique. Apparently she had suddenly
checked out, according to Henri the waiter. Searching her room, the carpet appears to have recently been cleaned. The whole story of Mme Langer's double life is uncovered. Henri spills the beans- the hotel was headquarters of a giant smuggling ring, Mme Langer the boss. Bosker had blundered and had to be silenced. "What did you do with the bodies?"
Down in the cellars Mme Langer is hastily disposing of the evidence in the hotel furnace.
"One of the grimmest cases in British criminal history," is Edgar's closing verdict. "An utterly unfeminine monster." Phew!
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THE STATELESS MAN (1954)
The Sutton Murder
featuring Frank Leighton as Inspector Parry, Robin Wentworth as Det Sgt.
Script: James Eastwood. Director: Paul Gherzo.
Boasting a little more hair than in later films, Edgar Lustgarten explains how the case began. 11pm one deserted dockland November night, a woman's scream of "Murder!" In those days, it took but seconds for a copper on the beat to be there, to find the corpse of Hazel Sutton, killed with a knife.
Mrs Fenton the landlady says she was engaged to a "foreigner" called Karel Slavik. They were always quarrelling. She had seen him run away, a knife in his hand. So the next job is Find Slavik, an early example of the Illegal Immigrant, who has, not unnaturally, disappeared. After searching numerous haunts of foreigners, an accordeon player takes the Yard to the backstreet Restaurant Prague where Slavik is working as a kitchen porter. Slavik denies killing Hazel. His story is that a woman had phoned saying Hazel was ill. So he rushed over, only to find her already dead. In the usual way he had automatically picked up that knife, and when the landlady spotted him, he panicked.
He tells the police of the £100 he and Hazel had saved for when they were married. It had been hidden in that traditional hidey-hole, under a floorboard at Hazel's flat. Needless to say it's not there now.
The police are inclined to accept Slavik's story, especially when Mrs Fenton is seen with a brand new fur coat. But they "were getting nowhere," declares Edgar. Then the usual breakthrough!
A van BLF435, parked without lights is noticed by two policemen. A Frederick Smith is chased and in Red Mead Lane E1 arrested for robbery. He claims his partner, who has eluded justice, was Bill Fenton who "wanted money quick," as he's trying to flee the country.
Fenton, the landlady's burly son, is found at the docks. He admits he'd argued with Hazel that night. He wanted her to marry him. He attempts to evade custody, but falls off a crane and is killed. "Fate judged Fenton" is Edgar's conclusion. And he rounds it off by considering the feelings of his accomplice, his mum, the landlady, as she languishes in prison.
A very straightforward case, not really worthy of Edgar's devious attentions. May Hallett gives a strong performance as the grasping Mrs Fenton.
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THE MYSTERIOUS BULLET (1954)
The Charlesworth Murder/ The Bramble Farm Case
featuring Robert Raglan as Chief Inspector Dexter, assisted by Sgt Henry Miles, with John Stuart as a Local Inspector.
Script: James Eastwood. Director: Paul Gherzo.
The storyline is so slight that Edgar introduces a novelty, a Robert Churchill, a real life expert in the science of
ballistics. This adds some authenticity and fortunately Churchill is just about up to the demands of his acting role.
The quiet Hampshire countryside is shattered by a gunshot. Poacher Jim Grundy is caught redhanded by a gamekeeper,
but things look even darker when the corpse of David Charlesworth, the landowner is found nearby, shot through the head.
Churchill however examines the guns and declares neither the gamekeeper's nor the poacher's guns were the murder weapons,
even though they fire 2.2 bullets which was the type used in the murder.
In an unconvincing red herring, another gun goes under his scutiny- that of Edward Walton, who'd recently had a punch-up
behind The Plough with the dead man. As he's got a criminal record for robbery with violence, Inspector Dexter looks hopeful.
"He isn't your man," Churchill disapppoints him.
The inspector calls on Emily Thatcher, a widow of six years, who'd just become engaged to David. Surely their 12 bore shotgun couldn't be
the wanted weapon? Certainly her brother John Patterson (John Warwick who in later stories played the inspector!)
looks shifty.
However he has an alibi: "I spent the night at my mother's house, 30 miles away." Mrs Thatcher Sr
confirms his alibi: "Mr Policeman... I'm proud of that boy of mine, he was a fine soldier." Another interesting discovery
is that Julie Thatcher (Carol Marsh), Emily's daughter from her first marriage, is "an expert shot." She admits she had
visited David on the fateful night. In fact she loved him! She claims to have said goodbye to him when another visitor
knocked, but she doesn't know who it was.
Our expert Robert Churchill now solves the mystery- the bullet had been fired from a 12 bore shotgun which had been adapted to fire 2.2 bullets. So it's straight back to the Thatchers where supper is interrupted.
Churchill adds his own comments on his participation. Finally the cameras close in on Edgar who warns us sternly:
"let anyone who is contemplating murder by shooting - Beware!"
Churchill and Thatcher in this- there must be a joke in there somewhere. There's not much else to write home about.
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Murder Anonymous (1955)
Script: James Eastwood. Directed by Ken Hughes.
The Langster Case with Ewen Solon as Inspector Conway, assisted by Brian O'Higgins as Det Sgt.
A novelty to commence, in the shape of Sir Travers Humphreys PC, an eminent retired judge,
no doubt an old buddy of Edgar's. Edgar does a mini interview with him about miscarriages of
justice before taking us to a suburban house where a Mr Langster has died.
But how has he died? There's a gun in the room, and two bullets lodged in the ornate fireplace, but he'd not been shot.
The housekeeper points the finger at a neighbour, Mrs Nora Sheldon (Jill Bennett) who lives with her blind husband
(Peter Arne). But another suspect is Mrs Langster, the estranged wife of seventeen months. A third suspect is Langster's ex-partner in business at Covent Garden,
Bowman. Langster had had an affair with Bowman's wife, so she could be another suspect. She's living in the Miramar Hotel Wimbledon, where she keeps
a photo of Langster, though she's away as an air hostess in Rome at the moment.
Inspector Conway questions Mrs Sheldon who admits seeing Langster on the night of his death: "when I left him he was perfectly all right." It's unclear whether the two had been having an affair.
Now Conway flies to the Eternal City to meet judo expert Mrs Bowman (even though an
external scene is clearly shot in Britain!). It is now proved that Langster must have been
killed by a judo move. She admits quarelling with Langster that night and even threatening him with her gun, the one that was found in his room, "But I didn't kill him." She refuses to return home from Italy.
Mr Sheldon disappears, found later in the dingy Kirkall Hotel, half dead, with a confession by his
bed "I killed Langster." When he comes round he tells Insp Conway he'd been goaded into
seeing Langster that night after receiving numerous anonymous calls claiming his wife was having an affair with the man. "Leave Nora alone," he'd warned Langster,
but he refused and they'd had a fight. Despite being blind, Sheldon had pinned the Casanova down and accidentally killed him.
Time for a summary from Edgar and his guest. How guilty was the woman who had made those anonymous calls, who it transpires was Mrs Langster? Of course, the law can't touch her, but, although Sheldon was convicted of manslaughter, adds Edgar with just a trace of a smile,
Sheldon is now out of prison rejoining his wife "a happy and united couple." Oh for those happy endings!
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THE CASE OF THE RIVER MORGUE (1956)
The Hiller Case,
written and directed by Montgomery Tully.
featuring Hugh Moxey as Det Insp O'Madden and Gordon Needham as Sgt Stafford.
A body that died twice, and a police investigation into a murder that never happened - this is the sort of story to get Edgar excited!
Mortuary keeper Harry Bryant has a corpse that's missing! A 35 year old who'd drowned - the police try to learn
his identity. But next day a body reappears in the mortuary! This one is disfigured, but Harry "knows" it's the same body,
since he's found his own identifying mark, the number 7 written on its foot.
This corpse is identified as that of a Mark Hiller who, according to his widow, used to take the dog for walkies each night
along the towpath at Kingston. The coroner decides it was accidental death, with the nasty injuries occurring after death,
perhaps as a result of being hit by a boat.
But Inspector O'Madden is not quite satisfied. "No case and no suspects," is Edgar's summary of the case so far.
Hiller was a diabetic, but the pathologist reports no sign of diabetes.
And significantly, Hiller was insured for £10,000 - " a lot of insurance." Inspector O'Madden learns Mrs Hiller has received a telgram from "Anthony" in Nice.
She leaves for the South of France. Has she joined her husband?
The French gendarme proves unusually efficient in tracing the couple. Reaching the hideout a man's body is found- Hiller.
"Il est mort," spots the observant concierge.
Edgar praises the inspector's tenacity which enabled this crime to be solved. A footnote - the dead man in the mortuary was never identified.
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DESTINATION DEATH (1956)
The Eberstein Case
Script: Colin S Reed. Director: Montgomery Tully.
Russell Napier stars in his most familiar role, Inspector Duggan. with Arthur Gomez as Sgt Mason.
Idly sipping his glass of port, Edgar takes us to London Airport where financier Mr Eberstein who was travelling to Lisbon on Flight 167,
has a new Destination - - Death. He's been poisoned.
Interpol are unable to trace such a person. The passport he's carrying is a forgery.
His airline ticket had been sold by the Bowaters Travel Agency but clerk Sims, and chief clerk Carden (Raymond Young) don't recognise the man.
So Duggan flies to Portugal
to see a singer Kara Gerhardt (Colette Wilde) whose photo had been found in the dead man's wallet. Duggan listens to her song po-faced, whilst his Portuguese counterpart Inspector de Servico beams.
She's held for currency smuggling, but Duggan can't establish her connection with the corpse.
Back in London, Mrs Maguire comes forward and identifies the corpse as that of Patrick, her estranged husband. From Maguire's secretary,
Miss Challoner (Melissa Stribling), who was in love with him of course, Duggan learns that the dead man travelled abroad
extensively, and always booked his tickets through his brother-in-law's travel agency. Bowaters, where Mr Carden works.
Carden disappears from England in a private plane. His wife (Paula Byrne), who is the beneficiary of the dead man's will,
also slips out of the country, but fortunately she's tailed and Duggan travels to Dinard and catches up with her out at sea where she's having a row with her husband.
It transpires that he in his turn had fallen out with the dead man over his share of the proceeds of the counterfeit money.
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PERSON UNKNOWN (1956)
The Cusick Case
featuring Russell Napier as Inspector Duggan, assisted by Edward Cast as "Sergeant."
Script: James Eastwood. Director: Montgomery Tully.
Near the small picture-book hamlet of Hillfield in the South Downs "where it's always afternoon," there's a quarry where we see a lot of funny looking gents in bowler hats
watching as a digger reveals a corpse. But it's a dummy! Edgar smacks his lips as he explains it's a test by our lads in blue to examine the effects of an explosion on the human frame. Two days previously, there'd been just such an explosion,
in which Polish foreman Josef Cusick had been blown to pieces.
His widow (Marianne Stone) identifies the charred remains. Although killed by in the explosion, the reconstruction helps prove he must have been drugged.
An idyllic country walk following the last known tracks of the dead man reveals a spot where signs of a struggle are visible. Clues reveal the attacker is height about five foot six with shoes of a narrow A fitting.
The pattern on the soles are identical to those of the other quarry foreman, Jim Fenton, who didn't get on with Cusick at all.
Duggan then gets a shock. He's summoned to London, MI5 HQ no less, where he's told Cusick worked for a foreign embassy, and was about to be arrested as a spy!
In another development, an American, Herbert Viner (Bill Nagy) disappears from his London Hotel. Just after the war he had escaped from Poland with his compatriot Cusick. His shoes fit the footprints too!
He'd phoned Cusick on the day of the murder.
Then Mrs Cusick disappears! A call is put out for Viner's hired Ford Consul ALW212 "now the most wanted cars in Britain," chips in Edgar.
Spotting the car, a police chase ends up in the Amberley Road, with an abandoned vehicle. Fingerprints in the car indicate Viner hadn't been driving it.
Duggan moves to Amberley Station and finds Mrs Cusick on the platform. "I must ask you to accompany me...." etc etc.
Edgar pieces the whole story together. Viner had driven to Cusick's house to expose him as a spy. Viner had been killed in a struggle, and Cusick then fled the country. Though we might sympathise,
Edgar reminds us that his crime had been premeditated and was thus murder. Though he escaped British justice, Edgar adds a chilling footnote as to Cusick's fate
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THE LONELY HOUSE (1956)
The Bunter Case
Script: James Eastwood. Director: Montgomery Tully.
Russell Napier as Chief Insp Duggan, Gordon Needham as Sgt Conway.
Russell Napier was now in full stride in his role, and this proves one of the best of the series with Edgar starting us off with that "small but insistent thought, the victim might have been me."
Repairs are being made to a Sussex road when Sam Watts sees a corpse in a barrel of tar, "it fair gave me a turn." Identity of victim? - unknown. Cause of death? - difficult to hazard.
That's the problem facing the Yard. Forensics show it's a dead woman, and her teeth provide the clue to her identity. Dentist Mr Spangler says she was a Miss Emily Bunter of Glencoe Hotel Bayswater.
According to Miss Gregory the hotel owner, she's on holiday in Switzerland, indeed a postcard seems to confirm this truth. So flying off to Zurich, Duggan finds himself, as Edgar poetically expresses it,
"over a place that seemed far removed indeed from that grim black barrel of tar." He arrives at the Schweizerhof Hotel where the card had been posted. After some rather lengthy zither music, Duggan is informed by manager Herr Muller there's no Miss Bunter now staying there.
He has to fly home quickly when another body is found in some more tar, this time in Kent. As the victim had dentures, dental records are of no use. However a gold signet ring stuck on the small finger of this 60 year old man is one clue that leads
Duggan to Major James Robertson, once wounded on the Somme in 1916, last address a Pall Mall Club. He had been due to get married and honeymoon was to be in that same Swiss hotel! Guests there are traced and at one Sgt Conway happens to notice a photo
of a house, with a barrel of tar in front of it. The house proves to be in Guildford being renovated by a William Evans. Duggan explores this house, "very interesting," he muses.
Thus it is that an undercover policewoman joins a marriage bureau. After a whirlwind courtship, the bride-to-be is taken, with a useful £7,000 on her person, to see her future home. Where? In Guildford!
Lots of little touches make this a film to savour. The sergeant at the dentists having to sit in the dreaded chair.... In a quiet hotel Duggan and his sergeant discussing in whispered voices how to attract attention.....
Duggan at the Swiss hotel:"I'm looking for a lady." Receptionist:"this is a most romantic countryside."..... Incognito at this hotel Duggan is informed by one guest: "well we all do a little smuggling eh?"
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BULLET FROM THE PAST (1956)
The Grant Case. Directed by Kenneth Hume.
With Ballard Berkeley as Inspector..erm ... Berkeley. Inspector Reynolds of the local police starts the investigation, and his assistant Sgt Scott (Donovan Winter) also helps
Insp Berkeley with his inquiries.
Char Mrs Roper arrives at her employee's home near Guildford Station to ... scream! Mr Grant has been shot in the head, with a revolver at his side. However the fatal bullet had not been fired by this gun. This bullet turns out
to match the bullet fired in the unsolved Audrey Spencer Case way back in 1925. She'd been killed on board ship and her fiance accused of the crime, but acquitted due to lack of evidence. Grant had been purser on that same ship!
The only other clues are - a vague description of a woman visitor to Grant - a love letter in the safe - and a woman's hanky. This has a laundry mark JG581 which leads the police to a Mrs J Grant of 72 Princess Road (later called Princes Drive) Godalming,
who is of course the dead man's estranged wife.
She'd seen him on the day of his death to get her alimony. The letter is from the 'other woman', a Mrs Jenny Ross, also of Godalming, whom the inspector meets with her arm in a sling. Had she stopped a bullet?
She admits she knew Grant but he had stopped their affair. Mr Ross appears to be shielding his wife, or himself.
Berkeley bumps into him on his way home from work at Waterloo. Ross always catches the 6.27 home to Godalming. But Berkeley catches the 6.20 fast to Guildford and walks in five minutes to Grant's cottage. A car whisks him from there to Godalming,
in time to greet Ross emerging off the 6.27.
All authentic train times amazingly, and it's enough to persuade Ross to shoot himself.
It transpired Ross was being blackmailed by Grant over his sweetheart Audrey Spencer's death all those years ago.
Case closed on two crimes - "two murders for the price of one," concludes Edgar playfully.
Some curious little comedy mini-interludes in this story, including one with Bernard Goldman.
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INSIDE INFORMATION (released 29th September 1957)
The Weldon Case
featuring Ronald Adam as Inspector Hammond, Bernard Fox as Dt Sgt Conway.
Script: James Eastwood. Director: Montgomery Tully.
"Remember remember the Fifth of November," Edgar starts reciting. But though he starts to
tell about Guy Fawkes' dark plot, instead he tells us why the Yard have reason to remember
this date "three and a half centuries later."
A happy November 5th celebration in the little village of Saxton is marred when the guy
being burnt proves to be a real man.
The field where the fire was held belonged to Tony Neilson,
"a wealthy international smart-set playboy." He explains William Chard his caretaker
had made all the arrangements for the evening. But he seems to have disappeared!
Is he the dead man? It is proved that the man had been stabbed before being hoisted on to
the bonfire.
Eventually Sammy White is identified as the dead man, by his landlady. In fact White is suspected by Dt Insp Forbes (Julian Strange) of being
involved in a recent raid on an East End bonded warehouse. His partners Fergusson and Miller had been arrested following
a tip off from Jim Weldon of the Daily News. White had eluded police. Weldon promises to give Insp Hammond the background to his scoop,
but it's the old story of his being stabbed to death before he can talk to police.
So Hammond questions the two arrested robbers, but they won't squeal. Bail for Fergusson isn't opposed-
to enable him to be tailed. PC Baxter loses sight of him for a minute and Fergusson is silenced too, a knife in his back.
A dying word points the finger at Neilson.
Neilson's face expresses a provocative horror at the suggestion that he could be implicated.
But as soon as he can, he's grabbed a case full of his cash and is doing a bunk. However Harris his chauffeur
and hit man shoots him, before Hammond can make his arrest.
To conclude, Edgar summarises the reasons for the "grisly" catalogue of killings.
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THE CASE OF THE SMILING WIDOW (cinema release 10th November 1957)
The Adams Case
Script: Gil Saunders. Director: Montgomery Tully.
Featuring Russell Napier as Inspector Duggan and Vernon Greeves as Sgt Henry.
Artist Peter Adams is found gassed in the kitchen of the Hampstead home of art dealer Christopher Nicholls (Carl Jaffe).
For once it's the humbler police who help solve the crime. In a nice scene, Duggan's chauffeur Bates (Glyn Houston) chats with the kitchen staff
whilst his boss looks for clues. The chauffeur learns that Nicholls had had an argument with Adams. He's also told that
the gas had been "off" in the house and that Fudge a pet cat had also died that night. But the cat had definitely died of coal gas poisoning.
"There's more behind this business than's been said!"
The Assistant Commissioner tells Duggan that Adams and Nicholls are suspected of art forgeries, including the famous painting 'The Smiling Widow.'
Some snooping by Duggan at Adams' studio at a posh Essex address, and some ashes from a fire that Nicholls had been burning are diplomatically smuggled out of Adams' home in his hat.
Italian police confirm that these remains of paintings are by the same brush that painted The Smiling Widow forgery.
Nicholls' house is given "a thorough going over" and it is clear the cat died accidentally,
in the same bedroom Adams was gassed. Then Adams' body had been dragged downstairs.
But how could Nicholls have murdered Adams, as he's a an ex-polio victim? A specially adapted wheelchair provides the solution. However the art forgeries are not the motive behind the murder.
"Justice caught up with Mrs Nicholls," explains Edgar Lustgarten. It had been a lover's tiff that had lead Nicholls' wife to a "terrible revenge" on her former lover
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THE MAIL VAN MURDER (1957)
The Tanner Case
with Dennis Castle as Inspector Hammond, Gordon Needham as Sgt Wilson
Script: James Eastwood. Director: John Knight
"Cupidity and fear," Edgar chills us, are the only allies of gangland boss Jack Tanner (Robert Reardon).
39 year old Robert Fenton (David Kelly) had been one of his gang before being sent down for 3 years for armed robbery. Now he's out just and wants his share of the loot. When Tanner gives him the brush off, it's Tanner who comes to "an appropriate end," when his corpse appears, tipped out of a dustcart, knifed to death.
Tanner had been suspected of a recent mail van robbery in which a postman had been killed. The previous evening he'd left his nightclub with singer Miss Carla Craig (Hy Hazell), but they'd quarrelled and separated.
Nicky Strange, "one of the most cunning, most resourceful, most wanted criminals known to Scotland Yard," had been gang leader before Tanner. As he's wanted for murder he's not thought to have remained in the UK however.
Interpol in Paris report Nicholas Strange has been recently released from a Tangiers jail. Supt Hammond works out that Strange could have returned to Britain on a freighter the MS Velasquez, and the likelihood is increased when it is learnt that Strange had been a wartime buddy of the ship's captain.
Carla Craig is tailed and seen in a Depository where she collects a trunk, stored there for three years. Hammond calls on her just as she's packing a bag with the tag 'Betty Fenton,' her real name. In her bag are the jewels Strange had nicked.
Her brother Robert is the next victim, found dead on the Embankment. This prompts Miss Fenton to split on Strange, who is hastily leaving the country via the same route he had entered. After a fight with the police, he's falls into the river. RIP.
Edgar concludes this unsavoury tale by pondering on the reason why Strange ever risked returning to England.
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THE TYBURN CASE (released 22nd December 1957)
The Sandford Case
featuring John Warwick as Supt Reynolds, Gordon Needham as Dt Sgt Hale.
Script: James Eastwood. Director: David Paltenghi.
Edgar transports us to "the netherworld" of the sewers where maintenance workers find a corpse in the old Tyburn River.
The body is that of a middle aged woman aged 40-45, height about 5 ft 7, eyes grey, hair brown dyed reddish brown. Soda in her lungs proves she had drowned
in a bath, "and," as Edgar adds with one of those beautfiul descriptive remarks of his, "the person who has drowned in the bath cannot get dressed and walk!"
An informed guess by an expert calculates that the body had travelled about two miles along the sewer.
Supt Reynolds retraces the grim route, and finds a likely spot which could have been the starting point for the
corpse's journey, in a quiet street. Near the manhole, Reynolds spots a House to Let - 1 Wormwood Gardens Chelsea. (Odd that a Morden estate agents would be selling this place!)
Lonely widow Mrs Sandford had lived there, but, according to her solicitor, Peter Shilling (Howard Marion Crawford) is now living in the Bahamas.
Close examination reveals a new line of inquiry - some of the dead woman's clothes had received some Invisible Mending.
Unfortunately in those days there were hundreds of firms in London undertaking such a job, and there's plenty of legwork for
our Boys in Blue. Sergeant Hale gets the breakthrough. Miss Bradley (Genine Graham) at 73 Victoria Court was the owner, but
when police call there, she's not dead at all.
She says she had had it mended for her flatmate Nora Sims (Patricia Marmont), who'd since left as she'd come into some money.
Miss Sims had worked at a fashion house, and whilst Sgt Hale relaxes with the models, Reynolds learns more about the elusive Miss Sims.
Apparently she had a boyfriend called Peter. "I wonder how many Peters there are in London," muses Reynolds.
With no progress in sight, a visit is made to Mrs Sandford's house. The cleaner (Rita Webb) lets the police in and
claims the invisibly mended dress is hers! She'd got it from a friend of the missis, Miss Sims.
Light is now seen at the end of the tunnel! The bath proves to be the murder scene. A characteristic Edgar line follows-
"A case that had begun in the gloomy depths of a London sewer, now moved to the sunlit pleasure islands of the West Indies."
There Reynolds interviews Mrs Sandford, alias Miss Sims. She admits all- Mrs Sandford had intended to donate her wealth to charity and she and Peter had hatched up this plot.
The final task is to arrest Shilling who had been swindling his wealthy client.
Note- uncredited is Geoffrey Hibbert as the solictor's clerk
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THE WHITE CLIFFS MYSTERY (released 22nd June 1958)
The Matrion Case
Script: James Eastwood. Director: Montgomery Tully.
featuring Russell Napier as Inspector Duggan, Julian Strange as Sgt Blunt.
The 7.55 Seahaven to Waterloo express thunders through Branton station. A body is thrown out which rolls gracelessly along the
platform. Edward Matrion, aircraft research engineer, strangled, and a bit battered I should imagine.
Inspector Duggan examines the carriage from which the corpse emerged, finding Matrion's empty briefcase, with secret
documents missing. Guard William Grant recalls the man had been travelling alone in the compartment.
A vague description of a youngish man seen nearby is drawn up.
When Duggan calls at Matrion's large home, the maid Kovacs explains her master was only supposed to have been going
away for one night. But that is all Duggan can find out, for Mrs Matrion has had a coronary from which she is unlikely to
recover, and Miss Welton, Matrion's secretary is on holiday.
Subsequent investigations show Matrion had recently
withdrawn £800 from his bank, nearly all his account. "It's time we visited Seahaven," suggests the all-wise Duggan.
A cabbie there remembers driving Matrion to a hotel, where it turns out he had checked in as a Mr Bayliss.
Hiring a car (NYL612) from Salter's he had returned it with only 10 miles on the clock.
Examination of this car reveals chalk in the tyre grooves plus a set of unidentified fingerprints.
Whom had he met and where? At the foot of some chalk cliffs is found another corpse, that of Elizabeth Welton!
Further activity follows-
1. The missing blueprints surprisingly turn up in the post, in an envelope addressd to Matrion, and sent by him.
2. Blood on Elizabeth Welton's body isn't her own or Matrion's.
3. Mr Graves, a passenger on the train, remembers a man wearing a distinctive college scarf. This is from
West Kensington College and its owner Joseph Armed proves to live in the same address as Miss Welton.
Edgar explains all in a neatly filmed flashback - a story of blackmail.
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NIGHT CROSSING (released 11th May 1958)
The Case of Alice Brent
Script: James Eastwood. Director: Montgomery Tully.
Starring Russell Napier as Supt Duggan, with minimal assistance from Julian Strange as Sgt Jason.
Some interesting scenes shot at a South Coast town, but this becomes a rather rambling tale with the cast seemingly peeved by the fact that the last half is set in Paris and they couldn't get beyond the studio walls!
At a peaceful Channel port, local fisherman James discovers a body on the beach.
It's that of a black woman, a drug addict. The Yard computer whirrs and suggests it might be Rose Weston.
However this was one of those giant computers, and it's made a gigantic error, since Rose is still alive.
Next we come to one of those "sensational" revelations that Edgar loves to recount:
the corpse's skin had been "stained" brown, ie she's a white woman.
Spt Duggan recreates the crime using lots of dummies which are cast overboard from a boat.
Nearish the spot where the dead girl was found, one floats up on to a beach. So the corpse had been thrown from some passing
ship. A shipping expert comes up with seven possible vessels, the most likely being the Dunkirk to Dover night ferry.
So it's a flight to Paris for Duggan, if not for Russell Napier, where he meets the "formidable" chief of CID, Jacques Renault
(John Serret aided, oui oui, by Andre Maranne inevitably).
One girl who looks a little like Duggan's photo of the dead girl works at Ricco's night club- and he's strongly suspected of
running a drug operation. She's Alice Brent, and her Paris flat yields some surprises. First, a liquid that Duggan
puts on his hand and leaves a permanent stain. Second, a private record to Alice from an admirer ("I'll be waiting Alice"),
that was made in a Rome studio. And most shocking, there's a murderous attack on the policeman accompanying Duggan, Detective Nouvel.
Rome Interpol traces the recording: it was made by an American Lt Richard J Bryers, who is based at a US airbase
in England. He seems innocent: he'd split with Alice and had last seen her with a "guy" at Ricco's.
Back to Ricco's! Duggan finds Mlle Colette who had replaced Alice, but she's just beginning her knife throwing act,
and she's the one at the end of the knives! "Stop the show!" comes the unlikely cry from Duggan.
The lights dim and the knife narrowly misses her. She spills the beans and all that's left is for Edgar to reappear,
in his little room, to explain it all
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Print of Death (1958)
The Shelton Case
Script: James Eastwood. Director: Montgomery Tully.
With John Warwick as Supt Reynolds, Tim Turner as Dt Sgt Hale.
A novelty is introduced in the shape of Phil Brown as American detective Sgt Kovacs, but he seems merely a transatlantic appendage.
"The desire for easy money" commences Edgar. He tempts us with "where in any one week is the greatest amount of cash
to be found?" His answer- "in the nation's pay packets."
£50,000 is being delivered to a light engineering factory when a bogus police car stops it and shoots dead at point blank range the guard and driver.
Soon on the scene, too late, are the real police lead by Superintendent Reynolds.
Clue 1 is found in the van - fresh fingerprints of armed robber Joseph Shelton 19576/41 "one of our toughest and most dangerous
customers," released from Dartmoor six weeks ago.
Clue 2 - the bullets match those of Shelton's last crime ten years ago. Yes, this is "an open and shut case."
Mrs Sally Shelton claims she hasn't seen her husband for ten years. But a fur coat suggests she's doing OK.
None of Joe's former friends have seen the crook either. He's vanished.
A week later there's another payroll robbery. Again Shelton's prints are founbd on the empty cash bag.
Col Boyd of Interpol surprises everyone with news that Shelton's prints have been found on a glass in a Tangier bar.
Another shock - a headless handless body is unearthed during excavations for a new building. It had been dead 6 to 8 weeks.
Can it be identified? Signs that the torso had recently had a kidney removed. Shelton had had such an operation.
But "a dead man cannot commit robbery and leave his prints at the scene of the crime!"
It's back to Shelton's home. On Sally Shelton's brother's suitcase is a Tangier sticker! He and Sally had been confident that the dismemberment of Joe's body would see them in the clear.
There's a final chase after their partner in crime, Mrs Shelton's lodger (Edwin Richfield), who races around the railway sidings.
For once no-one is run over despite the complex shunting operations!
Shelton had been done in, simply so his fingerprints could be used to divert attention from the real crooks. Edgar's footnote tells how this case made history- "Fingerprints can lie, but only apparently, for at one stage of the investigation it did seem that robbery and murder had been committed by a dead man."
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Crime of Honour (1958- cinema release date May 29th 1960)
The Rodriguez Case
featuring Russell Napier as Inspector Duggan, Julian Strange as Sgt Conway.
Script: James Eastwood. Director: Montgomery Tully.
"One of the most difficult things to conceal, permanently, is a human corpse," Edgar warns, wagging his finger solemnly.
A Thames dredger brings up a man's body from "a sinister shifting resting place." The most telling identifying feature is a scar on his left leg.
The strangled corpse is identified by the man's sister Agnes Branston, but then his wife Julia disputes this.
However it is clear the two "cordially dislike each other." Julia claims her husband John Branston is working abroad. His business partner Richard Watts (Ivan Craig) confirms this last fact. Branston last got in touch from Yugoslavia. As he's also a bit of a "gay dog", his trips selling the company's wine were also intended for pleasure. He is often away "for months on end."
The corpse was wearing some expensive shoes with the Montez label in Granada. Duggan flies to Spain to interview the shoemaker, who recognises his handiwork- he'd made them for a prominent local winegrower Sgr Rodriguez, who turns out to have been missing for three weeks.
Rather obviously Edgar interposes: "the superintendent returned to his hotel with a growing suspicion in his mind." An anonymous note takes him to gipsy dancer Lola. In the back seat of a magnificent limousine she asks for 2,000 pesetas. Yes, she was "the greatest" of Rodriguez's loves and she knows who killed him. But she's stabbed before she can utter the name, of course.
Duggan's return route to England follows that of Rodriguez, when he travelled on a freighter to London with his wine. Back at the Yard he quizzes his sergeant about the two murders: "Have you ever tried to think like a Spaniard?" Together they attend Watts' monthly wine tasting. Sergeant to Duggan: "well sir, this is one time we'll just have to drink on duty!" Duggan floats his theory past Watts before going off to Watts' home. There he meets Mrs Branston. She tries to explain her presence. At dead of night Watts attempts his getaway, but his own wine barrels roll down a hill and run him over, an ironic twist that Edgar is not slow to point out.
Watts had wanted control of the business, and after an argument Branston had died.
Julia had been his accomplice. Back to Rodriguez,
and a final moralising from Edgar who tells us "Spain is an old fashioned country; family honour is strong."
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THE CROSS ROAD GALLOWS (1958)
The James Case
featuring John Warwick as Supt Reynolds with Dt-Sgt Hale (Tim Turner). Also prominent
is local inspector Travers (David Lodge).
"Murder" explains Edgar "is the most democratic of all crimes." It's dawn, and irascible farmer John Dent finds a caravan trespassing on his land. Inside are two dead bodies, outside he spots a shadowy
figure, a tramp, in the undergrowth.
This is a "most brutal murder" of a young married couple. James was a freelance writer who'd recently received a £100 fee. Little cash can be found in their caravan. Also untraced are a camera and a diamond ring.
At a nearby pub, the barmaid Sally Bailey remembers the couple had been buying drinks there. Had someone spotted their well-filled wallet? In a pond a "heavy blunt instrument" is unearthed, ie a spanner.
Hardly the weapon of a tramp.
A tip leads Reynolds to Farmer Dent's attic, where he finds a simple lad hiding, Billy the son of the house. The truth comes out - Dent had discovered him in the caravan, dazed "standing over them with the blood."
It transpires that Billy had been hidden by his parents after an incident some years back when a garage mechanic had seen him committing a crime. Billy is declared certifiably insane
but though "the evidence against him was overwhelming," Reynolds doesn't find the stolen property, and one
puzzling clue convinces him not to close the case - there's a patch of oil near the crime scene. Oil that proves to be from a powerful Tornado motor bike.
The machine belongs to the boy friend of Sally, Hans, who'd been blackmailing Dent over
Billy's former crime.
Edgar explains that Hans had spotted the idiot son near the caravan that day, and knocked him unconscious to throw blame on him for the crime Hans had committed.
Hans tries to escape on his bike but crashes at the foot of a gallows.
Edgar can't resist a final comment- "Hans Brandt met his own end at the foot of a gallows from which so many a grisly burden had hung in times gone by."
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THE UNSEEING EYE (1959)
The Bassett Case
featuring Russell Napier as Inspector Duggan.
Firemen treating a blaze in a warehouse spot a body. The Yard are soon on the scene as the man had been killed before the fire started. One useful clue as to his identity is a glass eye. An expert believes it to have been made in America. "The United States!" exclaims Edgar in a quizzical voice, "this was broadening the inquiry with a vengeance."
The owner of the disused building is now running a hotel and hadn't visited his warehouse for weeks. But he and his wife act very suspiciously.
The next real development is when Wendy Green returns to work after her holidays. She remembers serving a person who'd purchased some jerry cans of petrol. She identifies Mrs Bower, wife of the hotel owner.
The FBI succeed in working out the owner of the eye was a John Bassett, an artist last heard of in Paris. Over there, Duggan speaks to his "intimate friend" Janette who tearfully explains he had travelled to London for a few days to stay at a small hotel- you've guessed where! "A dramatic revelation," admits Edgar.
Duggan now has a "trick up his sleeve." A policeman is made up to look like Bassett and, as Edgar juicily observes "a dead man walked the streets of the city." You know his destination. Mrs Bower sees him- "no... it can't be.... You're dead." Duggan forces home his advantage and she spills the truth.
There follows a dramatic chase across the rooftops after the killer. It ends with a fireman preventing him from falling to his death. Edgar rounds it off noting the irony.
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THE GHOST TRAIN MURDER
The Bartory Case
with Russell Napier as Insp Duggan, Gordon Needham as Sgt Adams.
Script: James Eastwood. Director: Geoffrey Muller.
"Murder is always dramatic," explains Edgar as he commences with brief flashbacks of the opening scenes of 3 previous
cases.
"Terror For Sale at a shilling a ride!" he exclaims, telling us how a corpse was found in a ghost train by a
young couple Harry and Gina. Owners of the ride, Mr and Mrs Blair, can't remember seeing the dead girl before.
She was a twenty year old,
stabbed four times in the chest. What was the weapon? A stiletto maybe, or a meat skewer, or an ice pick?
Her medallion inscribed Annamax Szereteftel Anyukatoi reveals she was Hungarian, name of Anna.
The Aliens Office indicate she had recently been convicted of shoplifting. Mrs Williams, her landlady (Mary Laura Wood)h
shows Inspector Duggan her room where she had lodged. There's now a new girl in her room, a rather nervous Miss Hinton,
but though Anna had cleared off, in one drawer is a threatening letter to Anna from 'John Benson'-
"run away because I can't stand the way you're torturing me any more."
John is traced to a Pimlico apartment. Did he kill her? He says he hadn't seen her the day of the murder.
They'd quarelled because she had been seeing other men.
One in particular, a well-off salesman named Frank Warner. But his alibi checks out, he had been 20 miles away playing billiards.
Duggan mulls over the unanswered questions as he speaks through his cigarette-
Where's Anna's luggage got to?
Who paid her £10 shoplifting fine?
Why is Miss Hinton scared?
To ascertain the answers, two Shadow Squad pcs set up in a room overlooking Anna's old boarding house.
One newcomer, Sally Burton (Jill Ireland) is followed to the Civil Service Stores where she is seen
to steal some items, then very cunningly disguising herself to avoid detection.
It turns out all the inhabitants of that house are professional shoplifters!
A trunk is observed being removed from the house into a waiting taxi. It's taken to the Left Luggage Office at
Waterloo where Mr Warner collects it. Duggan is on hand too to open it, revealing a heap of stolen goods.
Then a search of the house and more arrests. A drugged Miss Hinton who knew the truth about Anna's murder, spills the beans.
Edgar summarises the case of the shocking School for Shoplifters. Curiously, he resists speculation as to
why the murder should have been committed on the Ghost Train.
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THE DOVER ROAD MYSTERY (1959)
The
Winters Case
Script: James Eastwood, Director: Gerard Bryant.
Geoffrey Keen stars as Supt Graham, assisted by Edward Cast as Dt Sgt
Webster.
"The theft of cars is one of the most prevalent of crimes," warns Edgar.
Herbert Roberts drives "his glossy new" Ford Zephyr WXN 165 to work. An hour
later, 15 miles away, the car is being used as a getaway by bank robbers. John
Winters, a passer by, is shot outside the Central Bank as they speed off down the
A20, the Dover Road, which is actually Merton High Street. The police give chase
at speeds at 70 mph. "We're flat out mate!" as they reach 85, but it's
incredible that the Zephyr outpaces them. An exciting sequence ends when they
get blocked by a lorry. Why didn't they use their siren?
Superintendent
Graham is put in charge, with the encouraging "it won't be an easy case." His
first question - why would the thieves steal a perfectly ordinary family car?
In Manchester, a policeman spots a 1958 Zephyr ALW 212 for sale for £790. It
proves to be the same car, even though it had been souped up. Indeed it is odd,
as this numberplate also appears in story #18. Jack Chambers the dodgy car
dealer (Cyril Chamberlain) says he bought the car from a Thompson in Wimbledon.
Can he identify this man?
"He knows something," notes Supt Graham, who
wonders if the description Chambers provides might be that old trick of giving
the opposite to the correct one!! So was he 'young' / 'thin' / "barber's
delight in black" / "rather natty old school tie type"?
At his Saturday game
of golf, Mr Roberts is interrupted by Supt Graham. Who had known his family car
had been souped up?
Chambers disappears and is later found in his car dead.
"Clearly suicide" spots a police constable. Chloroform however suggests murder.
Face powder on his coat suggests he'd just met a woman.
The breakthrough! A
stolen fiver appears at a cinema. Roberts' secretary (a rather unconvincing Jane
Rieger) is the source. She's followed to a farm where the numberplate WXN 165 is
found carelessly left on display. One of the thieves is caught. He snitches on
his mates - they're at a race track. I think this is Brand's Hatch. Apparently
Roberts' partner, Bill Allen (old school tie type of course) had turned to crime
to finance his expensive hobby of motor racing.
Concludes Edgar in a
typically sombre footnote: "Bill Allen, a brilliant driver, had lapped the
course for the last time."
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THE LAST TRAIN (1959)
The Hunt Case
with Russell Napier as Inspector Duggan assisted by Norman Johns as Sgt Adams, plus Howard Pays as Sgt Davy.
Script: James Eastwood, directed by Geoffrey Muller.
12.58am: on the underground late at night, Edgar sets the scene with a little vignette of words as a guard comes across
a passenger who has not alighted. This corpse has a gun in his hand.
The man had been shot at close range. It's been made to look like suicide, but
the gun is in the right hand of a left handed man. As Edgar rather obviously notes, "a left handed man doesn't shoot himself with his right hand!"
The dead man was Edward Hunt of SW19 (near the studios!). The guard recalls seeing a passenger dashing down the platform- the killer maybe?
Young Mrs Thelma Hunt, a Belgian, (Lisa Daniely) tells Duggan her middle aged husband had been a very quiet ordinary Fleet Street proof reader.
She asks if his watch could be returned to her.
In a nicely enacted scene,
Hunt's bank manager reveals he had recently withdrawn £300 in £1 notes.
Apparently he had remarked he was buying "something money can't usually buy."
Eddie Hunt's mother, in a Guildord home, is bitter about being turfed out of her home when her son married Thelma.
Sergeant Davy goes undercover to the club where Hunt had met his wife. It turns out Mrs Hunt had continued to go there
after her marriage, so Sgt Ellis is assigned to tail the flirtatious widow. Davy notices that Eric Preston, the club's owner, is wearing an unusual
precise chronometer, similar to one in Hunt's possession. Customs and Excise fill Duggan in on a recent spate of watch smuggling and Brussels' police tell him of Mrs Hunt's long police record over there. Though tailing her doesn't produce any result,
Preston is caught in a fight with a blackmailer who knew of his relationship with Thelma.
A final summary from Edgar, who speculates on why this Belgian girl might have married staid Mr Hunt, concluding his remarks with his familiar dramatic intonation of the film's title.
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EVIDENCE IN CONCRETE (1961)
The Mavis Brent Case
Screenplay- James Eastwood. Director- Gordon Hales.
Scotland Yard inspector- Inspector Duggan (Russell Napier), assisted by Sgt Adams (Howard Pays).
Edgar Lustgarten commences with what seems to be a claim for life membership of the AA as he tells us "when drivers are in trouble the AA gets them going again,
when the going is difficult the AA is on hand to give warning and help, by day and by night, the long strong arm of the AA is ready to bring quick aid
to the driver in distress." Maybe this was an early form of sponsoring!
On the A5, 3 miles north of Redburn Hertfordshire, an AA patrolman, Scout Harris, finds a girl's body in a ditch. Not a hit and run accident, "more like a beating up."
On her clothing is a trace of "whitish dust," which proves to be unusual quick drying cement, which had been used only
in the construction of a road bridge on a nearby motorway.
Miss Sandra Page, a friend of the dead girl Mavis Brent, says the girl had got pally with an Irish lorry driver, who, on the evening of her death had had his lorry, containing
export whisky, stolen. The driver, Harry Dollan (Patrick Maynard) admits knowing the dead girl Mavis Brent, and claims she was actually asleep in the lorry when it was nicked.
Sgt Ben Kendal of the Shadow Squad uses an informer, Carl Jellinec, to pretend to want to buy whiskey. A Mr Hardy offers him some.
The Yard find the building where the motorway cement was stored. Blood on a poker proves this was the murder scene. The whisky is also stored here, where a sale is agreed.
After a fight the crooks, Hardy and his mate Walker, are arrested.
Edgar sums up why Mavis was murdered: "the crime was terrible, yet Walker was capable of one decent act. He said that his brother-in-law Dollan knew nothing of either the theft
or the murder. The police believed him. Dollan's only fault lay in talking too freely about his transport schedules, and
giving an unauthorised lift to that luckless night rider, Mavis Brent"
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THE SILENT WEAPON (1961)
The Stevens Case
script: James Eastwood. Director: Peter Duffell.
With Geoffrey Keen as Supt Carter, with Stanley Morgan as Dt Sgt Dobbs. Michael Nightingale is the local Inspector Hammond.
"Big Money is a temptation to crime," warns Edgar. Especially at places like the dog track.
Greyhound trainer and "first class horseman" Brad Stevens, riding his horse early one morning on the gallops, falls and dies of a broken neck.
But it transpires his neck was broken before his fall! Stable boy Tim Cruft (Keith Faulkner) who was with him is very
jittery when questioned
by the police. Hardly surprising as he has spent two years in Borstal.
Apparently Stevens had known of this and "had the idea there was some good in him."
However last night, according to his housekeeper, they had had some sort of argument. Though Stevens "treated him like a son," she regards him as a "waster."
That old standby,
the anonymous caller, asks Supt Carter to go to The Feathers pub near Piccadilly Circus. He is eager to go! But there he waits
until Last Orders. Then the landlord (Jerold Wells) says he knew Stevens, and that he was worried about his dogs, although
often the favourites, had been losing lately. Stevens thought they were being doped. Most recently at Springfield yesterday
China Boy, the clear favourite, was beaten by Blonde Deb.
China Boy's owner, actress Joan Drew (Norma Parnell), currently
making an ad for Glamour Tours, knows
nothing about the dog as her Aussie boyfriend John Rivers (John Woodvine) paid all the bills. Carter visits the kennels
near Dorking and arranges for a vet to examine the dog. 10 grams of sodium amadol, a sedative, are revealed.
But Carter, although he has a motive, has no clue as to the murder weapon. So he plays that favourite trick -
the hunch. Of all the junk found near the crime scene, one curious item is a tin full of birds' eggs. The owner is
eventually discovered and a little boy just
about spits out his lines which are that where he lost his tin, he had found something. Carter enters the lad's shed to
be shown a boomerang.
So in summary - boomerang - Australia - there must be a connection! Bloodstains on the weapon are group B that of Brad Stevens.
Miss Drew and her boy friend are zooming up the M1 - now how up-to-date is that?! But Carter is even more nifty.
"Get me the heliport at Battersea, and hurry!"
At an airfield they catch up with the shady pair whose plane is ready for take-off.
It turns out that Joan Drew's real name is Ethel Cruft, and that she and Rivers had used Tim Cruft to dope the dogs.
Edgar concludes by telling of the sensational trial. Certainly a boomerang was a murder weapon unique in British criminal
history.
Geoffrey Keen gives the story some credibility, playing the investigating officer with his usual quiet dignity.
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THE GRAND JUNCTION CASE (1961)
The Trudi Weiss Case
Dcript: James Eastwood. Director: Peter Duffell.
With Russell Napier as Inspector Duggan and Howard Pays as Dt-Sgt Adams.
Edgar starts with one his cameos as he takes us on a brief tour of Britain's canals, apparently they are full of "macabre"
possibilities.
At Bull Bridge near West Drayton, a solitary fisherman has a bite! He pulls and pulls in a tense sequence, to
finally draw up some sacking. Inside is a leg. Apparently a lot can be deduced from just one leg.
Certainly the posh pathologist (Wilfred Brambell) can. It's a woman, aged about 40 and, adds Duggan this time, with
"a rather unpleasant red varnish on her toenails."
A week later, after an extensive search, a second bundle is dredged up- a hand with a faded eidelweiss tattoo. "What we need," admits Duggan rather matter-of-factly, "is the rest of the body."
A snooty tattoo artist (William Lyon-Brown) claims he doesn't recognise the handiwork, so it must be foreign.
And "usually tattoos are found only on ladies of 'easy virtue'"- so be warned!
Bluebell is an old cabin cruiser at a boatyard belonging to Bill Smaller (Tommy Godfrey).
Effie his wife hasn't been seen for a while. On Bluebell is a bloodstain. Was she ever tattooed?
Replies Bill: "If I ever tattooed Effie, it wouldn't be on the arm!"
Sacking of the same type as the bundles is found on the premises.
"You've a lot of explaining to do, Smaller." It's certainly looking grim for Bill,
but then Effie materialises. She'd been keeping away to teach her husband a lesson.
After that red herring, there's even time for an unusual hint of romance as Sergeant Adams is given
a half hour tea break. But romance has to come second when he guesses a connection between the boat and one of Smaller's cronies,
a butcher named Parris.
He reports back to Duggan who has heard from Interpol. A possible tattoist in Nice,
"far from the grey skies of London, a Mediterranean playground in the sun, remote indeed from that abysmal canal
where the case began, " eulogises Edgar, in a typical aside. An Australian tattooist named Brown remembers the woman Trudi
and her red headed friend Wanda. She is traced, but she's just been wounded by an intruder.
In her room is a suitcase with a letter from a Trudi Parris.
It's back to London and an arrest. Edgar explains all,
though he doesn't reveal if the other leg and arm ever came to light.
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THE NEVER NEVER MURDER (1961)
The Molly Davis Case with Russell Napier as Inspector Duggan, Maurice Good as Dt Sgt Harper.
Script by James Eastwood, directed by Peter Duffell.
A few scenes depict Christmas decorations- was this a 'Christmas Special'??
On a demolition site inside a walled-up cupboard is "a gruesome discovery," a woman tightly bound in sheets, killed by that "violent blow on the head."
The last occupant of the house was Mrs Bennett who informs Insp Duggan that the North London basement flat where the corpse was hidden had been rented by bald Henry Wilks.
Duggan's first breakthrough comes when talkative Mrs Alice Phips (a humorous cameo from Fanny Carby) identifies the body as that of Molly Davis. A year ago she had had a new gentleman friend and had been planning to go into business with him, "direct selling of domestic appliances."
Her information leads to 34 Warrington Court Fulham where Molly lived. The porter (Brian Wilde) explains she'd bought numerous household items on the hire purchase but "once she'd forked out on the deposit, she never never paid again!" So the pattern of operation becomes clear: Mrs Davis bought on the Never Never tvs, electrical typewriters etc
and Wilks sold them at bargain prices.
So the search intensifies for Wilks as Duggan is worried he might have started another scam with a new partner. Adds Edgar with a touch of humour: "many inoffensive bald men were puzzled to find themselves under observation."
In Kingston a wife is offered a tape recorder for £50 cash. Seems no bargain to me! But apparently it was, and Duggan is informed, and lurks in the kitchen to overhear the transaction being sealed.
Sgt Harper poses as the husband as the salesman demonstrates "the latest model." He leaves with his £50, and Duggan emerges to admire the new recorder: "a bargain here, a very expensive piece of equipment."
But he's not as laid back as this might suggest, for the crook has been tailed to his warehouse in Upper Thames Lane Richmond, and there Wilks' wig is removed and the body of Mrs Bennett, an earlier partner in crime is found.
Edgar finishes by reminding us of that good old maxim Let The Buyer Beware!
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WINGS OF DEATH (1961)
The James Wilton Case.
Script: James Eastwood, directed by Allan Davis.
With Harry H Corbett as Supt Hammond, assisted by Simon Lack as Dt Sgt Phillips.
This is a rather unimaginative script of an allegedly "extraordinary case," with Harry H Corbett plodding unconvincingly from scene to scene in a rather entertaining but forced Scottish accent.
"Safe, uneventful arrival and departure on the airways has become a matter of routine," declares Edgar, sadly unaware of the future.
Debris of a "small rogue plane flying wild" is investigated by Sinclair of the Accidents Division of the Royal Aircrafts Establishment.
When traces of TNT are found, the Yard is called in. Superintendent Hammond
makes a number of calls - firstly on Mrs Wilton (Shelagh Fraser), the wife of the pilot James Wilton. She's a model working under the name Diana Parker,
and she identifies the corpse. She refuses to believe her husband
would have committed suicide.
Boreham Flying Club confirm Wilton's departure, but are unable to reveal his destination.
At Wilton's factory, Hammond questions Willie Hamilton, his business partner. He was the brains
behind the firm, whilst Wilton was salesman. They were in dispute over Hamilton's contract. But he knows Wilton was intending to fly to Le Touquet.
At Wilton's solicitors, Hammond learns Wilton had visited France because he'd been sorting out the aftermath of a road accident there,
in which he had knocked down a lad.
So it's off to la belle France where the lad's father Gaston had sworn to get even with Wilton.
But it seems improbable that such a "drink sodden peasant could have planned and executed so ingenious
a crime."
So we have been introduced to all the suspects, who could have been guilty?
More evidence - a blood stained parachute near the crash site confirms suspicions that Wilton had not been alone in
that plane.
Detective work leads to a Mrs Newton on the Romney Marsh who remembers an injured man on the night of the crash, "a young man Mr Detective"
with a scar on his right cheek.
If you'd been watching carefully, you'll know who Hammond goes to arrest. (Hovering in the background, to prevent the killer
doing a bunk is a young Peter Bowles.)
Edgar mulls over the unique aspect of this case: "for in no other has the killer, to make sure his plan would succeed, had the temerity to fly
with his victim on the same plane"
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THE SQUARE MILE MURDER (1961)
The Alfred Miles Case
Script: James Eastwood. Director: Allan Davis.
featuring John Welsh as Superintendent Hicks, with Stanley Morgan as Dt Sgt Riley.
First light in the deserted City. An explosion. Another safe robbery, this time at a London travel agents where manager Mr R Bird finds a hole in his floor, his safe blown, but also a dead man.
He's 'jelly man,' Alfie Miles. Forensic evidence shows he'd been hit on the back of his head probably with a rusty jemmy.
Police follow Alfie's wife to some advantage. She's spotted receiving the old envelope with banknotes routine. But then she too is killed.
Rather careless, the killer has left a fag behind at the scene of this crime, with lipstick of a tangerine colour on. Careless, but remember this is a true story. This matches some lipstick on Alfie's hankie. So it seems he had a girl friend on the side.
A trawl through the Yard's files shows that the man who was paying off Alfie's wife was a Polish fur trader Sergei Possner (Carl Jaffe). He runs a furriers with his wife Sylvia (Delphi Lawrence).
Supt Hicks enlists the help of ex-crook 'Fingers' who joins the fur trade. The gang need a new safe cracker! Eventually Fingers gets roped in for a job, but is overheard informing on the gang and the job
is switched at the last moment. Alas poor Fingers! "I wouldn't like to be in his shoes," comments Supt Hicks. Fingers is shot as the police pounce. The background to the killings was Sylvia's weakness for Alfie. She is arrested, "one of the most dangerous women criminals,"
pronounces Edgar impressively, "in the annals of Scotland Yard."
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Scales of Justice moved away from the focus on the police seen in the series Scotland Yard.
It was thought at this time that we'd had our fill of police dramas which were now rather out of date.
It's not an improvement. Still, at least poor Edgar Lustgarten is allowed out of his studio office to introduce the story
at the scene of the actual crime.
THE GUILTY PARTY(1962)
Sinclair v Sinclair and Dobbs.
Script: James Eastwood. Director: Lionel Harris.
Mr Edward Sinclair (Anthony Jacobs) and his wife Thelma (Zena Marshall) are entertaining friends at a party.
He is attempting to persuade Henry Dobbs (Derek Francis) to invest £25,000 in a property deal abroad.
But in reality, Edward is in deep financial difficulties, indeed a debt collector, William Flowers, calls that evening to
remind Sinclair the deadline is tomorrow. For money is owed all over town.
Edward ponders over what to do with his wife and business partner. Dobbs seems to
be the best bet. "For your lovely green eyes, he'd put up £25,000."
He flies out to Frankfurt to evade his creditors, while she follows her husband's instructions and lures Henry Dobbs
who gets infatuated with her. After a day out at Lingfield
Races they book into the Chequers Inn. But family friend Charles Harris spots them there.
Next day she returns home to find her husband has returned, penniless. She's not got the cash out of Henry either.
But she does have a new mink coat, and she has another shock for him - she's pregnant.
Edward hatches his scheme - to divorce Thelma and name Henry. But she's going anyway!
Thelma: "I'm leaving you, Edward"
Edward: "Splendid!"
The story concludes with the trial. Several witnesses leave "little room for doubt" about Henry's "misconduct."
Henry's defence hits at the heart of the matter - Edward was in need of cash! And Madge Petworth, Thelma's best friend,
testifies that she had a call from Thelma that fateful night,
asking her to come down to the Chequers. She stayed with Thelma that night in Room 8. Henry did indeed offer Thelma the
necessary cash but she had refused. So Edward Sinclair's case is thrown out and he has to foot the bill for costs too.
Next morning, he is found dead from an overdose.
There's a final scene showing Thelma two months later with another boyfriend, Peter Naylor.
Asks Edgar: "In the deepest sense, who really was the guilty party?" Lord knows.
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A Woman's Privilege (1962)
Ashton v Fawcett. Script: James Eastwood. Director: Anthony Bushell.
Edgar starts us off at Cockspur Street in London's West End. At a shipping office, a berth in the first class of a Mediterranean cruise is booked by 28 year old Shirley Fawcett (Ann Lynn), who's off to try and forget, and perhaps do some "hunting for men."
On board she meets suave 48 year old Joe Ashton (Bernard Archard), state room 23, a middle aged owner of a Surrey garage. This "somewhat ill-assorted pair" struck up a friendship which, announces Edgar rather lasciviously "every day became
a little more intimate." Naples is the romantic setting for a present from Joe, and though Joe detaches himself from her in Tunis, on the last night of the voyage at a gala party, they become engaged.
Back home, Shirley persuades Joe that his home needs the feminine touch and that he should sell up his business and start a new life with her. Joe does so, and arranges for the marriage in church.
But suddenly she stops seeing him. Why? He goes to her London flat and talks with Sylvia her room mate. She's inherited £20,000, "and there's nothing he can do about it."
But Joe does act. After they meet and she gives him the brush off, he warns, "you won't get away with this." So this love story ends in the courts where we listen to a case of Breach of Promise. Lawyers Patrick Wymark and Ernest Clark argue the cases for both parties. True, he had lied about his age, but she claims it's all a fantasy in his mind.
"There was no engagement," she claims. "Callous," is Ashton's counsel description of her. In summing up, the judge picks up on this trait, had she agreed to the engagement or not? A man in law has exactly the same rights as a woman, he explains to the jury. Edgar reveals the verdict of the case which made legal history. The first time for many years a man had brought such a case.
The footnote at least sees some sort of justice done when Shirley's new fiance himself breaks off his engagement with Shirley as a result of publicity surrounding the trial
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MOMENT OF DECISION (1962)
Regina versus West.
Script: James Eastwood, directed by John Knight.
Edgar visits a lonely stretch of Wimbledon Common, the scene of an abduction of a baby from a pram. Nurse Helga had left it to enjoy a cuddle
in the bushes with her 'fiance' (Mike Sarne, who speaks only in German). The fun over, she returns to find the child has gone.
Unable to have children of her own, Mary West can't resist snatching the boy, Brian Chesham.
Her husband Bert (Ray Barrett), a commercial traveller, returns home to find his wife has acquired a baby. "A gift from heaven" is how she explains it.
She's really happy. But Bert persuades her to return the baby and she reluctantly agrees.
Second thoughts, not always the best, come to this "ordinary little man"
and he hides the child with Sally Mason (Marjie Lawrence) "a good friend."
Michael Aspel reads out the news that evening about the baby's dad being a wealthy industrialist,
who is offering a £5,000 reward for the child's safe return.
Bert phones the police saying he thinks he's seen the missing child at the storeroom of one of his clients, Mrs Davies, who just happens to have previous for this sort of thing.
In fact of course, Bert has planted the child there himself.
Protesting her innocence, poor Mrs Davies is taken away by police.
The baby is now returned to its parents and a grateful father hands over Bert's reward.
"Were things going perhaps a little too smoothly?" queries Edgar.
The answer isn't long coming - Sally, who knows what has happened, is given only £100, instead of the half share agreed upon.
In an argument she strikes her head on the corner of the gas fire. Bert runs off, and when she regains consciousness, dials 999.
Bert plans for a holiday are cut short, instead he's to spend seven years inside.
In conclusion, Edgar speculates on the motive for this "insignificant" man's crime. "Easy money" seems obvious,
but Edgar has a more convoluted theory - did he also see himself in a "star role" for a brief moment? I have a sneaky suspicion that Edgar rather admires him.
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POSITION OF TRUST (1963)
Script: James Eastwood. Director: Lionel Harris.
"University students today are generally hardworking, serious minded," declares Edgar, which was probably true at the time!
Simon Dennington, only son of industrialist Sir James Dennington, however, is sent down after a drunken brawl, that's the story he tells the family butler William Purvis and the girl his parents want him to marry.
Out on the tiles, in a bar in Pimlico, he pals up with Yvonne (Imogen Hassall), "the perfect companion," and they make a weekend of it in Brighton.
Enter Robbins, a private detective (Peter Barkworth) who's employed by Yvonne's husband, who catches them in their "misconduct." End of a beautiful friendship. £5,000 is the demand to avoid a damaging court case. Simon tries to solve his crisis by
pleading with the blackmailer, but though he sells some of the shares he has inherited in the family business, he argues with Robbins, and ends up shooting him. It's hardly a Columbo-type murder as several witnesses see him at it.
It's Capital Murder. The case rests on whether Simon had gone to Robbins with "the sole intention" of killing him. As Simon taken his gun to intimidate his blackmailer, things look pretty black for him...
However help is unexpectedly on hand in the shape of Yvonne. She was in the flat and witnessed the whole scene, mainly because she was in league with Robbins. She also exposes the brains behind the scheme
Rather a dull story. Edgar keeps discreetly in the background.
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The Undesirable Neighbour (1963)
Bosworth Against Chester.
Script: James Eastwood. Director: Gordon Hales.
After Michael Hordern's narration, we meet Edgar at a New Town spouting some philosophical observations about small town gossip. "A common brazen little hussey" (not Edgar's words of course) is marrying into the well off Bosworth family. The man she might have married, Harry Finch (Howard Pays), makes a surprise visit to the wedding reception of Peter Bosworth and Anna (Bridget Armstrong). Harry gives Anna an ostentatious kiss, and a present.
Settled into married life, one of the neighbours, Miss Agnes Chester (Vanda Godsell) spies on the couple and Anna becomes the gossip of the town as a result. To a background of The Tornadoes, we see "an excessive animosity." So many people start commenting on Anna's behaviour, "she's asking for trouble the way she flaunts herself about."
Miss Chester even tails Anna one day as she catches the Victoria train, then changing to a No 10 bus to Aldgate. Anna's calling at Harry Finch's photographic studio, but Miss Chester's version brands her "nothing but a common little tart."
Mary, Anna's best friend, tells Peter, who is ignorant of all the gossip, and he consults a solicitor.
Next scene, and the entire second half of the story, is the lawcourts. Miss Chester has refused to settle out of court. Anna has to face some hard questions.
Questions about the surprise visit of Harry to her home for one. It was Harry who had obtained a job for her as she resumed her modelling career. "Were you ever photographed in the nude?" is a leading question. "No, never," Anna firmly responds.
Miss Chester's testimony smacks of some people's conception of a Mrs Whitehouse-type character (though with none of Mary Whitehouse's uprightness). She had watched Harry and Anna with their arms round each other in the bedroom. Is she just "a frustrated female peeping Tom?" Indeed she'd only been able to see what happened with the aid of binoculars! "Nothing wrong happened," insists Anna.
Unexpectedly, Harry Finch pops up in court with another of his surprise visits. He corroborates Anna's defence that she had not yielded to any of his advances. Result- £500 damages against Miss Chester.
Edgar stands outside the suburban home where it had all not happened, summarising a very trite but very human interlude. He ponders on the aftermath and tells us that Peter and Anna had wisely moved away.
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Invisible Asset (1963)
Script: James Eastwood. Directed by Norman Harrison.
Edgar introduces the film from Carey Street, home of the celebrated bankruptcy court, and relates the case of Sam Warren.
Sam (Kenneth J Warren) was a man who "had rocketed from comparative poverty to at least the semblance of wealth."
To improve his "modest" cafe, Sam had borrowed £10,000 from Donovan (Ronald Leigh-Hunt) to transform his establishment into "one of the most luxurious restaurants in the city."
But though the business was a success, with stockbrokers enjoying profitable working lunches there, apparently there was not enough of a profit margin, even though Sam has purchased
a Rolls Royce and a large house in Hampstead:
"you seem to have lived pretty well!"
But his bankruptcy causes his former friends to shun him. His "sweetie" Beryl (Gabriella Licudi) in his Eaton Square flat gives him the brush-off, even nicking his expensive gold cigarette case.
Then Donovan demands his loan be repaid, as he suspects Sam has hidden a lot of his real assets away.
Indeed Donovan knows Sam has been eavesdropping on conversations of his customers, thereby getting some jolly good Stock Exchange tips.
Sam has no choice but to do a runner. With Joyce his wife they hide temporarily at the Park Royal Hotel as Mr and Mrs, er, Smith.
But somehow they have failed to elude Donovan, who still demands his money.
The couple sneak out of the hotel by the back entrance to reach their destination, the airport. They make their way there ignominiously in an Initial Towel van.
The 3pm Flight 103 to New York, thence to Jamiaca is ready, but Mrs Warren insists she
first phones her sister Alice a final goodbye.
She's not seen again. Sam is bewildered. He'd put all his real assets in her name.
Now he's stranded at the airport, and worse still, Donovan has traced him there.
But neither of the men are going to get rich as Mrs Warren has left a vitriolic note stating that she's taken her own flight to parts unknown!
Edgar adds his coda to provide a sort of justice, though perhaps not the type of Scales meted out at the Old Bailey.
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PERSONAL AND CONFIDENTIAL (1965)
Script: James Eastwood. Director: Geoffrey Nethercott.
Edgar starts this up on London's rooftops, at the top of a hotel where, in Room 755, a Mr Harry Wood had exited -
via the seventh floor window. Found in his room were top secret documents signed by the PA to a government minister
Sir Joseph Kenton.
This "perfect civil servant", Miss Maria Corbett (Ellen McIntosh) is questioned by British Intelligence, the double act of
Sloan (Windsor Davies) and Wilson (David Morell).
Maria denies knowing Wood was a spy, even though she was close friends with him.
However when it's discovered she has a rather large bank account she's arrested. She eventually agrees to
reveal the source of her funds - she got the money from "generous" men acquaintances such as Winters, a businessman now in America.
Her last boy friend before Wood had been Chadwell (Robert Cartland), the tv personality, host of the show Inside Information.
Her lawyer, Charles, surmises that either she is guilty or has been framed. Chadwell seems the prime suspect.
A private detective trails him and uncovers the facts, which turn out of course more complicated than any fiction!
Chadwell's current girlfriend is Valerie. He is paying money to the porter of the flats where Miss Corbett lives. The porter is blackmailing him.
But though Caldwell had planted the documents in Wood's room to obtain an exclusive story, he denies killing the spy.
In fact, Lady Kenton "with the active cooperation of Ronald Chadwell" had been trying to frame her husband's mistress.
Back on the rooftops, Edgar returns to the original question - how did Harry Wood die? "Did he fall, did he jump, or was he pushed?" teases our criminologist.
And his verdict - oh dear, he tells us "the truth will never be known." Surely a case for the DNA men to reopen!
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HIDDEN FACE (1965)
The Freedom to Write, the Freedom to Speak. On a misty day, stands Edgar at Tower Hill, "a traditional home of free speech in Britain."
He tells us of outspoken famous politician Robert Milsom (William Sherwood) who, as a forerunner of Mary Whitehouse, speaks out against vice and corruption.
He lives with his son William and his family, who are shocked when he commits suicide. They soon learn why.
Private Faces Public Men is a book by Jane Penshurst (Christine Finn) which exposes Milsom's alleged doubled life and double standards.
Another chapter deals with Sir Giles, the "harsh, ruthless chairman" of a large electronics company, whilst a third is devoted to a boxer whom Miss Penshurst alleges has murdered someone in the ring.
An actor,darling, is yet another target of her book.
She stands to make a lot of money out of all the publicity surrounding her book, with interviews on tv by Mr Crispin (played tongue in cheek by Alex MacIntosh).
William decides to sue her, but "a claim for libel dies with the person libelled, nor can a third party institute libel proceeedings on the deceased's behalf."
So William Milsom devises an ingenious scheme- he complains to Miss Penshurst's writers' association, compelling her to sue him to protect her professional reputation.
The second half of the story is set in the courtroom as the sources for Miss Penshurst's information are sought. She refuses to divulge confidential information which makes her case appear fragile.
But she insists Milsom had had affairs with doubful women, and had an illegitimate child through an unnamed actress.
However a Rose Jenkins (Gretchen Franklin) steps forth of her own accord, and explains in court that she runs a theatrical lodging house where she had had an affair with Robert Milsom and borne his child.
What's more that child is none other than Jane Penshurst! Result- nominal damages only to Jane Penshurst, and noone is satisfied as to this outcome.
Edgar discusses the verdict and ponders why Rose should have decided to give this evidence against her own daughter. For certain, this case had no winners.
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MATERIAL WITNESS (1965)
Script: James Eastwood. Directed by Geoffrey Nethercott.
A sympathetic portrayal by Reginald Marsh really makes this story of the Rise and Fall of Mr Harry Turner.
Hands in his overcoat pockets, Edgar introduces a modern business tale. Harry is a senior sales executive, but he's a
man under stress. Personal assistant Lewis Carter "hates his guts."
After a heavy lunch boozing and smoking at a restaurant, plus a little business, Harry departs, still smoking furiously, in his 3.5 Rover
rather unsteadily, and the police have soon caught up with him for doing over 60mph in a 40mph restricted zone-
the fact that the road in which this scene is shot is in open country and perfectly straight makes the limit a little
incomprehensible.
Harry loses his licence and in an "exemplary sentence" is also sent to jail for two months.
Mrs Turner and her teenage daughter Pat are rather unexpectedly comforted at this time by, of all people, Lewis.
"Was he sincere?" is Edgar's pointed question to us.
After his six week's holiday, Harry reports back to his office only to find Lewis is now in charge.
He can take a different job, with a cut in salary. Even worse for Harry, it seems his daughter's fallen for the
wonderful Lewis.
Harry needs a break. He gets one from your friendly barman (Harry Locke) who tips Harry off that Lewis had in fact
tipped off the police about Harry's drunken state the day he got pinched.
Was Lewis "doing his duty as a citizen" or is he just "a louse?"
The office Christmas party is a jolly affair. Lewis announces his engagement to Pat only to be interrupted by Harry
who enters the worse for drink, with his denouncing speech.
Exit hastily newly engaged couple zooming off in Lewis' new Rover (a white 3.5 this time). You can guess the rest.
"Lewis, don't go any faster!" But there's road rage with a Mini. An impressive sequence ends in an expected crash
with one badly injured Mini driver. The police arrest Lewis. Disqualified. Prison.
The obvious irony is noted by Edgar.
He adds a footnote concerning Harry's happy emigration with his family down under, to "the sun" adds Edgar rather pointedly in his thick overcoat.
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COMPANY OF FOOLS (1966 - colour)
This is a story told with a certain touch of humour and directed with style, rather out of keeping with the strait-laced Lustgarten's sombre tones.
The ill fated Jason Enterprises crashes and five disgruntled shareholders plan 'Get Jason'. They are Ethel Cooper (Dorothy Frere), Herbert Price (Frank Williams),
Charlie Webb (Barry Keegan), Dimitrios Kasabis (Maurice Kaufman) and Major MacDonald (Barrie Ingham). They want to hurt "such a wicked man" Jason (Garfield Morgan) where it hurts most, his pocket.
Some snooping at the luxury mansion of "financial wizard" Jason provides proof that he's an illegal arms supplier, so Major MacDonald poses as a buyer from a foreign power. At a swish hotel the five meet with Jason and a deal is concluded, whilst
Kasabis, posing as wealthy Sheik Abdul, chats up Mrs Elizabeth Jason. In fact he rather overdoes his pleasant task, flirting with her, trying to make a date with her.
The deal is sealed at £200,000, with delivery on the 24th, though the finances cannot be finalised until the following day. A gentleman's agreement is enough for Jason.
So the cargo of 'ladies' underwear' is loaded on to a private plane with Jason
waving it off, the crew smile too. Jason has been promised his money the next day, but of course it doesn't arrive.
Foolishly the infatuated Kasabis has left Elizabeth a note, and the gang
is exposed and end up in the dock, not without "a great deal of public sympathy."
Though they are convicted, the publicity leads to Jason's arrest and he gets a much longer sentence.
Edgar also adds a "happy footnote."
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THE HAUNTED MAN (1966)
Script: James Eastwood. Director: Stanley Willis.
"An obsession that made legal history," declares the voice at the beginning. So it's just up Edgar's street!
He starts at that nearly extinct species, a cottage hospital, where actor Bill Kenton (James Ellis)
is being discharged after unsuccessfully accosting a man who had been robbing a Guildford jewellers. For his pains he had suffered three broken ribs.
Bill tries to return to his work at the Ashcroft Theatre (Croydon), obtaining the lead role of Travers in a play, but he just can't concentrate or remember his lines. Has he gone "funny in the head"? His girl friend Bridget (Isobel Black) urges him to "start living again," but it becomes an obsession with him to find that smash and grab thief. The problem is, he starts accusing all sorts of innocent people. But finally he comes face to face with Mark Godfrey (Keith Barron) and he's sure he really is the jewel thief.
But Mark is a "dynamic local businessman," and surely not a crook. He's engaged to Laura Sims (Alexandra Bastedo), and they are building their dream home to live in. Certainly the police aren't convinced that he's a "vicious criminal." And anyway, how could Kenton identify Godfrey when he was only half conscious? He has no legal proof at all.
Edgar relates how Bill hounds his perceived enemy with nuisance calls, "I want your hide," is one of the messages.
Finally Godfrey agrees to meet his accuser, at 10pm at their large house under construction in the country. Godfrey takes his gun. But Kenton is one step ahead and invites fiancee Laura to the meeting. There he reveals what he believes about Mark Godfrey's shady past, trying to play her off against him. Yet Godfrey has laid his own plans. The police are on hand to arrest Kenton for demanding money with menaces.
The final dramatic scene is at Kenton's trial. There's an unexpected moment of truth as "the haunted man," proclaims Edgar, "was haunted no more."
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INFAMOUS CONDUCT (1966 colour)
Script: James Eastwood. Director: Richard Martin.
Standing outside a Harley Street practice, Edgar Lustgarten relates the case of Tony Searle, plastic surgeon (Dermot Walsh) who's accused of a liaison with a patient.
His secretary's evidence is pivotal, and he is struck off. And that's really the end of the Trial part of the story. It's not at all clear what the
Scales of Justice have to do with the rest of the film.
This continues in Brighton, where our ex doctor tries to start a new life. Idling away his time, he rather improbably picks up a young artist, Janet Davies (Bridget Armstrong), buying her picture for £10 is enough to get her to go back to his holiday home where Tony is now residing, estranged from his wife Maggie.
As Edgar puts it in his poetic way, he finds a peace and
contentment that would have seemed impossible only a few weeks ago. Or as one character remarks, "you're a bit old for Janet."
However Tony's reputation attracts a friend of Janet's to his door, who wants the ex doc to 'help.' There's this fellow Jim who has razor slashes on his face and has clearly been involved with shady
goings on. Tony is gently blackmailed into helping and then receiving payment.
One job done, another is wanted. Dixon (Ewen Solon), an infamous bank robber and now on the run from Pentonville, tells Searle his face is 'overexposed' and needs an urgent facelift.
Searle realises he's at a crossroads. Fee £1,000 refused. Janet leaves Tony, because she realises she has become a liability.
Eluding the crooks, Tony does the right thing, and goes to the police. Then he disappears on a plane. But good news, Janet goes with him
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PAYMENT IN KIND (1966 colour)
Script: John Roddick and Peter Duffell. Director: Peter Duffell.
Justine Lord gives a strong performance in an interesting character study that rounds off the series.
This is "one of the most tragic crimes," announces Edgar, standing in a suburban housing estate.
In her modern home, Paula Morgan spends her money freely, often on credit, specially on her daughter Nicola.
Robert Andrews (Derrick Sherwin), a persistent travelling salesman, calls wanting his overdue payments for the last three
months, £51 in all. With a significant look he suggests "we'll work out something."
Her husband John knows nothing of any of this, and is in no position to help financially anyway. So Paula has to resort to theft.
Whilst at a party of Nicola's friend, Paula 'borrows' a "rather beautiful" ring for which
a jeweller (Henry McGee) offers her £60, sufficient to repay her arrears to Andrews, who is naturally disappointed to see his hold over her evaporating.
"I shall miss seeing you, Paula," he sighs.
Giving her a lift to the shops in his car, there's that familiar fault "something wrong with the steering,"
just as they pass a deserted farm. He attacks her. A struggle. He is accidentally killed when he bangs his head on farmyard machinery.
Running away Paula struggles home, a graphic scene depicting her distress. She broods.
Director Peter Duffell produces some fine long camera shots as she starts to cut up that brand new mink coat she
bought from Andrews, and as she collapses in hysteria.
The action moves to her trial. Was there any romantic liaison? A female barrister (Maxine Audley) makes an
impassioned plea in her defence. Not guilty of murder, though later she is convicted of theft.
Edgar bids a final adieu with a happy footnote. He is standing outside her home, which has a SOLD sign outside- perhaps there was a message here about
the sad closure of the film studios that had made over 50 short films with Edgar.
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