A later introduction, was this- "London- greatest city in the world, and home of the oldest democracy. A city whose worldwide reputation for honesty and integrity is firmly based on a thousand years of the rule of law, enforced and safeguarded by a police force, whose headquarters is as well known as London itself- Scotland Yard! .. Filed in the Records Department of Scotland Yard are the histories of thousands of cases, evidence of the long standing and successful battle with the criminal."
To other - Merton Park Films . .
To TV Crime Menu
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THE DRAYTON CASE (1953- release date March 23rd.)
Written and directed by Ken Hughes.
Starring John Le Mesurier as Supt Henley, with an assistant played by Vincent Ball.
"Have you ever murdered anyone?" asks a playful Edgar as he highlights that age-old problem, what do you do with the
body? Christmas Eve 1941, during the blitz was a pretty useful time to dispose of a corpse.
In the cellar of a bombed schoolhouse in 1944, a skeleton is uncovered. "The murderer always overlooks something,"
declares Edgar, stating the obvious. A pathologist spots that this corpse has a fractured larynx, so can't have been a
victim of Hitler's bombers. Supt Henley is given more details on this 40 to 45 year old woman,
height about 5 feet, hair colour brown going gray. Her dental records show that she wore a plate with some seven false teeth. "Is that all?" Henley asks hopefully.
The first task is to identify the woman. At the Missing Persons Registry one candidate matches the description-
Elizabeth Drayton of Islington, missing for two and a half years. Her surly husband Charles (Victor Platt) is eventually
traced, but he "don't care" about his wife no more. But it's surely not a coincidence he stopped paying her maintenance
around the time of her likely death. He does look guilty, though Henley throws a note of caution- "my wife's always
nagging me about money, but I haven't murdered her!"
The caretaker of the old school remembers a fire in the cellar caused by arsonists on Christmas Eve 1941.
Charlie Drayton was the firewatcher who tried to put it out before finally calling the fire brigade.
Henley speculates on the probable scenario in a flashback. She had begged him for maintenance money, but her nagging had been the death of her.
But facing arrest, Drayton flees. He's spotted at Charing Cross
underground. With the platform crammed with refugees from the bombs, he's chased up an emergency exit and into the arms of
Supt Henley.... no- he turns and tumbles down the steps. "better get an ambulance."
Edgar concludes with speculation on why Drayton killed his wife- "not a very intelligent man," he decides.
This is a very basic story but some clever camera shots help turn this into a quite classy little film.
Scotland Yard Menu
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THE MISSING MAN
(1953 - released July 20th)
The Neil Case written and directed by Ken Hughes.
Rather unusual episode, with Edgar dabbling in the paranormal, and a vicar doing the sleuthing!
The Yard is represented by Inspector Johnson, though it's Supt Wainwright and Sgt Rogers who wrap the case up.
Spring 1938 - Gerald Neil's parents come to visit their engineer son in London. He's not at his digs.
His landlady says he was called away to Paris "on urgent business." A "dark friend" had called later to collect his belongings.
With £3,000 transferred from his English bank to his French account, he's probably enjoying himself! The Surete are contacted by the Yard and friendly relations are established-
"Bonjour," commences the English policeman. The Frenchman of course speak viz ze French English - " 'E vizdraws all 'is monnay.... oui... Monsieur Neil." Case seems closed.
"I can't help feeling he's in some sort of trouble," declares his father, Rev John Neil (Tristan Rawson) . Then Neil's mother has a dream - she sees a gnarled tree at a farm, destroyed by fire. And her son being thrown down the well.
John follows the vision up.
He meets a friend of his son, Peter Willis, who had been due to "pop across" to Paris with Gerald that fateful day. Neil never turned up.
Conclusion - someone took his place. The vicar learns of Neil's business friend, a James Wilson who lived at Oak Tree Farm Oldbury Kent.
He visits the rubble of this now deserted farm,
uncannily like his wife's dream, and then summons the Yard.
The well is excavated and the inevitable follows. The vicar sadly identifies his son.
Even Uncle Edgar says he can't explain this true story. "Whether Wilson murdered Neil or not, nobody was ever able to prove it."
(Note- Katharine Page as the landlady is billed here as Kathleen Paige.)
Scotland Yard Menu
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THE CANDLELIGHT MURDER (1953)
(The Bramlington Murder)
featuring Gerald Case as Chief Supt Carron, with a little assistance from Sgt John Baker. Also with Supt Rawson of the Sussex police (Jack Lambert).
Script and direction by Ken Hughes.
Edgar describes a notorious 1937 case and threatens a surprise "in a nice quiet little spot in Sussex."
The village of Bramlington has 2,000 inhabitants, a pub "and of course a police station."
No "of course" about it these days!
In a culvert is found a corpse, battered about the head by "the proverbial blunt instrument."
Dead for at least a week. So who was he? "Not a very salubrious sort of chap," but identification is problematic.
The local detective thinks he must be single as his clothes are poorly darned!
Forensic evidence suggests he had been dragged downstream. On his clothes are traces of a fine metal powder, which was
supplied to James Parrish, the local blacksmith.
Possibly the dead man is old Sam Thomas, "he's a bit peculiar altogether," though he's only been missing a couple of days. The local bobby knows Tom was alive
until recently as on his rounds he heard him playing the organ. The vicar confirms he'd spoken to him recently too.
But further upstream are found deep footprints- by the bottom of Tom's garden! The prints are those of Joe Hawkins
(Denis Shaw) who admits fishing in the vicinity.
The police explore Tom's isolated home- the floor's been "scrubbed!" There's also a box of candles, only one left.
Inspector Carron reconstructs a possible scenario. Rawson asks:" why should anyone want to bump off a harmless old man?"
The answer must be- "he was looking for something?"
The rumour of old Tom's fortune is an attractive theory. The used candles support the idea that the murderer has been
looking for the treasure each night. The police await his Final Visit. He's promptly arrested.
Later the 'treasure' is found, sovereigns worth a mere £6, hidden in the very candlestick that knocked out the old man
Scotland Yard Menu
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THE DARK STAIRWAY
(1953 - release date April 12th 1954)
The Greek Street Murder
Story and direction by Ken Hughes
Inspector Jack Harmer (Russell Napier), assisted by Sgt Gifford (Vincent Ball).
(Harmer has a jolly but patronising attitude to his "junior" calling him also "my lad,"sonny" etc).
The date is Friday 4th January 1952 - the murder of Harry Carpenter, "small time criminal and petty gangster."
We hear him address his killer as Joe. An old lady hears an argument and finds a blind man on the stairs crouching
over a dead man. He'd been stabbed.
In Harry's flat police discover the picture of Molly Stephens (Gene Anderson). Edgar tells us that Carpenter had been a "Squeaker,"
testifying against Joseph Lloyd (Edwin Richfield), his partner in
a mail bag robbery. Lloyd had just been released from jail.
Clever Inspector Harmer finds the murder weapon hidden in a toilet cistern in Nic's Club, and he can prove Lloyd had been to the loo there on the night of the murder! But there are no fingerprints on the knife,
so he needs more proof. And he still has to trace Lloyd. One of those hunches leads him to Brixton and a fellow lag of Lloyd's, who puts him in the direction of Molly, a singer. Harmer searches for her in Charlie's Club
and numerous other low spots until, he declares "my feet are killing me!" At last she's found, and skulking with her is Lloyd.
Blind man George Benson who was at the killing can't be much use as an eyewitness.
There follows "one of the strangest identity parades ever enacted within the walls of any British police station." Benson manages to identify Lloyd, but it's not done visually of course.
The "sweet smell like scent" that Lloyd uses and his voice lead to "Lloyd's blurted confession."
Note - the use of negative pictures to show a blind man's perception of murder isn't new, but it's nicely done by director Ken Hughes.
To Scotland Yard Menu
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LATE NIGHT FINAL (1953 - cinema
release date- Sept 13th 1954)
The Burrage Case
featuring Colin
Tapley as Det Insp Turner, assisted by Detective Conway.
The story of "The
Man Who Died Twice." Edgar points out some unusual facets of the case - 1 that
police were looking for the dead man before he was murdered and 2 more than one
person was brought to justice for more than one crime.
Joe, an old newspaper
vendor witnesses the theft of £3,000 worth of goods stolen from warehouse. At an
11am police identity parade he fails to identify the criminals, and by 2pm he
has disappeared from his pitch. Says a police sergeant, whose face we don't
quite see, but whose voice sounds like Russell Napier's, "he's probably gone on
the booze." Police call at his digs and find a suitcase of clothing, but it's
not Joe's. Who does it belong to?
When a body is found on Hackney Marshes,
Insp Turner plays a hunch. There seems to be no connection with his case as the
corpse is aged about 36, whilst Joe must have been nearly 60. But Mrs Brown's
Hand Laundry van is found with bloodstains of the same group as that of the dead
man. A search is made for the van driver, Richard Arthur Woolland (Richard
Shaw). At his home, under floorboards, is discovered more clothing, This time it
is Joe's. In his pockets - cocaine. More investigation, and the leader of these
drug dealers, who's also the corpse on the marshes, is a Richard Crawford. It
was the old story of baddies falling out amongst themselves. So how does this
tie in with the disappearance of Joe Burrage? Edgar explains all.
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FATAL JOURNEY (1954)
The Case of Norma Preston
Script: James Eastwood. Director: Paul Gherzo.
Featuring Gordon Bell as Chief Inspector Durrant, with local police (Lloyd Lamble).
A well constructed story commences one dull autumn evening in an isolated house in Tembridge as Mr Preston returns home, "a terrible homecoming." His wife, her skull fractured, lies dying on the floor.
Edgar recounts two other seemingly unrelated incidents on that day.... The 2.31 suburban steam train ends its journey at London Bridge. One passenger doesn't alight- but he's not dead, he just stares, "like a dummy 'e is." A policeman takes him away to the police station where he's diagnosed as having amnesia. The other event is at Mr Potter's shop- Steve, a gipsy, steals some of his merchandise. Police find the stolen goods in his caravan. Steve admits he had been selling beads door to door, and evidence proves he had called at the Preston home.
It appears Mrs Preston had been attacked for a mere £1 note so, Edgar rather dramatically declares- "a human beast was abroad, but had gone unrecognised." Mrs Preston finally dies in hospital uttering the enigmatic words "I'm sorry...."
The pound note is found on the gipsy's person. He claims Mr Preston was at home. In a flashback we see him enter the house via the back door and find the £1 in the kitchen. He's interrupted by "an oldish man, about 50." It could even be Preston.
Trawling through the Yard records, it emerges Mrs Preston had featured as Mrs X, the anonymous victim in a blackmail case. Gough had been found guilty and sentenced to four years and he'd just been released. That's who our amnesia victim is, and Inspector Durrant carts him off to the Yard. An identity parade that includes Gough and Preston awaits the gipsy. He walks along the line.... and picks out..... an innocent bystander! So Gough has to be released and it becomes a waiting game for Inspector Durrant as he tails the ex-prisoner hoping he will give himself away. He's watched for some while as he walks to a Salvation Army hostel, to a bench by the river, "he's waiting for something," declares one observer. Finally Gough makes his move. At the Lost Property Office, 7 Belgrave Road, he collects his suitcase. In it is a blunt instrument, the murder weapon. A wig explains why Steve failed to identify him.
For his coda, Edgar gives us his explanation as to why Goff adopted this charade in his vain attempt to elude the law. He speculates also on Mr Preston's "enigmatic" role.
Scotland Yard Menu
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THE STRANGE CASE OF BLONDIE (1954)
(although not stated, this would have been called The Curtis Case.)
featuring Russell Napier as Dt Inspector Harmer, Derek Aylward as Sgt Langham.
Script: Basil Francis and Ken Hughes. Director: Ken Hughes.
"It's hard for an old lag to learn new tricks of the trade," explains Edgar. To illustrate his point,
he describes the notorious career from 1926-1938 of Flannelfoot.
And so we come to Blondie (Lee Sinclaire) who conducted similar robberies "without changing her routine one iota."
This was:
1. Select a quiet house
2. In the afternoon, call to conduct a survey
3. Having "cased the joint," return "at a more convenient hour."
Over ten months she is suspected of 40 such thefts.
However for once a robbery goes wrong when Gerald Curtis, a retired antique dealer is brutally attacked.
A taxi driver happens to have spotted a woman leaving in a hurry- she was about 25, blonde, wearing a black coat and beret.
It's obviously Blondie again. But just who is she?
Inspector Harmer's first lead occurs when some of Curtis' jewellery is pawned- by a man! He spots a pattern in Blondie's
robberies across the country, "a sort of Crook's Tour!" Meticulous scanning of local newspapers suggests the link is a
touring show The Hollywood Way, which has travelled this week to... you've guessed it.... Wimbledon! Off to the Comedy Theatre, cue an exotic dancer on stage:
"nothing objectionable in this show." Star is Eddie Leroy, but the taxi driver and pawnbroker are unable to identify any
sign of Blondie in the cast. But maybe Eddie is the man who had pawned the jewels.
By now you've probably put two and two together though Inspector Harmer isn't quite on the ball as yet.
Some more jewellery is pawned, this time in the Strand. It's Blondie! Quick thinking enables the police to tail her as
she boards a 77A bus south along Whitehall, "that goes to Wimbledon, doesn't it?" Blondie returns to the theatre.
"Once they're inside that theatre we'll have the pair of them, her and Leroy." Harmer swoops but no sign of Blondie,
of course. Finally the penny drops. On stage, Eddie spots the police waiting in both wings and makes a leap for it into the gods.
Instead he falls into the pit.
Edgar concludes with the rather
predictable "Eddie Leroy had given his last performance."
Despite a rather obvious solution, there's plenty of showbiz fun in this case, Sgt Langham having a few choice lines.
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THE MYSTERIOUS BULLET (1954)
The Charlesworth Murder/ The Bramble Farm Case
featuring Robert Raglan as Chief Inspector Dexter, assisted by Sgt Henry Miles, with John Stuart as a Local Inspector.
Script: James Eastwood. Director: Paul Gherzo.
The storyline is so slight that Edgar introduces a novelty, a Robert Churchill, a real life expert in the science of
ballistics. This adds some authenticity and fortunately Churchill is just about up to the demands of his acting role.
The quiet Hampshire countryside is shattered by a gunshot. Poacher Jim Grundy is caught redhanded by a gamekeeper,
but things look even darker when the corpse of David Charlesworth, the landowner is found nearby, shot through the head.
Churchill however examines the guns and declares neither the gamekeeper's nor the poacher's guns were the murder weapons,
even though they fire 2.2 bullets which was the type used in the murder.
In an unconvincing red herring, another gun goes under his scutiny- that of Edward Walton, who'd recently had a punch-up
behind The Plough with the dead man. As he's got a criminal record for robbery with violence, Inspector Dexter looks hopeful.
"He isn't your man," Churchill disapppoints him.
The inspector calls on Emily Thatcher, a widow of six years, who'd just become engaged to David. Surely their 12 bore shotgun couldn't be
the wanted weapon? Certainly her brother John Patterson (John Warwick who in later stories played the inspector!)
looks shifty.
However he has an alibi: "I spent the night at my mother's house, 30 miles away." Mrs Thatcher Sr
confirms his alibi: "Mr Policeman... I'm proud of that boy of mine, he was a fine soldier." Another interesting discovery
is that Julie Thatcher (Carol Marsh), Emily's daughter from her first marriage, is "an expert shot." She admits she had
visited David on the fateful night. In fact she loved him! She claims to have said goodbye to him when another visitor
knocked, but she doesn't know who it was.
Our expert Robert Churchill now solves the mystery- the bullet had been fired from a 12 bore shotgun which had been adapted to fire 2.2 bullets. So it's straight back to the Thatchers where supper is interrupted.
Churchill adds his own comments on his participation. Finally the cameras close in on Edgar who warns us sternly:
"let anyone who is contemplating murder by shooting - Beware!"
Churchill and Thatcher in this- there must be a joke in there somewhere. There's not much else to write home about.
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Murder Anonymous (1955)
Script: James Eastwood. Directed by Ken Hughes.
The Langster Case with Ewen Solon as Inspector Conway, assisted by Brian O'Higgins as Det Sgt.
A novelty to commence, in the shape of Sir Travers Humphreys PC, an eminent retired judge,
no doubt an old buddy of Edgar's. Edgar does a mini interview with him about miscarriages of
justice before taking us to a suburban house where a Mr Langster has died.
But how has he died? There's a gun in the room, and two bullets lodged in the ornate fireplace, but he'd not been shot.
The housekeeper points the finger at a neighbour, Mrs Nora Sheldon (Jill Bennett) who lives with her blind husband
(Peter Arne). But another suspect is Mrs Langster, the estranged wife of seventeen months. A third suspect is Langster's ex-partner in business at Covent Garden,
Bowman. Langster had had an affair with Bowman's wife, so she could be another suspect. She's living in the Miramar Hotel Wimbledon, where she keeps
a photo of Langster, though she's away as an air hostess in Rome at the moment.
Inspector Conway questions Mrs Sheldon who admits seeing Langster on the night of his death: "when I left him he was perfectly all right." It's unclear whether the two had been having an affair.
Now Conway flies to the Eternal City to meet judo expert Mrs Bowman (even though an
external scene is clearly shot in Britain!). It is now proved that Langster must have been
killed by a judo move. She admits quarelling with Langster that night and even threatening him with her gun, the one that was found in his room, "But I didn't kill him." She refuses to return home from Italy.
Mr Sheldon disappears, found later in the dingy Kirkall Hotel, half dead, with a confession by his
bed "I killed Langster." When he comes round he tells Insp Conway he'd been goaded into
seeing Langster that night after receiving numerous anonymous calls claiming his wife was having an affair with the man. "Leave Nora alone," he'd warned Langster,
but he refused and they'd had a fight. Despite being blind, Sheldon had pinned the Casanova down and accidentally killed him.
Time for a summary from Edgar and his guest. How guilty was the woman who had made those anonymous calls, who it transpires was Mrs Langster? Of course, the law can't touch her, but, although Sheldon was convicted of manslaughter, adds Edgar with just a trace of a smile,
Sheldon is now out of prison rejoining his wife "a happy and united couple." Oh for those happy endings!
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THE CASE OF THE RIVER MORGUE (1956)
The Hiller Case,
written and directed by Montgomery Tully.
featuring Hugh Moxey as Det Insp O'Madden and Gordon Needham as Sgt Stafford.
A body that died twice, and a police investigation into a murder that never happened - this is the sort of story to get Edgar excited!
Mortuary keeper Harry Bryant has a corpse that's missing! A 35 year old who'd drowned - the police try to learn
his identity. But next day a body reappears in the mortuary! This one is disfigured, but Harry "knows" it's the same body,
since he's found his own identifying mark, the number 7 written on its foot.
This corpse is identified as that of a Mark Hiller who, according to his widow, used to take the dog for walkies each night
along the towpath at Kingston. The coroner decides it was accidental death, with the nasty injuries occurring after death,
perhaps as a result of being hit by a boat.
But Inspector O'Madden is not quite satisfied. "No case and no suspects," is Edgar's summary of the case so far.
Hiller was a diabetic, but the pathologist reports no sign of diabetes.
And significantly, Hiller was insured for £10,000 - " a lot of insurance." Inspector O'Madden learns Mrs Hiller has received a telgram from "Anthony" in Nice.
She leaves for the South of France. Has she joined her husband?
The French gendarme proves unusually efficient in tracing the couple. Reaching the hideout a man's body is found- Hiller.
"Il est mort," spots the observant concierge.
Edgar praises the inspector's tenacity which enabled this crime to be solved. A footnote - the dead man in the mortuary was never identified.
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DESTINATION DEATH (1956)
The Eberstein Case
Script: Colin S Reed. Director: Montgomery Tully.
Russell Napier stars in his most familiar role, Inspector Duggan. with Arthur Gomez as Sgt Mason.
Idly sipping his glass of port, Edgar takes us to London Airport where financier Mr Eberstein who was travelling to Lisbon on Flight 167,
has a new Destination - - Death. He's been poisoned.
Interpol are unable to trace such a person. The passport he's carrying is a forgery.
His airline ticket had been sold by the Bowaters Travel Agency but clerk Sims, and chief clerk Carden (Raymond Young) don't recognise the man.
So Duggan flies to Portugal
to see a singer Kara Gerhardt (Colette Wilde) whose photo had been found in the dead man's wallet. Duggan listens to her song po-faced, whilst his Portuguese counterpart Inspector de Servico beams.
She's held for currency smuggling, but Duggan can't establish her connection with the corpse.
Back in London, Mrs Maguire comes forward and identifies the corpse as that of Patrick, her estranged husband. From Maguire's secretary,
Miss Challoner (Melissa Stribling), who was in love with him of course, Duggan learns that the dead man travelled abroad
extensively, and always booked his tickets through his brother-in-law's travel agency. Bowaters, where Mr Carden works.
Carden disappears from England in a private plane. His wife (Paula Byrne), who is the beneficiary of the dead man's will,
also slips out of the country, but fortunately she's tailed and Duggan travels to Dinard and catches up with her out at sea where she's having a row with her husband.
It transpires that he in his turn had fallen out with the dead man over his share of the proceeds of the counterfeit money.
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PERSON UNKNOWN (1956)
The Cusick Case
featuring Russell Napier as Inspector Duggan, assisted by Edward Cast as "Sergeant."
Script: James Eastwood. Director: Montgomery Tully.
Near the small picture-book hamlet of Hillfield in the South Downs "where it's always afternoon," there's a quarry where we see a lot of funny looking gents in bowler hats
watching as a digger reveals a corpse. But it's a dummy! Edgar smacks his lips as he explains it's a test by our lads in blue to examine the effects of an explosion on the human frame. Two days previously, there'd been just such an explosion,
in which Polish foreman Josef Cusick had been blown to pieces.
His widow (Marianne Stone) identifies the charred remains. Although killed by in the explosion, the reconstruction helps prove he must have been drugged.
An idyllic country walk following the last known tracks of the dead man reveals a spot where signs of a struggle are visible. Clues reveal the attacker is height about five foot six with shoes of a narrow A fitting.
The pattern on the soles are identical to those of the other quarry foreman, Jim Fenton, who didn't get on with Cusick at all.
Duggan then gets a shock. He's summoned to London, MI5 HQ no less, where he's told Cusick worked for a foreign embassy, and was about to be arrested as a spy!
In another development, an American, Herbert Viner (Bill Nagy) disappears from his London Hotel. Just after the war he had escaped from Poland with his compatriot Cusick. His shoes fit the footprints too!
He'd phoned Cusick on the day of the murder.
Then Mrs Cusick disappears! A call is put out for Viner's hired Ford Consul ALW212 "now the most wanted cars in Britain," chips in Edgar.
Spotting the car, a police chase ends up in the Amberley Road, with an abandoned vehicle. Fingerprints in the car indicate Viner hadn't been driving it.
Duggan moves to Amberley Station and finds Mrs Cusick on the platform. "I must ask you to accompany me...." etc etc.
Edgar pieces the whole story together. Viner had driven to Cusick's house to expose him as a spy. Viner had been killed in a struggle, and Cusick then fled the country. Though we might sympathise,
Edgar reminds us that his crime had been premeditated and was thus murder. Though he escaped British justice, Edgar adds a chilling footnote as to Cusick's fate
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BULLET FROM THE PAST (1956)
The Grant Case. Directed by Kenneth Hume.
With Ballard Berkeley as Inspector..erm ... Berkeley. Inspector Reynolds of the local police starts the investigation, and his assistant Sgt Scott (Donovan Winter) also helps
Insp Berkeley with his inquiries.
Char Mrs Roper arrives at her employee's home near Guildford Station to ... scream! Mr Grant has been shot in the head, with a revolver at his side. However the fatal bullet had not been fired by this gun. This bullet turns out
to match the bullet fired in the unsolved Audrey Spencer Case way back in 1925. She'd been killed on board ship and her fiance accused of the crime, but acquitted due to lack of evidence. Grant had been purser on that same ship!
The only other clues are - a vague description of a woman visitor to Grant - a love letter in the safe - and a woman's hanky. This has a laundry mark JG581 which leads the police to a Mrs J Grant of 72 Princess Road (later called Princes Drive) Godalming,
who is of course the dead man's estranged wife.
She'd seen him on the day of his death to get her alimony. The letter is from the 'other woman', a Mrs Jenny Ross, also of Godalming, whom the inspector meets with her arm in a sling. Had she stopped a bullet?
She admits she knew Grant but he had stopped their affair. Mr Ross appears to be shielding his wife, or himself.
Berkeley bumps into him on his way home from work at Waterloo. Ross always catches the 6.27 home to Godalming. But Berkeley catches the 6.20 fast to Guildford and walks in five minutes to Grant's cottage. A car whisks him from there to Godalming,
in time to greet Ross emerging off the 6.27.
All authentic train times amazingly, and it's enough to persuade Ross to shoot himself.
It transpired Ross was being blackmailed by Grant over his sweetheart Audrey Spencer's death all those years ago.
Case closed on two crimes - "two murders for the price of one," concludes Edgar playfully.
Some curious little comedy mini-interludes in this story, including one with Bernard Goldman.
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INSIDE INFORMATION (released 29th September 1957)
The Weldon Case
featuring Ronald Adam as Inspector Hammond, Bernard Fox as Dt Sgt Conway.
Script: James Eastwood. Director: Montgomery Tully.
"Remember remember the Fifth of November," Edgar starts reciting. But though he starts to
tell about Guy Fawkes' dark plot, instead he tells us why the Yard have reason to remember
this date "three and a half centuries later."
A happy November 5th celebration in the little village of Saxton is marred when the guy
being burnt proves to be a real man.
The field where the fire was held belonged to Tony Neilson,
"a wealthy international smart-set playboy." He explains William Chard his caretaker
had made all the arrangements for the evening. But he seems to have disappeared!
Is he the dead man? It is proved that the man had been stabbed before being hoisted on to
the bonfire.
Eventually Sammy White is identified as the dead man, by his landlady. In fact White is suspected by Dt Insp Forbes (Julian Strange) of being
involved in a recent raid on an East End bonded warehouse. His partners Fergusson and Miller had been arrested following
a tip off from Jim Weldon of the Daily News. White had eluded police. Weldon promises to give Insp Hammond the background to his scoop,
but it's the old story of his being stabbed to death before he can talk to police.
So Hammond questions the two arrested robbers, but they won't squeal. Bail for Fergusson isn't opposed-
to enable him to be tailed. PC Baxter loses sight of him for a minute and Fergusson is silenced too, a knife in his back.
A dying word points the finger at Neilson.
Neilson's face expresses a provocative horror at the suggestion that he could be implicated.
But as soon as he can, he's grabbed a case full of his cash and is doing a bunk. However Harris his chauffeur
and hit man shoots him, before Hammond can make his arrest.
To conclude, Edgar summarises the reasons for the "grisly" catalogue of killings.
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THE CASE OF THE SMILING WIDOW (cinema release 10th November 1957)
The Adams Case
Script: Gil Saunders. Director: Montgomery Tully.
Featuring Russell Napier as Inspector Duggan and Vernon Greeves as Sgt Henry.
Artist Peter Adams is found gassed in the kitchen of the Hampstead home of art dealer Christopher Nicholls (Carl Jaffe).
For once it's the humbler police who help solve the crime. In a nice scene, Duggan's chauffeur Bates (Glyn Houston) chats with the kitchen staff
whilst his boss looks for clues. The chauffeur learns that Nicholls had had an argument with Adams. He's also told that
the gas had been "off" in the house and that Fudge a pet cat had also died that night. But the cat had definitely died of coal gas poisoning.
"There's more behind this business than's been said!"
The Assistant Commissioner tells Duggan that Adams and Nicholls are suspected of art forgeries, including the famous painting 'The Smiling Widow.'
Some snooping by Duggan at Adams' studio at a posh Essex address, and some ashes from a fire that Nicholls had been burning are diplomatically smuggled out of Adams' home in his hat.
Italian police confirm that these remains of paintings are by the same brush that painted The Smiling Widow forgery.
Nicholls' house is given "a thorough going over" and it is clear the cat died accidentally,
in the same bedroom Adams was gassed. Then Adams' body had been dragged downstairs.
But how could Nicholls have murdered Adams, as he's a an ex-polio victim? A specially adapted wheelchair provides the solution. However the art forgeries are not the motive behind the murder.
"Justice caught up with Mrs Nicholls," explains Edgar Lustgarten. It had been a lover's tiff that had lead Nicholls' wife to a "terrible revenge" on her former lover
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THE TYBURN CASE (released 22nd December 1957)
The Sandford Case
featuring John Warwick as Supt Reynolds, Gordon Needham as Dt Sgt Hale.
Script: James Eastwood. Director: David Paltenghi.
Edgar transports us to "the netherworld" of the sewers where maintenance workers find a corpse in the old Tyburn River.
The body is that of a middle aged woman aged 40-45, height about 5 ft 7, eyes grey, hair brown dyed reddish brown. Soda in her lungs proves she had drowned
in a bath, "and," as Edgar adds with one of those beautfiul descriptive remarks of his, "the person who has drowned in the bath cannot get dressed and walk!"
An informed guess by an expert calculates that the body had travelled about two miles along the sewer.
Supt Reynolds retraces the grim route, and finds a likely spot which could have been the starting point for the
corpse's journey, in a quiet street. Near the manhole, Reynolds spots a House to Let - 1 Wormwood Gardens Chelsea. (Odd that a Morden estate agents would be selling this place!)
Lonely widow Mrs Sandford had lived there, but, according to her solicitor, Peter Shilling (Howard Marion Crawford) is now living in the Bahamas.
Close examination reveals a new line of inquiry - some of the dead woman's clothes had received some Invisible Mending.
Unfortunately in those days there were hundreds of firms in London undertaking such a job, and there's plenty of legwork for
our Boys in Blue. Sergeant Hale gets the breakthrough. Miss Bradley (Genine Graham) at 73 Victoria Court was the owner, but
when police call there, she's not dead at all.
She says she had had it mended for her flatmate Nora Sims (Patricia Marmont), who'd since left as she'd come into some money.
Miss Sims had worked at a fashion house, and whilst Sgt Hale relaxes with the models, Reynolds learns more about the elusive Miss Sims.
Apparently she had a boyfriend called Peter. "I wonder how many Peters there are in London," muses Reynolds.
With no progress in sight, a visit is made to Mrs Sandford's house. The cleaner (Rita Webb) lets the police in and
claims the invisibly mended dress is hers! She'd got it from a friend of the missis, Miss Sims.
Light is now seen at the end of the tunnel! The bath proves to be the murder scene. A characteristic Edgar line follows-
"A case that had begun in the gloomy depths of a London sewer, now moved to the sunlit pleasure islands of the West Indies."
There Reynolds interviews Mrs Sandford, alias Miss Sims. She admits all- Mrs Sandford had intended to donate her wealth to charity and she and Peter had hatched up this plot.
The final task is to arrest Shilling who had been swindling his wealthy client.
Note- uncredited is Geoffrey Hibbert as the solictor's clerk
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THE WHITE CLIFFS MYSTERY (released 22nd June 1958)
The Matrion Case
Script: James Eastwood. Director: Montgomery Tully.
featuring Russell Napier as Inspector Duggan, Julian Strange as Sgt Blunt.
The 7.55 Seahaven to Waterloo express thunders through Branton station. A body is thrown out which rolls gracelessly along the
platform. Edward Matrion, aircraft research engineer, strangled, and a bit battered I should imagine.
Inspector Duggan examines the carriage from which the corpse emerged, finding Matrion's empty briefcase, with secret
documents missing. Guard William Grant recalls the man had been travelling alone in the compartment.
A vague description of a youngish man seen nearby is drawn up.
When Duggan calls at Matrion's large home, the maid Kovacs explains her master was only supposed to have been going
away for one night. But that is all Duggan can find out, for Mrs Matrion has had a coronary from which she is unlikely to
recover, and Miss Welton, Matrion's secretary is on holiday.
Subsequent investigations show Matrion had recently
withdrawn £800 from his bank, nearly all his account. "It's time we visited Seahaven," suggests the all-wise Duggan.
A cabbie there remembers driving Matrion to a hotel, where it turns out he had checked in as a Mr Bayliss.
Hiring a car (NYL612) from Salter's he had returned it with only 10 miles on the clock.
Examination of this car reveals chalk in the tyre grooves plus a set of unidentified fingerprints.
Whom had he met and where? At the foot of some chalk cliffs is found another corpse, that of Elizabeth Welton!
Further activity follows-
1. The missing blueprints surprisingly turn up in the post, in an envelope addressd to Matrion, and sent by him.
2. Blood on Elizabeth Welton's body isn't her own or Matrion's.
3. Mr Graves, a passenger on the train, remembers a man wearing a distinctive college scarf. This is from
West Kensington College and its owner Joseph Armed proves to live in the same address as Miss Welton.
Edgar explains all in a neatly filmed flashback - a story of blackmail.
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NIGHT CROSSING (released 11th May 1958)
The Case of Alice Brent
Script: James Eastwood. Director: Montgomery Tully.
Starring Russell Napier as Supt Duggan, with minimal assistance from Julian Strange as Sgt Jason.
Some interesting scenes shot at a South Coast town, but this becomes a rather rambling tale with the cast seemingly peeved by the fact that the last half is set in Paris and they couldn't get beyond the studio walls!
At a peaceful Channel port, local fisherman James discovers a body on the beach.
It's that of a black woman, a drug addict. The Yard computer whirrs and suggests it might be Rose Weston.
However this was one of those giant computers, and it's made a gigantic error, since Rose is still alive.
Next we come to one of those "sensational" revelations that Edgar loves to recount:
the corpse's skin had been "stained" brown, ie she's a white woman.
Spt Duggan recreates the crime using lots of dummies which are cast overboard from a boat.
Nearish the spot where the dead girl was found, one floats up on to a beach. So the corpse had been thrown from some passing
ship. A shipping expert comes up with seven possible vessels, the most likely being the Dunkirk to Dover night ferry.
So it's a flight to Paris for Duggan, if not for Russell Napier, where he meets the "formidable" chief of CID, Jacques Renault
(John Serret aided, oui oui, by Andre Maranne inevitably).
One girl who looks a little like Duggan's photo of the dead girl works at Ricco's night club- and he's strongly suspected of
running a drug operation. She's Alice Brent, and her Paris flat yields some surprises. First, a liquid that Duggan
puts on his hand and leaves a permanent stain. Second, a private record to Alice from an admirer ("I'll be waiting Alice"),
that was made in a Rome studio. And most shocking, there's a murderous attack on the policeman accompanying Duggan, Detective Nouvel.
Rome Interpol traces the recording: it was made by an American Lt Richard J Bryers, who is based at a US airbase
in England. He seems innocent: he'd split with Alice and had last seen her with a "guy" at Ricco's.
Back to Ricco's! Duggan finds Mlle Colette who had replaced Alice, but she's just beginning her knife throwing act,
and she's the one at the end of the knives! "Stop the show!" comes the unlikely cry from Duggan.
The lights dim and the knife narrowly misses her. She spills the beans and all that's left is for Edgar to reappear,
in his little room, to explain it all
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Print of Death (1958)
The Shelton Case
Script: James Eastwood. Director: Montgomery Tully.
With John Warwick as Supt Reynolds, Tim Turner as Dt Sgt Hale.
A novelty is introduced in the shape of Phil Brown as American detective Sgt Kovacs, but he seems merely a transatlantic appendage.
"The desire for easy money" commences Edgar. He tempts us with "where in any one week is the greatest amount of cash
to be found?" His answer- "in the nation's pay packets."
£50,000 is being delivered to a light engineering factory when a bogus police car stops it and shoots dead at point blank range the guard and driver.
Soon on the scene, too late, are the real police lead by Superintendent Reynolds.
Clue 1 is found in the van - fresh fingerprints of armed robber Joseph Shelton 19576/41 "one of our toughest and most dangerous
customers," released from Dartmoor six weeks ago.
Clue 2 - the bullets match those of Shelton's last crime ten years ago. Yes, this is "an open and shut case."
Mrs Sally Shelton claims she hasn't seen her husband for ten years. But a fur coat suggests she's doing OK.
None of Joe's former friends have seen the crook either. He's vanished.
A week later there's another payroll robbery. Again Shelton's prints are founbd on the empty cash bag.
Col Boyd of Interpol surprises everyone with news that Shelton's prints have been found on a glass in a Tangier bar.
Another shock - a headless handless body is unearthed during excavations for a new building. It had been dead 6 to 8 weeks.
Can it be identified? Signs that the torso had recently had a kidney removed. Shelton had had such an operation.
But "a dead man cannot commit robbery and leave his prints at the scene of the crime!"
It's back to Shelton's home. On Sally Shelton's brother's suitcase is a Tangier sticker! He and Sally had been confident that the dismemberment of Joe's body would see them in the clear.
There's a final chase after their partner in crime, Mrs Shelton's lodger (Edwin Richfield), who races around the railway sidings.
For once no-one is run over despite the complex shunting operations!
Shelton had been done in, simply so his fingerprints could be used to divert attention from the real crooks. Edgar's footnote tells how this case made history- "Fingerprints can lie, but only apparently, for at one stage of the investigation it did seem that robbery and murder had been committed by a dead man."
To Scotland Yard
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THE CROSS ROAD GALLOWS (1958)
The James Case
featuring John Warwick as Supt Reynolds with Dt-Sgt Hale (Tim Turner). Also prominent
is local inspector Travers (David Lodge).
"Murder" explains Edgar "is the most democratic of all crimes." It's dawn, and irascible farmer John Dent finds a caravan trespassing on his land. Inside are two dead bodies, outside he spots a shadowy
figure, a tramp, in the undergrowth.
This is a "most brutal murder" of a young married couple. James was a freelance writer who'd recently received a £100 fee. Little cash can be found in their caravan. Also untraced are a camera and a diamond ring.
At a nearby pub, the barmaid Sally Bailey remembers the couple had been buying drinks there. Had someone spotted their well-filled wallet? In a pond a "heavy blunt instrument" is unearthed, ie a spanner.
Hardly the weapon of a tramp.
A tip leads Reynolds to Farmer Dent's attic, where he finds a simple lad hiding, Billy the son of the house. The truth comes out - Dent had discovered him in the caravan, dazed "standing over them with the blood."
It transpires that Billy had been hidden by his parents after an incident some years back when a garage mechanic had seen him committing a crime. Billy is declared certifiably insane
but though "the evidence against him was overwhelming," Reynolds doesn't find the stolen property, and one
puzzling clue convinces him not to close the case - there's a patch of oil near the crime scene. Oil that proves to be from a powerful Tornado motor bike.
The machine belongs to the boy friend of Sally, Hans, who'd been blackmailing Dent over
Billy's former crime.
Edgar explains that Hans had spotted the idiot son near the caravan that day, and knocked him unconscious to throw blame on him for the crime Hans had committed.
Hans tries to escape on his bike but crashes at the foot of a gallows.
Edgar can't resist a final comment- "Hans Brandt met his own end at the foot of a gallows from which so many a grisly burden had hung in times gone by."
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THE DOVER ROAD MYSTERY (1959)
The
Winters Case
Script: James Eastwood, Director: Gerard Bryant.
Geoffrey Keen stars as Supt Graham, assisted by Edward Cast as Dt Sgt
Webster.
"The theft of cars is one of the most prevalent of crimes," warns Edgar.
Herbert Roberts drives "his glossy new" Ford Zephyr WXN 165 to work. An hour
later, 15 miles away, the car is being used as a getaway by bank robbers. John
Winters, a passer by, is shot outside the Central Bank as they speed off down the
A20, the Dover Road, which is actually Merton High Street. The police give chase
at speeds at 70 mph. "We're flat out mate!" as they reach 85, but it's
incredible that the Zephyr outpaces them. An exciting sequence ends when they
get blocked by a lorry. Why didn't they use their siren?
Superintendent
Graham is put in charge, with the encouraging "it won't be an easy case." His
first question - why would the thieves steal a perfectly ordinary family car?
In Manchester, a policeman spots a 1958 Zephyr ALW 212 for sale for £790. It
proves to be the same car, even though it had been souped up. Indeed it is odd,
as this numberplate also appears in story #18. Jack Chambers the dodgy car
dealer (Cyril Chamberlain) says he bought the car from a Thompson in Wimbledon.
Can he identify this man?
"He knows something," notes Supt Graham, who
wonders if the description Chambers provides might be that old trick of giving
the opposite to the correct one!! So was he 'young' / 'thin' / "barber's
delight in black" / "rather natty old school tie type"?
At his Saturday game
of golf, Mr Roberts is interrupted by Supt Graham. Who had known his family car
had been souped up?
Chambers disappears and is later found in his car dead.
"Clearly suicide" spots a police constable. Chloroform however suggests murder.
Face powder on his coat suggests he'd just met a woman.
The breakthrough! A
stolen fiver appears at a cinema. Roberts' secretary (a rather unconvincing Jane
Rieger) is the source. She's followed to a farm where the numberplate WXN 165 is
found carelessly left on display. One of the thieves is caught. He snitches on
his mates - they're at a race track. I think this is Brand's Hatch. Apparently
Roberts' partner, Bill Allen (old school tie type of course) had turned to crime
to finance his expensive hobby of motor racing.
Concludes Edgar in a
typically sombre footnote: "Bill Allen, a brilliant driver, had lapped the
course for the last time."
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THE LAST TRAIN (1959)
The Hunt Case
with Russell Napier as Inspector Duggan assisted by Norman Johns as Sgt Adams, plus Howard Pays as Sgt Davy.
Script: James Eastwood, directed by Geoffrey Muller.
12.58am: on the underground late at night, Edgar sets the scene with a little vignette of words as a guard comes across
a passenger who has not alighted. This corpse has a gun in his hand.
The man had been shot at close range. It's been made to look like suicide, but
the gun is in the right hand of a left handed man. As Edgar rather obviously notes, "a left handed man doesn't shoot himself with his right hand!"
The dead man was Edward Hunt of SW19 (near the studios!). The guard recalls seeing a passenger dashing down the platform- the killer maybe?
Young Mrs Thelma Hunt, a Belgian, (Lisa Daniely) tells Duggan her middle aged husband had been a very quiet ordinary Fleet Street proof reader.
She asks if his watch could be returned to her.
In a nicely enacted scene,
Hunt's bank manager reveals he had recently withdrawn £300 in £1 notes.
Apparently he had remarked he was buying "something money can't usually buy."
Eddie Hunt's mother, in a Guildord home, is bitter about being turfed out of her home when her son married Thelma.
Sergeant Davy goes undercover to the club where Hunt had met his wife. It turns out Mrs Hunt had continued to go there
after her marriage, so Sgt Ellis is assigned to tail the flirtatious widow. Davy notices that Eric Preston, the club's owner, is wearing an unusual
precise chronometer, similar to one in Hunt's possession. Customs and Excise fill Duggan in on a recent spate of watch smuggling and Brussels' police tell him of Mrs Hunt's long police record over there. Though tailing her doesn't produce any result,
Preston is caught in a fight with a blackmailer who knew of his relationship with Thelma.
A final summary from Edgar, who speculates on why this Belgian girl might have married staid Mr Hunt, concluding his remarks with his familiar dramatic intonation of the film's title.
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EVIDENCE IN CONCRETE (1961)
The Mavis Brent Case
Screenplay- James Eastwood. Director- Gordon Hales.
Scotland Yard inspector- Inspector Duggan (Russell Napier), assisted by Sgt Adams (Howard Pays).
Edgar Lustgarten commences with what seems to be a claim for life membership of the AA as he tells us "when drivers are in trouble the AA gets them going again,
when the going is difficult the AA is on hand to give warning and help, by day and by night, the long strong arm of the AA is ready to bring quick aid
to the driver in distress." Maybe this was an early form of sponsoring!
On the A5, 3 miles north of Redburn Hertfordshire, an AA patrolman, Scout Harris, finds a girl's body in a ditch. Not a hit and run accident, "more like a beating up."
On her clothing is a trace of "whitish dust," which proves to be unusual quick drying cement, which had been used only
in the construction of a road bridge on a nearby motorway.
Miss Sandra Page, a friend of the dead girl Mavis Brent, says the girl had got pally with an Irish lorry driver, who, on the evening of her death had had his lorry, containing
export whisky, stolen. The driver, Harry Dollan (Patrick Maynard) admits knowing the dead girl Mavis Brent, and claims she was actually asleep in the lorry when it was nicked.
Sgt Ben Kendal of the Shadow Squad uses an informer, Carl Jellinec, to pretend to want to buy whiskey. A Mr Hardy offers him some.
The Yard find the building where the motorway cement was stored. Blood on a poker proves this was the murder scene. The whisky is also stored here, where a sale is agreed.
After a fight the crooks, Hardy and his mate Walker, are arrested.
Edgar sums up why Mavis was murdered: "the crime was terrible, yet Walker was capable of one decent act. He said that his brother-in-law Dollan knew nothing of either the theft
or the murder. The police believed him. Dollan's only fault lay in talking too freely about his transport schedules, and
giving an unauthorised lift to that luckless night rider, Mavis Brent"
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THE SILENT WEAPON (1961)
The Stevens Case
script: James Eastwood. Director: Peter Duffell.
With Geoffrey Keen as Supt Carter, with Stanley Morgan as Dt Sgt Dobbs. Michael Nightingale is the local Inspector Hammond.
"Big Money is a temptation to crime," warns Edgar. Especially at places like the dog track.
Greyhound trainer and "first class horseman" Brad Stevens, riding his horse early one morning on the gallops, falls and dies of a broken neck.
But it transpires his neck was broken before his fall! Stable boy Tim Cruft (Keith Faulkner) who was with him is very
jittery when questioned
by the police. Hardly surprising as he has spent two years in Borstal.
Apparently Stevens had known of this and "had the idea there was some good in him."
However last night, according to his housekeeper, they had had some sort of argument. Though Stevens "treated him like a son," she regards him as a "waster."
That old standby,
the anonymous caller, asks Supt Carter to go to The Feathers pub near Piccadilly Circus. He is eager to go! But there he waits
until Last Orders. Then the landlord (Jerold Wells) says he knew Stevens, and that he was worried about his dogs, although
often the favourites, had been losing lately. Stevens thought they were being doped. Most recently at Springfield yesterday
China Boy, the clear favourite, was beaten by Blonde Deb.
China Boy's owner, actress Joan Drew (Norma Parnell), currently
making an ad for Glamour Tours, knows
nothing about the dog as her Aussie boyfriend John Rivers (John Woodvine) paid all the bills. Carter visits the kennels
near Dorking and arranges for a vet to examine the dog. 10 grams of sodium amadol, a sedative, are revealed.
But Carter, although he has a motive, has no clue as to the murder weapon. So he plays that favourite trick -
the hunch. Of all the junk found near the crime scene, one curious item is a tin full of birds' eggs. The owner is
eventually discovered and a little boy just
about spits out his lines which are that where he lost his tin, he had found something. Carter enters the lad's shed to
be shown a boomerang.
So in summary - boomerang - Australia - there must be a connection! Bloodstains on the weapon are group B that of Brad Stevens.
Miss Drew and her boy friend are zooming up the M1 - now how up-to-date is that?! But Carter is even more nifty.
"Get me the heliport at Battersea, and hurry!"
At an airfield they catch up with the shady pair whose plane is ready for take-off.
It turns out that Joan Drew's real name is Ethel Cruft, and that she and Rivers had used Tim Cruft to dope the dogs.
Edgar concludes by telling of the sensational trial. Certainly a boomerang was a murder weapon unique in British criminal
history.
Geoffrey Keen gives the story some credibility, playing the investigating officer with his usual quiet dignity.
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THE GRAND JUNCTION CASE (1961)
The Trudi Weiss Case
Dcript: James Eastwood. Director: Peter Duffell.
With Russell Napier as Inspector Duggan and Howard Pays as Dt-Sgt Adams.
Edgar starts with one his cameos as he takes us on a brief tour of Britain's canals, apparently they are full of "macabre"
possibilities.
At Bull Bridge near West Drayton, a solitary fisherman has a bite! He pulls and pulls in a tense sequence, to
finally draw up some sacking. Inside is a leg. Apparently a lot can be deduced from just one leg.
Certainly the posh pathologist (Wilfred Brambell) can. It's a woman, aged about 40 and, adds Duggan this time, with
"a rather unpleasant red varnish on her toenails."
A week later, after an extensive search, a second bundle is dredged up- a hand with a faded eidelweiss tattoo. "What we need," admits Duggan rather matter-of-factly, "is the rest of the body."
A snooty tattoo artist (William Lyon-Brown) claims he doesn't recognise the handiwork, so it must be foreign.
And "usually tattoos are found only on ladies of 'easy virtue'"- so be warned!
Bluebell is an old cabin cruiser at a boatyard belonging to Bill Smaller (Tommy Godfrey).
Effie his wife hasn't been seen for a while. On Bluebell is a bloodstain. Was she ever tattooed?
Replies Bill: "If I ever tattooed Effie, it wouldn't be on the arm!"
Sacking of the same type as the bundles is found on the premises.
"You've a lot of explaining to do, Smaller." It's certainly looking grim for Bill,
but then Effie materialises. She'd been keeping away to teach her husband a lesson.
After that red herring, there's even time for an unusual hint of romance as Sergeant Adams is given
a half hour tea break. But romance has to come second when he guesses a connection between the boat and one of Smaller's cronies,
a butcher named Parris.
He reports back to Duggan who has heard from Interpol. A possible tattoist in Nice,
"far from the grey skies of London, a Mediterranean playground in the sun, remote indeed from that abysmal canal
where the case began, " eulogises Edgar, in a typical aside. An Australian tattooist named Brown remembers the woman Trudi
and her red headed friend Wanda. She is traced, but she's just been wounded by an intruder.
In her room is a suitcase with a letter from a Trudi Parris.
It's back to London and an arrest. Edgar explains all,
though he doesn't reveal if the other leg and arm ever came to light.
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THE NEVER NEVER MURDER (1961)
The Molly Davis Case with Russell Napier as Inspector Duggan, Maurice Good as Dt Sgt Harper.
Script by James Eastwood, directed by Peter Duffell.
A few scenes depict Christmas decorations- was this a 'Christmas Special'??
On a demolition site inside a walled-up cupboard is "a gruesome discovery," a woman tightly bound in sheets, killed by that "violent blow on the head."
The last occupant of the house was Mrs Bennett who informs Insp Duggan that the North London basement flat where the corpse was hidden had been rented by bald Henry Wilks.
Duggan's first breakthrough comes when talkative Mrs Alice Phips (a humorous cameo from Fanny Carby) identifies the body as that of Molly Davis. A year ago she had had a new gentleman friend and had been planning to go into business with him, "direct selling of domestic appliances."
Her information leads to 34 Warrington Court Fulham where Molly lived. The porter (Brian Wilde) explains she'd bought numerous household items on the hire purchase but "once she'd forked out on the deposit, she never never paid again!" So the pattern of operation becomes clear: Mrs Davis bought on the Never Never tvs, electrical typewriters etc
and Wilks sold them at bargain prices.
So the search intensifies for Wilks as Duggan is worried he might have started another scam with a new partner. Adds Edgar with a touch of humour: "many inoffensive bald men were puzzled to find themselves under observation."
In Kingston a wife is offered a tape recorder for £50 cash. Seems no bargain to me! But apparently it was, and Duggan is informed, and lurks in the kitchen to overhear the transaction being sealed.
Sgt Harper poses as the husband as the salesman demonstrates "the latest model." He leaves with his £50, and Duggan emerges to admire the new recorder: "a bargain here, a very expensive piece of equipment."
But he's not as laid back as this might suggest, for the crook has been tailed to his warehouse in Upper Thames Lane Richmond, and there Wilks' wig is removed and the body of Mrs Bennett, an earlier partner in crime is found.
Edgar finishes by reminding us of that good old maxim Let The Buyer Beware!
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WINGS OF DEATH (1961)
The James Wilton Case.
Script: James Eastwood, directed by Allan Davis.
With Harry H Corbett as Supt Hammond, assisted by Simon Lack as Dt Sgt Phillips.
This is a rather unimaginative script of an allegedly "extraordinary case," with Harry H Corbett plodding unconvincingly from scene to scene in a rather entertaining but forced Scottish accent.
"Safe, uneventful arrival and departure on the airways has become a matter of routine," declares Edgar, sadly unaware of the future.
Debris of a "small rogue plane flying wild" is investigated by Sinclair of the Accidents Division of the Royal Aircrafts Establishment.
When traces of TNT are found, the Yard is called in. Superintendent Hammond
makes a number of calls - firstly on Mrs Wilton (Shelagh Fraser), the wife of the pilot James Wilton. She's a model working under the name Diana Parker,
and she identifies the corpse. She refuses to believe her husband
would have committed suicide.
Boreham Flying Club confirm Wilton's departure, but are unable to reveal his destination.
At Wilton's factory, Hammond questions Willie Hamilton, his business partner. He was the brains
behind the firm, whilst Wilton was salesman. They were in dispute over Hamilton's contract. But he knows Wilton was intending to fly to Le Touquet.
At Wilton's solicitors, Hammond learns Wilton had visited France because he'd been sorting out the aftermath of a road accident there,
in which he had knocked down a lad.
So it's off to la belle France where the lad's father Gaston had sworn to get even with Wilton.
But it seems improbable that such a "drink sodden peasant could have planned and executed so ingenious
a crime."
So we have been introduced to all the suspects, who could have been guilty?
More evidence - a blood stained parachute near the crash site confirms suspicions that Wilton had not been alone in
that plane.
Detective work leads to a Mrs Newton on the Romney Marsh who remembers an injured man on the night of the crash, "a young man Mr Detective"
with a scar on his right cheek.
If you'd been watching carefully, you'll know who Hammond goes to arrest. (Hovering in the background, to prevent the killer
doing a bunk is a young Peter Bowles.)
Edgar mulls over the unique aspect of this case: "for in no other has the killer, to make sure his plan would succeed, had the temerity to fly
with his victim on the same plane"
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Scales of Justice moved away from the focus on the police seen in the series Scotland Yard.
It was thought at this time that we'd had our fill of police dramas which were now rather out of date.
It's not an improvement. Still, at least poor Edgar Lustgarten is allowed out of his studio office to introduce the story
at the scene of the actual crime.
THE GUILTY PARTY(1962)
Sincliar v Sinclair and Dobbs.
Script: James Eastwood. Director: Lionel Harris.
Mr Edward Sinclair (Anthony Jacobs) and his wife Thelma (Zena Marshall) are entertaining friends at a party.
He is attempting to persuade Henry Dobbs (Derek Francis) to invest £25,000 in a property deal abroad.
But in reality, Edward is in deep financial difficulties, indeed a debt collector, William Flowers, calls that evening to
remind Sinclair the deadline is tomorrow. For money is owed all over town.
Edward ponders over what to do with his wife and business partner. Dobbs seems to
be the best bet. "For your lovely green eyes, he'd put up £25,000."
He flies out to Frankfurt to evade his creditors, while she follows her husband's instructions and lures Henry Dobbs
who gets infatuated with her. After a day out at Lingfield
Races they book into the Chequers Inn. But family friend Charles Harris spots them there.
Next day she returns home to find her husband has returned, penniless. She's not got the cash out of Henry either.
But she does have a new mink coat, and she has another shock for him - she's pregnant.
Edward hatches his scheme - to divorce Thelma and name Henry. But she's going anyway!
Thelma: "I'm leaving you, Edward"
Edward: "Splendid!"
The story concludes with the trial. Several witnesses leave "little room for doubt" about Henry's "misconduct."
Henry's defence hits at the heart of the matter - Edward was in need of cash! And Madge Petworth, Thelma's best friend,
testifies that she had a call from Thelma that fateful night,
asking her to come down to the Chequers. She stayed with Thelma that night in Room 8. Henry did indeed offer Thelma the
necessary cash but she had refused. So Edward Sinclair's case is thrown out and he has to foot the bill for costs too.
Next morning, he is found dead from an overdose.
There's a final scene showing Thelma two months later with another boyfriend, Peter Naylor.
Asks Edgar: "In the deepest sense, who really was the guilty party?" Lord knows.
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MOMENT OF DECISION (1962)
Regina versus West.
Script: James Eastwood, directed by John Knight.
Edgar visits a lonely stretch of Wimbledon Common, the scene of an abduction of a baby from a pram. Nurse Helga had left it to enjoy a cuddle
in the bushes with her 'fiance' (Mike Sarne, who speaks only in German). The fun over, she returns to find the child has gone.
Unable to have children of her own, Mary West can't resist snatching the boy, Brian Chesham.
Her husband Bert (Ray Barrett), a commercial traveller, returns home to find his wife has acquired a baby. "A gift from heaven" is how she explains it.
She's really happy. But Bert persuades her to return the baby and she reluctantly agrees.
Second thoughts, not always the best, come to this "ordinary little man"
and he hides the child with Sally Mason (Marjie Lawrence) "a good friend."
Michael Aspel reads out the news that evening about the baby's dad being a wealthy industrialist,
who is offering a £5,000 reward for the child's safe return.
Bert phones the police saying he thinks he's seen the missing child at the storeroom of one of his clients, Mrs Davies, who just happens to have previous for this sort of thing.
In fact of course, Bert has planted the child there himself.
Protesting her innocence, poor Mrs Davies is taken away by police.
The baby is now returned to its parents and a grateful father hands over Bert's reward.
"Were things going perhaps a little too smoothly?" queries Edgar.
The answer isn't long coming - Sally, who knows what has happened, is given only £100, instead of the half share agreed upon.
In an argument she strikes her head on the corner of the gas fire. Bert runs off, and when she regains consciousness, dials 999.
Bert plans for a holiday are cut short, instead he's to spend seven years inside.
In conclusion, Edgar speculates on the motive for this "insignificant" man's crime. "Easy money" seems obvious,
but Edgar has a more convoluted theory - did he also see himself in a "star role" for a brief moment? I have a sneaky suspicion that Edgar rather admires him.
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Invisible Asset (1963)
Script: James Eastwood. Directed by Norman Harrison.
Edgar introduces the film from Carey Street, home of the celebrated bankruptcy court, and relates the case of Sam Warren.
Sam (Kenneth J Warren) was a man who "had rocketed from comparative poverty to at least the semblance of wealth."
To improve his "modest" cafe, Sam had borrowed £10,000 from Donovan (Ronald Leigh-Hunt) to transform his establishment into "one of the most luxurious restaurants in the city."
But though the business was a success, with stockbrokers enjoying profitable working lunches there, apparently there was not enough of a profit margin, even though Sam has purchased
a Rolls Royce and a large house in Hampstead:
"you seem to have lived pretty well!"
But his bankruptcy causes his former friends to shun him. His "sweetie" Beryl (Gabriella Licudi) in his Eaton Square flat gives him the brush-off, even nicking his expensive gold cigarette case.
Then Donovan demands his loan be repaid, as he suspects Sam has hidden a lot of his real assets away.
Indeed Donovan knows Sam has been eavesdropping on conversations of his customers, thereby getting some jolly good Stock Exchange tips.
Sam has no choice but to do a runner. With Joyce his wife they hide temporarily at the Park Royal Hotel as Mr and Mrs, er, Smith.
But somehow they have failed to elude Donovan, who still demands his money.
The couple sneak out of the hotel by the back entrance to reach their destination, the airport. They make their way there ignominiously in an Initial Towel van.
The 3pm Flight 103 to New York, thence to Jamiaca is ready, but Mrs Warren insists she
first phones her sister Alice a final goodbye.
She's not seen again. Sam is bewildered. He'd put all his real assets in her name.
Now he's stranded at the airport, and worse still, Donovan has traced him there.
But neither of the men are going to get rich as Mrs Warren has left a vitriolic note stating that she's taken her own flight to parts unknown!
Edgar adds his coda to provide a sort of justice, though perhaps not the type of Scales meted out at the Old Bailey.
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PERSONAL AND CONFIDENTIAL (1965)
Script: James Eastwood. Director: Geoffrey Nethercott.
Edgar starts this up on London's rooftops, at the top of a hotel where, in Room 755, a Mr Harry Wood had exited -
via the seventh floor window. Found in his room were top secret documents signed by the PA to a government minister
Sir Joseph Kenton.
This "perfect civil servant", Miss Maria Corbett (Ellen McIntosh) is questioned by British Intelligence, the double act of
Sloan (Windsor Davies) and Wilson (David Morell).
Maria denies knowing Wood was a spy, even though she was close friends with him.
However when it's discovered she has a rather large bank account she's arrested. She eventually agrees to
reveal the source of her funds - she got the money from "generous" men acquaintances such as Winters, a businessman now in America.
Her last boy friend before Wood had been Chadwell (Robert Cartland), the tv personality, host of the show Inside Information.
Her lawyer, Charles, surmises that either she is guilty or has been framed. Chadwell seems the prime suspect.
A private detective trails him and uncovers the facts, which turn out of course more complicated than any fiction!
Chadwell's current girlfriend is Valerie. He is paying money to the porter of the flats where Miss Corbett lives. The porter is blackmailing him.
But though Caldwell had planted the documents in Wood's room to obtain an exclusive story, he denies killing the spy.
In fact, Lady Kenton "with the active cooperation of Ronald Chadwell" had been trying to frame her husband's mistress.
Back on the rooftops, Edgar returns to the original question - how did Harry Wood die? "Did he fall, did he jump, or was he pushed?" teases our criminologist.
And his verdict - oh dear, he tells us "the truth will never be known." Surely a case for the DNA men to reopen!
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HIDDEN FACE (1965)
The Freedom to Write, the Freedom to Speak. On a misty day, stands Edgar at Tower Hill, "a traditional home of free speech in Britain."
He tells us of outspoken famous politician Robert Milsom (William Sherwood) who, as a forerunner of Mary Whitehouse, speaks out against vice and corruption.
He lives with his son William and his family, who are shocked when he commits suicide. They soon learn why.
Private Faces Public Men is a book by Jane Penshurst (Christine Finn) which exposes Milsom's alleged doubled life and double standards.
Another chapter deals with Sir Giles, the "harsh, ruthless chairman" of a large electronics company, whilst a third is devoted to a boxer whom Miss Penshurst alleges has murdered someone in the ring.
An actor,darling, is yet another target of her book.
She stands to make a lot of money out of all the publicity surrounding her book, with interviews on tv by Mr Crispin (played tongue in cheek by Alex MacIntosh).
William decides to sue her, but "a claim for libel dies with the person libelled, nor can a third party institute libel proceeedings on the deceased's behalf."
So William Milsom devises an ingenious scheme- he complains to Miss Penshurst's writers' association, compelling her to sue him to protect her professional reputation.
The second half of the story is set in the courtroom as the sources for Miss Penshurst's information are sought. She refuses to divulge confidential information which makes her case appear fragile.
But she insists Milsom had had affairs with doubful women, and had an illegitimate child through an unnamed actress.
However a Rose Jenkins (Gretchen Franklin) steps forth of her own accord, and explains in court that she runs a theatrical lodging house where she had had an affair with Robert Milsom and borne his child.
What's more that child is none other than Jane Penshurst! Result- nominal damages only to Jane Penshurst, and noone is satisfied as to this outcome.
Edgar discusses the verdict and ponders why Rose should have decided to give this evidence against her own daughter. For certain, this case had no winners.
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MATERIAL WITNESS (1965)
Script: James Eastwood. Directed by Geoffrey Nethercott.
A sympathetic portrayal by Reginald Marsh really makes this story of the Rise and Fall of Mr Harry Turner.
Hands in his overcoat pockets, Edgar introduces a modern business tale. Harry is a senior sales executive, but he's a
man under stress. Personal assistant Lewis Carter "hates his guts."
After a heavy lunch boozing and smoking at a restaurant, plus a little business, Harry departs, still smoking furiously, in his 3.5 Rover
rather unsteadily, and the police have soon caught up with him for doing over 60mph in a 40mph restricted zone-
the fact that the road in which this scene is shot is in open country and perfectly straight makes the limit a little
incomprehensible.
Harry loses his licence and in an "exemplary sentence" is also sent to jail for two months.
Mrs Turner and her teenage daughter Pat are rather unexpectedly comforted at this time by, of all people, Lewis.
"Was he sincere?" is Edgar's pointed question to us.
After his six week's holiday, Harry reports back to his office only to find Lewis is now in charge.
He can take a different job, with a cut in salary. Even worse for Harry, it seems his daughter's fallen for the
wonderful Lewis.
Harry needs a break. He gets one from your friendly barman (Harry Locke) who tips Harry off that Lewis had in fact
tipped off the police about Harry's drunken state the day he got pinched.
Was Lewis "doing his duty as a citizen" or is he just "a louse?"
The office Christmas party is a jolly affair. Lewis announces his engagement to Pat only to be interrupted by Harry
who enters the worse for drink, with his denouncing speech.
Exit hastily newly engaged couple zooming off in Lewis' new Rover (a white 3.5 this time). You can guess the rest.
"Lewis, don't go any faster!" But there's road rage with a Mini. An impressive sequence ends in an expected crash
with one badly injured Mini driver. The police arrest Lewis. Disqualified. Prison.
The obvious irony is noted by Edgar.
He adds a footnote concerning Harry's happy emigration with his family down under, to "the sun" adds Edgar rather pointedly in his thick overcoat.
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PAYMENT IN KIND (1966 colour)
Script: John Roddick and Peter Duffell. Director: Peter Duffell.
Justine Lord gives a strong performance in an interesting character study that rounds off the series.
This is "one of the most tragic crimes," announces Edgar, standing in a suburban housing estate.
In her modern home, Paula Morgan spends her money freely, often on credit, specially on her daughter Nicola.
Robert Andrews (Derrick Sherwin), a persistent travelling salesman, calls wanting his overdue payments for the last three
months, £51 in all. With a significant look he suggests "we'll work out something."
Her husband John knows nothing of any of this, and is in no position to help financially anyway. So Paula has to resort to theft.
Whilst at a party of Nicola's friend, Paula 'borrows' a "rather beautiful" ring for which
a jeweller (Henry McGee) offers her £60, sufficient to repay her arrears to Andrews, who is naturally disappointed to see his hold over her evaporating.
"I shall miss seeing you, Paula," he sighs.
Giving her a lift to the shops in his car, there's that familiar fault "something wrong with the steering,"
just as they pass a deserted farm. He attacks her. A struggle. He is accidentally killed when he bangs his head on farmyard machinery.
Running away Paula struggles home, a graphic scene depicting her distress. She broods.
Director Peter Duffell produces some fine long camera shots as she starts to cut up that brand new mink coat she
bought from Andrews, and as she collapses in hysteria.
The action moves to her trial. Was there any romantic liaison? A female barrister (Maxine Audley) makes an
impassioned plea in her defence. Not guilty of murder, though later she is convicted of theft.
Edgar bids a final adieu with a happy footnote. He is standing outside her home, which has a SOLD sign outside- perhaps there was a message here about
the sad closure of the film studios that had made over 50 short films with Edgar.
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